Alt Shoo

Thank you all! I’m truly grateful for your congratulations! It’s been a challenging two years balancing family life and grabbing footage, then trying to edit while your children run rampant around you. Also can’t forget my wife needs...... But it was worthwhile! Now I am kind of known in the industry and have been receiving requests from other “street legends” for me to tell their story. 
 
Regarding JVC’s new cameras, they have awesome specs and I’m tempting to try it out, but I’m not really a fan of cameras with small sensors like that. However I truly enjoy the concept of the M.2 drive used to capture Pro Res! It’s definitely forward thinking and super cost affordable. I am truly hopeful that they are developing a new cinema camera. Maybe we can email them and remind them about that survey they had a few months back asking what we want in a cinema camera. We can tell them that we’re ready for it! lol 

I’m very grateful to be connected with JVC! They posted an interview they did with me on their IG profile talking about my film Marcy Made and how it was filmed with the JVC-GYLS300!
 

Very Nice @Alt Shoo!
I think it depends on the responses JVC got on their camera survey they sent out a while back.
I suspect people wanted a larger sensor. 10-bit 4:2:2 internal ProRes recording and PDAF.
JVC seems very interested in delivery exactly what people want. Problem is...sometimes what people want is not what they buy. Go figure.

Their new HC-500U has a pretty great spec for a £3K camcorder including 10bit 4K 4:2:2 internal, timecode in/out and a very smart caddy that holds an M.2 SSD to give you all flavours of ProRes up to 4K60p.
Its a shame its only a 1 inch sensor of course but it does augur well for if they do make an LS400 as JVC definitely do not possess a cripple hammer.
http://pro.jvc.com/prof/attributes/specs.jsp?model_id=MDL102557&feature_id=03

Congrats! And the doc looks great.

Nice job dude!

@Anaconda_thank you! I filmed mostly in 4k internally, with some shots externally to a Video Assist 4k in pro res. Some shots were in 2k and 1080 only because I had only one card on me and wanted to maximize the content gathering. 
As of now we are doing a screening tour along the eastern shore of the US. We are talking to major streaming services right now, but nothing is etched in stone. By January we will know our direction in that regard. 
 
The screen grab with the red hat is pro res and the other is the internal dci 4k codec. 

I’m very grateful to be connected with JVC! They posted an interview they did with me on their IG profile talking about my film Marcy Made and how it was filmed with the JVC-GYLS300!
 

I’m very grateful to be connected with JVC! They posted an interview they did with me on their IG profile talking about my film Marcy Made and how it was filmed with the JVC-GYLS300!
 

Make sure to consider the PiX-E5 to get 12-bit 4:4:4

@Geoff CB, thanks, Geoff. The BMD VA just looks so handy and perfect for the F3. Afaik, the F3 itselfs outputs 10bit 444 at the max? Here is a photo from Bens setup.
The Video Assist also fits the width of the F3 very well at 5 inches diagonal.
 

Seems to be a 100-400mm, 3 x APS-C L mount primes and a TC.
 

I’m very grateful to be connected with JVC! They posted an interview they did with me on their IG profile talking about my film Marcy Made and how it was filmed with the JVC-GYLS300!
 

That's awesome, congratulations!!
Great JVC have started trying to promote this camera... took a while.

I’m very grateful to be connected with JVC! They posted an interview they did with me on their IG profile talking about my film Marcy Made and how it was filmed with the JVC-GYLS300!
 

I’m very grateful to be connected with JVC! They posted an interview they did with me on their IG profile talking about my film Marcy Made and how it was filmed with the JVC-GYLS300!
 

I’m very grateful to be connected with JVC! They posted an interview they did with me on their IG profile talking about my film Marcy Made and how it was filmed with the JVC-GYLS300!
 

Didn't realize I don't have a 67-77MM step up ring. Hoping to get a variety of light, then can put up some quick clips.

Those aren’t bad specs if they are official. Mainly, REDCODE RAW, 6K, PDAF, and a R mount if it’s closer to $6K price range.

No need to apologise.

It's time to take a stand.
DPReview for the umpteenth time refuse to lift the blanket ban on EOSHD URLs on the forum, so I am going to do the same. No DPReview links are welcome on this forum and they'll be deactivated automatically. Of course you are still free to discuss their articles, but I don't see why I should drive their traffic while they do their best to shut me out and censor their own forum users.
To be honest it'll be no great loss if you didn't discuss their articles, in my opinion.
Now the same goes with Cinema5D because I disagree fundamentally with the ethics of those who run the site.
They have been absolute horrors towards EOSHD and never supported my presence as a rival from day one. They deleted their user's DSLR community, tossed an entire forum in the trash. Remember this and please don't draw attention to their articles which are in my opinion, blatantly misleading biased reviews, like with the 1D X Mark III rolling shutter situation and the hatchet job on the GH5 when that came out. You can get your info directly from me here instead so you don't need them anyway.
Nofilmschool are banned for same reasons due to my view of their editorial and business ethics.
With Nofilmschool this is also a zero loss. I don't think there's been a mention of them for years. Who reads that exercise in SEO any more?
Please appreciate, that my appeal to all of you in this forum is....Choose your sources with thought and care!!
This forum should be good quality info.
I don't want it to become an aggregate of misinformation and a place to bookmark YouTube clickbait, page after page.
Best of all, let's create our own content. We all have a camera. Let's test it, shoot with it, compare it. And lenses too, and software, and computers!
There are so many good people out there doing superb cinematic work and camera reviews.
Let's draw attention to them instead.

Some pretty nice looking new footage
 

I must say the design is damn sexy.
A bit different to the usual C200 type isn't it?!

Here are a couple of grabs from me in the house. The grab in the dark is from a scene out of the documentary Marcy Made, which is on Vimeo On Demand. I used a JVC GYLS300 and the Sirui 50mm. 

Here are a couple of grabs from me in the house. The grab in the dark is from a scene out of the documentary Marcy Made, which is on Vimeo On Demand. I used a JVC GYLS300 and the Sirui 50mm.