MurtlandPhoto

I shot with a set of 3 C100's exclusively with a past employer. When I left and the company was looking to offload them, I begged to buy one because I'd grown so fond of them. There is not a better get-out-of-your-way camera  with a high quality image at a low datarate than the C100. If you don't absolutely need 4k, I wouldn't hesitate to pick one up at their current used prices.

But they're 2 very good tricks ?

I shot with a set of 3 C100's exclusively with a past employer. When I left and the company was looking to offload them, I begged to buy one because I'd grown so fond of them. There is not a better get-out-of-your-way camera  with a high quality image at a low datarate than the C100. If you don't absolutely need 4k, I wouldn't hesitate to pick one up at their current used prices.

Well with his 1800 dollar budget he would be in business then. And I agree OOC footage is hard to beat.

I shot with a set of 3 C100's exclusively with a past employer. When I left and the company was looking to offload them, I begged to buy one because I'd grown so fond of them. There is not a better get-out-of-your-way camera  with a high quality image at a low datarate than the C100. If you don't absolutely need 4k, I wouldn't hesitate to pick one up at their current used prices.

$2000 for a cinema camera that has XLR, cLog, DPAF, internal NDs, with a really clean 1080p image downscaled in camera from 4K... that cost $6000 new only a few years ago... yeah that’s dirt cheap.

All aboard the hype train!! ?

Not a technical comparison, but these guys saved me the time to do my own testing months ago. Haven't looked back since ?
 

I think he meant “crushing everything else” based on google search numbers. So if we are to believe that this extrapolated data has any direct correlation on sales, or interest, and the 5D series is down, then Panasonic and Sony are really screwed because their numbers are way worse than Canon’s.

This! It is in Nikon's best interest to cannibalize their own sales now to ensure the maximum amount of Nikon shooters remain loyal to the brand for years to come. There's no telling what the next generations of Sony or even Canon cameras could bring.

If Nikon is smart enough to realize that mirrorless is the future (which I'm sure they realize, they and us probably just disagree on the timing of it) then they will surely try to make their mirrorless as good as they can because they will not mind if a person buys their "mirrorless D850" or an actual D850, as a sale is a sale!

In fact they might even prefer a buyer gets their "mirrorless D850" as that will help lock the buyer into the future Nikon ecosystem, while someone who stays with their DSLRs still has a risk that when s/he makes the leap to mirrorless from their D850 that they might not get a Nikon mirrorless but instead will leak to some other competing system.  

Rumors of the death of the GH5S have been greatly exaggerated... apparently! Not my work, but nice to see real narrative filming with the little camera.
 

Motionflow, Auto Motion Plus, AquoMotion, ClearFrame, ClearScan, Smooth Motion, TruMotion, Clear Motion Drive, Cinema Smoother... No wonder people don't have any idea what the Soap Opera effect is and how to cope with it on their new TeeVee's.
Of course, some people actually LIKE it.  For instance, you can watch the Zapruder film now on your new display and actually solve the Kennedy assassination.

Yeah it is a nice, balanced setup. Compact also. That is hard to achieve to be honest on any camera.

I'm not sure if you're being literal, or sarcastic (it's so hard to tell on forums..) but I think that fixating on just one aspect of this camera is a bit silly.
It's also a RAW camera, a prores camera, a BM colour science camera, a m43 camera, a non-IBIS camera, a fixed-screen camera, etc etc etc.  All equally relevant aspects to discuss.
Talking about shooting 1080 in a thread about a camera that shoots RAW 1080 seems quite relevant to me, especially considering the enormous file sizes of 4K and high image quality of RAW 1080 I think a lot of people will shoot various flavours of 1080 with it when it comes out.
My prediction is that lots of people will be viewing this camera as a BMPCC where they fixed the battery issues, the screen issues, the sound issues, etc, as well as the people who will be viewing this as a camera that shoots 4K.  I'm not aware of many discussions around the BMPCC v1 where it was criticised for the image quality not being sufficient, and I'm sure that lots of cameras in 4K are poorer performing than the Pocket 1 or 2 are in RAW 1080.

I don't think Panasonic should jump on the FF bandwagon. I think their smaller sensor is their unique selling point. The GH5s sensor has proven you can squeeze high iso/low noise performance out of a smaller sensor and this is only the beginning really. I think the smaller sensor allows them to push video tech faster - like the GH5 have 4k60p, who knows what is capable in the GH6 but I think the FF cameras will always be playing catch up to the smaller sensors cameras in that regard simply because they can process that information faster. Chuck a speedbooster on and problem solved.
I'm shooting with a GH5/speedbooster XL and a new A7iii with mc-11 - both using my canon L glass. Much prefer the GH5 for video. that 10bit is amazing.
What Panasonic should be doing is keeping their m43 mount cause there is some amazing compact glass for it but do what JVC did and chuck a Super 35 sensor in there. Imagine that with a speedbooster. All the benefits of a faster, smaller sensor but full frame look.

Marantz PMD-750 wireless just got a price drop down to $299:
 
https://www.bhphotovideo.com/c/product/1340330-REG/marantz_professional_pmd_750_2_4ghz_camera_mount_wireless.html
 
As the receiver can be used with two transmitters, you could buy a second transmitter for a hundred and fifty and have a two channels of wireless for a very low cost.

No specific issues with BM and SD cards. The issue was that the Pocket cam required fast write speeds that very few cards had at the time. Card manufacturers were labeling cards with max read speed which confused users when they wouldn't work in the Pocket. BM's only fault was not clarifying this for users. Ultimately, it wasn't their fault, but they could have helped educate users to alleviate the frustrations. Whether BM's intention or not, the Pocket was eaten up by consumers who had little to no knowledge of card speeds. 

Yes, it is the drive that BM has been showing on their website and live at trade shows.
 

Another comment full of white noise and unrelated information. I hope people will eventually realize that there is information pertaining to the original post within the so-called “white noise.” Conversations evolve and unless the OP is stupid he will get plenty of information from this evolved discussion, but to make you happy I will end every comment I make in this thread with C100... so...
C100
I mean seriously, if comments didn’t evolve, this thread could have been completed with one simple reply that stated, “Yes, it is still relevant.” End of discussion. 
C100

The GH5s with a speedbooster and XLR-1 gives you 90% of the functionality of the C100ii plus the added benefits of smaller size, 4k, slo-mo, HLG, dual native ISO, and more. If AF is a dealmaker/breaker, then you already know your answer.

GH5/S is not an option for me, i dont like the image that much, just saw a few "filmic" videos that i really liked. In my eyes its to "Video".
Bigger (not a red one ? ) is a Plus for me, clients are blindet by big cameras.
leave the fact that i dont like the Gh5, this package would be almost double the price. But thanks for your reply
Thats the work i do, if i do something bigger i will rent a RED.
Plan for this Camera would be, image films, music videos and shortfilms... maybe a doc someday.
Sorry i should gave you guys the infos earlier

The GH5s with a speedbooster and XLR-1 gives you 90% of the functionality of the C100ii plus the added benefits of smaller size, 4k, slo-mo, HLG, dual native ISO, and more. If AF is a dealmaker/breaker, then you already know your answer.

This is known as “the pattern”
Resident eps are are shot in 8 working days plus one day of second unit. The second unit happens concurrently with the first day of the second episode shoot. 
6 days are shot in studio and 2 day are out on location.
We average about 35 setups or “slates” per day. Have done as high as 60 on Resident. 
Many setups are three cameras. So that’s about 70-90 “shots” per day. 
Each camera shoots about 60-90 mins of footage per day but it’s not unusual to have 2 hours per camera (for action or slow motion heavy days)
i day we have three cameras but I really mean we have theee camera operators.
We have many more cameras that are pre-build for different roles. A, B and C are Alexa Mini. D camera is a full time Steadicam camera (Alexa XT for weight and mass).  It goes on down to letter q or something silly. 
There are three sets of Primo Primes and each camera has its own 11-1 as well. We also have a couple of other specialty lenses like a CP 50 macro, and I also use a lot of SLR Magic primes on the micro and APO Hyper primes on the Ursa Mini.
We shoot about 6-10 script pages per day.
I always say you can’t really go much faster than a setup every 15 mins.  That’s 4 per hour.  On a 12 hour workday it means we theoretically can do 48 setups.  It’s very hard to maintain that kind of pace in a day (and have it look good)
Sometimes you can get the shot turnover down by leapfrogging cameras. Have the A cameras do the first shot, prep the B camera to come right in after that setup is finished and the A camera pulls out.
There are 12 in the camera department not including me.  Ops, firsts and seconds x 3 plus two utilities and a loader.
Time is the thing we all struggle most with. Time to light, time to shoot, time to tweak.  
The pace of TV has a way of “honing” your choices and teaching you to react and trust your instincts. 
JB

Eh, what!? 
The Kinefinity is the same design as a Red in the same way a Canon DSLR is the same design as a Nikon one, or a Sony ENG camera the same design as a Panasonic one, or a Brand A car fundamentally the same design as a brand B car. They all have the same basic design and configuration.