Danilo Del Tufo

Why no ibis?

I have been to Italy, rented a car and drove around for two weeks when I was touring Europe a couple years ago. Some of the most amazing sunsets I'ver ever seen were in Tuscany and along the Amalfi Coast. Would love to go back with the a7s3.
I tried to watch the video with auto translate but a lot didn't make sense. Still fun to see everyone's reaction to the camera, even if they were acting for the video. Priceless.
Cheers
Chris
 

C'mon Danilo, this (talented) guy knows of his craft... ; )
 
Orson Welles once said about Rossellini, he was not such a big deal... : X
Because all Italians are great actors, that's the whole point according to his refined state of the art sarcasm... LOL : -)

Only you, Chris, to make me have a good laugh today...
Have you ever been in Italy (especially from Tuscany to South)? ; )
Funny and informative review in Italian, that's for sure... @Danilo Del Tufo
Pretty curious definition of Italian joy & cinema BTW ; -)

I'm following this problem from the beginning of the introduction of the new Canon cameras. Overheating on R5/R6 is a serious problem as I've always supposed, we are receiving too many reports from the professionals. I'm sure that professional people will not use them to capture video as Canon claims, I suppose the only solution is the A7Siii, I will consider Sony if it doesn't overheat for one hour of continuous shooting, if S1H had a good autofocus it would be no brainer to choice over Canon, but it's also not lightweight camera. After comparing all the cameras on the paper, based only about rumors, Sony could win for sure. On my iMac Pro it's impossibile to check 8k RAW footage from R5, only via Resolve, dropping frames. It's a workstation that costly me rough 15.000 euros and frankly I will never use proxies with such power. So my advice is waiting for Sony and leaving the idea to consider Canon to shoot professional videos. Next firmware on Canon can't change problems with overheating, maybe 1/2 minutes of better dissipation but forget to use the camera for casual shooting... 

I'm following this problem from the beginning of the introduction of the new Canon cameras. Overheating on R5/R6 is a serious problem as I've always supposed, we are receiving too many reports from the professionals. I'm sure that professional people will not use them to capture video as Canon claims, I suppose the only solution is the A7Siii, I will consider Sony if it doesn't overheat for one hour of continuous shooting, if S1H had a good autofocus it would be no brainer to choice over Canon, but it's also not lightweight camera. After comparing all the cameras on the paper, based only about rumors, Sony could win for sure. On my iMac Pro it's impossibile to check 8k RAW footage from R5, only via Resolve, dropping frames. It's a workstation that costly me rough 15.000 euros and frankly I will never use proxies with such power. So my advice is waiting for Sony and leaving the idea to consider Canon to shoot professional videos. Next firmware on Canon can't change problems with overheating, maybe 1/2 minutes of better dissipation but forget to use the camera for casual shooting... 

Of the reviews I've seen, common comments:
+ Praise for AF, now class leading
+ Stabilisation excellent
+ You can shoot upper 20 mins 4K, then overheats but the issue is the amount time you have to let it cool down is considerable (one guy stuck it in a fridge - maybe Canon's solution is too bundle it with a small portable one)

Maybe your problem, Danilo?
 
Saluti per tutti : -)

Lmao. Their own rep says they clearly wouldn't ship a camera that overheats in 24p. But canon's info says they did just that. 
Even their own reps can't believe their incompetence. And this is the guy who had the first hands on with the c300 mkiii in the UK. 
What a shitshow. 

I'm following this problem from the beginning of the introduction of the new Canon cameras. Overheating on R5/R6 is a serious problem as I've always supposed, we are receiving too many reports from the professionals. I'm sure that professional people will not use them to capture video as Canon claims, I suppose the only solution is the A7Siii, I will consider Sony if it doesn't overheat for one hour of continuous shooting, if S1H had a good autofocus it would be no brainer to choice over Canon, but it's also not lightweight camera. After comparing all the cameras on the paper, based only about rumors, Sony could win for sure. On my iMac Pro it's impossibile to check 8k RAW footage from R5, only via Resolve, dropping frames. It's a workstation that costly me rough 15.000 euros and frankly I will never use proxies with such power. So my advice is waiting for Sony and leaving the idea to consider Canon to shoot professional videos. Next firmware on Canon can't change problems with overheating, maybe 1/2 minutes of better dissipation but forget to use the camera for casual shooting... 

To be fair Jordan did mention he was shooting in cool Canadian summer conditions (average temperature this month in Calgary was 10-23 degrees Celsius) whereas Behiri admitted he shot in 29 degrees weather (average temp in Tokyo currently 23-30 degree Celsius).
 
That to me would explain the conflicting overheating reports from those two.
The official Canon R6 overheating chart is listed for 23 degree weather:

That said, it is pretty appalling Behiri would use a pre-production R6 for what he claims was a “2 day shoot” with apparently long interviews/takes in 29 degree weather. That’s a disaster waiting to happen..

Potential solution

Still in the process. I'll open a thread on topic in the footage section : -)

Two things: IBIS and autofocus and I'm sold.

Full frame without DPAF is useless to me . 

Maybe Canon will come out with an ice pack option:

There are still just few videos shot with R5, this is the more long video I've found shot with R5: 
 

Thanks : ) Seems a win-win and the top dreamy one for now. What misses there? They've listened after all, isn't it? ; ) I feel myself tempted to buy one : -)

I've tested on my iMac Pro, CRM files from 1Dx Mark III, and they struggle and fans of the iMac come to kick in. It's still not optimized well.

Yikes. Just when it feels like the battle is won, there’s another one... We may finally get super cameras (look at the three on that list!) yet we’ll still need external recorders / transcoding? Even H.265 seems too much for NLEs right now. Let’s hope the software catches up fast!

A very personal journey...

 
on YouTube:
 
on Vimeo:
https://vimeo.com/392683012
 
Produced to London Film School as Associate Producer.
An Aaton Penelope camera was used to shoot on 35mm Kodak colour film stock and bring a striking vintage look to this narrative.
By Paul Maziere, a young promising French filmmaker based in London.
 
Mainly shot in the south of France.
Going now to the usual film festival circuit these days.

MFT is a great format indeed. When I mean dismiss any of them, I meant to ignore either of both actually. You can surely skip one of those if you have the other one, of course : ) But this camera series is a dream come true, my fav acquisition system ever designed, produced and delivered to my book : -)
Mainly shot on P6K, here's a trailer of a feature film co-produced by me currently @ post production: