Snuff

exactly the opposite ?  I bought BMPCC recently and I prefer it before my GH5 for DR and Color
BMPCC for shooting people document, music video, film (BMPCC will not forgive you, you have to learn the filmmaking craft, nothing slowmo YEP ? 
last work https://youtu.be/Pk_Qyuy_r5M
I use GH5 for shooting event, wedding, (Run&Gun situation)

38 Seconds of footage from the Pocket 4K. Just initial test. Will have a lot more soon! I will make this private in a bit but it's for those that wanted a bit of footage from Day 1. I'm not fan of the shakiness since we didn't have the appropriate gear, nor did we have the Wireless FF.

DNG 3:1. 24fps and 60/24fps, there’s some light DNR on some of the clips. 
Sigma 18-35mm Nikon with a Hoya ProND 8 (I put this on and forgot I had it on for the whole duration). Viltrox Nikon to m43 version. Ronin-S. 
4th Axis Stabilizer (Didn’t know how to set the tension at this point, next clips will be better!). Light warp on the beach clips.
 

38 Seconds of footage from the Pocket 4K. Just initial test. Will have a lot more soon! I will make this private in a bit but it's for those that wanted a bit of footage from Day 1. I'm not fan of the shakiness since we didn't have the appropriate gear, nor did we have the Wireless FF.

DNG 3:1. 24fps and 60/24fps, there’s some light DNR on some of the clips. 
Sigma 18-35mm Nikon with a Hoya ProND 8 (I put this on and forgot I had it on for the whole duration). Viltrox Nikon to m43 version. Ronin-S. 
4th Axis Stabilizer (Didn’t know how to set the tension at this point, next clips will be better!). Light warp on the beach clips.
 

38 Seconds of footage from the Pocket 4K. Just initial test. Will have a lot more soon! I will make this private in a bit but it's for those that wanted a bit of footage from Day 1. I'm not fan of the shakiness since we didn't have the appropriate gear, nor did we have the Wireless FF.

DNG 3:1. 24fps and 60/24fps, there’s some light DNR on some of the clips. 
Sigma 18-35mm Nikon with a Hoya ProND 8 (I put this on and forgot I had it on for the whole duration). Viltrox Nikon to m43 version. Ronin-S. 
4th Axis Stabilizer (Didn’t know how to set the tension at this point, next clips will be better!). Light warp on the beach clips.
 

Shot on: Blackmagic Pocket Cinema Camera 4K (BMPCC4K)
Lenses: Voigtlander 17.5mm f/0.95 and Super Takumar 50mm f/1.4
Resolution and codec: 4K DCI, RAW 4:1, 24P and 60p
ISO: between 400 and 3200.
Edited and graded on DaVinci Resolve 15
LUTs used: BMPCC4K film to extended video (from Blackmagic)
No grain added in post, No denoiser in post
 

Shot on: Blackmagic Pocket Cinema Camera 4K (BMPCC4K)
Lenses: Voigtlander 17.5mm f/0.95 and Super Takumar 50mm f/1.4
Resolution and codec: 4K DCI, RAW 4:1, 24P and 60p
ISO: between 400 and 3200.
Edited and graded on DaVinci Resolve 15
LUTs used: BMPCC4K film to extended video (from Blackmagic)
No grain added in post, No denoiser in post
 

Shot on: Blackmagic Pocket Cinema Camera 4K (BMPCC4K)
Lenses: Voigtlander 17.5mm f/0.95 and Super Takumar 50mm f/1.4
Resolution and codec: 4K DCI, RAW 4:1, 24P and 60p
ISO: between 400 and 3200.
Edited and graded on DaVinci Resolve 15
LUTs used: BMPCC4K film to extended video (from Blackmagic)
No grain added in post, No denoiser in post
 

Shot on: Blackmagic Pocket Cinema Camera 4K (BMPCC4K)
Lenses: Voigtlander 17.5mm f/0.95 and Super Takumar 50mm f/1.4
Resolution and codec: 4K DCI, RAW 4:1, 24P and 60p
ISO: between 400 and 3200.
Edited and graded on DaVinci Resolve 15
LUTs used: BMPCC4K film to extended video (from Blackmagic)
No grain added in post, No denoiser in post
 

Shot on: Blackmagic Pocket Cinema Camera 4K (BMPCC4K)
Lenses: Voigtlander 17.5mm f/0.95 and Super Takumar 50mm f/1.4
Resolution and codec: 4K DCI, RAW 4:1, 24P and 60p
ISO: between 400 and 3200.
Edited and graded on DaVinci Resolve 15
LUTs used: BMPCC4K film to extended video (from Blackmagic)
No grain added in post, No denoiser in post
 

Not really sure what you mean by this. 
Yes, I like the camera because i knew exactly what it was going to be and it has lived up to that expectation. I'm not going to hate on it because it doesn't have a tilting screen because i knew it wasn't going to have one. I'm also not going to hate on it because it doesn't have continuous AF or  IBIS because A: I don't need those features and B: I knew the camera was never going to have those features. I defend the camera against unrealistic people just because I am interested in the conversation relating to the camera and am quite dumb founded that people would find the need to get on a thread about a camera they do not want and does not meet their needs and start arguing about it. 
It's like me getting on the Sony A7III thread and ranting and raving about the fact that it doesn't do RAW or 10bit. Just sillyness!
I'm trying to give people some perspective but people just want to bang on about why it doesn't have feature A or B that a mirrorless camera does have.
One of my many faults is that I have low tolerance for stupidity, and there has been so much silly talk here that I felt the need to get involved. I mean, why the hell is Resolve not free? Why is Blackmagic not giving away it's products? Seriously. Can we talk about something constructive!
I wonder if Emanuel or Dbounce works for Sony or Panasonic as they are constantly on here bashing the Pocket for not being what it was never intended to be. Why are they so intent on bashing a camera they have not interest in? Andrew has been very vocal about the X-T3 and despite years of interest in RAW, now thinks the X-T3 is the ducks nuts, does he now work for Fuji?
So much ridiculousness....it's quite staggering.

Indeed. Helpful FAQ video. AF related too. I know a few of you spend hours of discussion on some pixel peeping when to my perspective, AF and IBIS are the crucial points of a $1-1.5 device.
These cameras are or should be designed to be operated for a single shooter at any rate or some other doesn't mean much else : ) We are in 4Q 2018... : -)
I think this may immediately answer you or anyone else shooting under those conditions:

: -)

Would anyone want some fresh of the card ProRes HQ 422's that I shot (while I was a little too drunk) last night? Handheld with speedbooster .71(Nikon) and Sigma 18-35.
https://we.tl/t-u0nkNHIEzy
These are the settings for all clips:

 
Disclaimer! I did remove the audio because of privacy (eg I'm wasted and slurring) but I will say that the on board microphones ARE FINE, they are very clear and I'm super surprised by both picture and sound!

Added link in original post!
 
Here's a quick grade of the ProRes. Grades super smooth, as expected. Love how it handles details and highlights. This footage is like kindergarten level compared to grading the OG BMPCC's prores (meaning this is so smooth and easy). And I don't like adding sharpness (midtone details) or the like. All luma curve, some temp and tint change, and hue.

I did some testing myself to work it out, and long story short is that if you watch a video in 4K (or 1080p60 I am told) then the bitrate of the stream from YT is considerably higher.
Here's the thread if you're curious:
https://www.eoshd.com/comments/topic/26746-getting-good-video-quality-on-youtube/

Exellent tripod work. I noticed a zoom in the middle of the video- great operating skills with that Tokina! Makes me want to use my own Tokina more!
Holy, this looks massive. Convinced now, seriously! I mean, how could this camera not give a fantastic image. It'ś BM after all now now even with great low light capabilities. Great time to get a BMCC in MFT mount for little money!

Wow the original BMPCC is just crazy good. I am amazed every time I see someone with skill on the output. Well done. And Wow that little girl is scary good also LoL. She is really in tune with the music. Great choreography.
That plugin looks like Adobe only.. Not happening for me.  I do Resolve only as of late. Cheap ass I know, but.. LoL.

I upscale my BMPCC videos to 4K with a plugin Instant 4K. It looks much better on YouTube. 
Camera: BMPCC
Lens: Tokina AT-X Pro 28-70 f/2.8 (Angenieux design), Metabones SB XL 0.64x
Filters: B+W UV-IR Cut, Tiffen Black Pro-Mist 1/4
RAW, FilmConvert (Ilford Delta 400)
Light: 3*150W Dedolight DLHM4-300

Watch this video and stop saying that Pocket4K is not сinematic. In the hands of the master with taste and good lenses, even the GH5 is beautiful. Otherwise, it is too early for you to have such a camera, learn to shoot first
Shot on GH5 using Lomo anamorphic and spherical lenses (50mm roundfront and +1 +2 diopters in a few shots). Graded with FilmConvert using KD 5207 Vis3.
 
 

If you set the power source in the camera settings correctly, the camera will offer flicker free shutter angle/speeds when you tap the shutter speed/angle icon from the HUD. It's okay to shoot 60/25 or 60/24.

Looks good to me. 
(one scene showed some aliasing though)
 

https://www.youtube.com/watch?v=54153YyAUVY
No bad showcase of the low light strengths of the camera.

Got my tracking number from Hot Rod Cameras, shipped today will have it in my hands by 10:30am tomorrow.
Illya, Lisa, Dain, Kevin, and Max always come through A1... and once again, I couldn't be happier with their, sale and service!

Watch this video and stop saying that Pocket4K is not сinematic. In the hands of the master with taste and good lenses, even the GH5 is beautiful. Otherwise, it is too early for you to have such a camera, learn to shoot first
Shot on GH5 using Lomo anamorphic and spherical lenses (50mm roundfront and +1 +2 diopters in a few shots). Graded with FilmConvert using KD 5207 Vis3.
 
 

Just received my Pocket 4K, incidentally the day following receiving my XT-3.
Got a wedding to shoot on Saturday so good timing.
 

Watch this video and stop saying that Pocket4K is not сinematic. In the hands of the master with taste and good lenses, even the GH5 is beautiful. Otherwise, it is too early for you to have such a camera, learn to shoot first
Shot on GH5 using Lomo anamorphic and spherical lenses (50mm roundfront and +1 +2 diopters in a few shots). Graded with FilmConvert using KD 5207 Vis3.