Evgeniy

Nikon is amazing if you do both photos and video. Beautiful image and great handling. If you're only interested in video there are better options, unless you don't mind using external recorder.

You can use Color Space Transform to convert your footage to REC2020 color space and ST.2084 and grade it by hand after that. You will need to connect it to your OLED TV using Decklink card in order to view it properly on the screen. 

You can use Color Space Transform to convert your footage to REC2020 color space and ST.2084 and grade it by hand after that. You will need to connect it to your OLED TV using Decklink card in order to view it properly on the screen. 

Nikon is amazing if you do both photos and video. Beautiful image and great handling. If you're only interested in video there are better options, unless you don't mind using external recorder.

When you shoot prores externally on Z6 the quality of the footage is remarkable. I don't think that you can get anything better image wise for under 10k.

When you shoot prores externally on Z6 the quality of the footage is remarkable. I don't think that you can get anything better image wise for under 10k.

I had so much fun shooting with Mavic 2 Pro. Felt like a kid who got his first video game console.
H265 in 10bit holds up surprisingly well. I graded my video in HDR and didn't experience any issues other than slight banding in the gradients. 
 

WOW You've just posted one of the best aerial footage samples I've seen shot on this bird and even beyond... my hat and personal kudos : ) Posted here too:
 

I had so much fun shooting with Mavic 2 Pro. Felt like a kid who got his first video game console.
H265 in 10bit holds up surprisingly well. I graded my video in HDR and didn't experience any issues other than slight banding in the gradients. 
 

I had so much fun shooting with Mavic 2 Pro. Felt like a kid who got his first video game console.
H265 in 10bit holds up surprisingly well. I graded my video in HDR and didn't experience any issues other than slight banding in the gradients. 
 

I had so much fun shooting with Mavic 2 Pro. Felt like a kid who got his first video game console.
H265 in 10bit holds up surprisingly well. I graded my video in HDR and didn't experience any issues other than slight banding in the gradients. 
 

You're not going to gain any increases in quality. The only benefit would be to improve performance when editing prores vs h264 or similar. 

You're not going to gain any increases in quality. The only benefit would be to improve performance when editing prores vs h264 or similar. 

I would be more than happy with internal Nlog in 10 bit. 

I would be more than happy with internal Nlog in 10 bit. 

I would be more than happy with internal Nlog in 10 bit. 

Good looking stuff. I'm glad that Nikon is pushing video capabilities of their cameras

Comparison with standart LUTs

Disclaimer:
I'm not trying to compete with EOSHD profile. The LUTs that I'm offering have a different look and it's better suited for people who like to tweak footage in post.
I’ve been working on these LUTs for the last three months and after hours of extensive testing with different clips the result is pretty good. You can see the example here:
https://www.youtube.com/watch?v=hZ8dFKmvMkQ
The cameras the you see in the example above are Canon C100 and Sony A7SII. I also did tests with A6300 and in theory you should be able to test it with any Sony camera that has S-Gamut3.cine setting but from my experience FS7 and FS5 have slightly different color, so it might not work properly.
It also might not work on clips with mixed lighting. Every camera sensor responds differently to certain light sources, so it’s impossible to account for that too.
Check the product page and my blog for more information and examples:
https://sellfy.com/p/pyqB/
https://colorandpost.blogspot.com/
Feel free to contact me if you want to review the product or test it with FS5 or FS7.

Hey everyone,
I created custom Slog2 S-Gamut3.cine to REC709 LUTs because I wasn’t not very happy with the official LUTs or the ones that included with Davinci Resolve.
Inside the archive you will find technical Slog2 into REC709 LUT as well as more stylized LUTs for specific looks. I also included versions with exposure compensation -1EV for overexposed material and official LUTs by Sony for your convenience.
Get it here

Nice job. 

Nice work! Also not happy with the official LUTS provided by Sony.

Hey everyone,
I created custom Slog2 S-Gamut3.cine to REC709 LUTs because I wasn’t not very happy with the official LUTs or the ones that included with Davinci Resolve.
Inside the archive you will find technical Slog2 into REC709 LUT as well as more stylized LUTs for specific looks. I also included versions with exposure compensation -1EV for overexposed material and official LUTs by Sony for your convenience.
Get it here

Hey everyone,
I created custom Slog2 S-Gamut3.cine to REC709 LUTs because I wasn’t not very happy with the official LUTs or the ones that included with Davinci Resolve.
Inside the archive you will find technical Slog2 into REC709 LUT as well as more stylized LUTs for specific looks. I also included versions with exposure compensation -1EV for overexposed material and official LUTs by Sony for your convenience.
Get it here

and it's not 4k...why are they nominating films that are not in 4k at least? doesn't make any sense!