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Evgeniy

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  1. Downvote
    Evgeniy got a reaction from EthanAlexander in Sony to Canon color LUT   
    Comparison with standart LUTs

  2. Downvote
    Evgeniy got a reaction from EthanAlexander in Sony to Canon color LUT   
    Disclaimer:
    I'm not trying to compete with EOSHD profile. The LUTs that I'm offering have a different look and it's better suited for people who like to tweak footage in post.
    I’ve been working on these LUTs for the last three months and after hours of extensive testing with different clips the result is pretty good. You can see the example here:
    https://www.youtube.com/watch?v=hZ8dFKmvMkQ
    The cameras the you see in the example above are Canon C100 and Sony A7SII. I also did tests with A6300 and in theory you should be able to test it with any Sony camera that has S-Gamut3.cine setting but from my experience FS7 and FS5 have slightly different color, so it might not work properly.
    It also might not work on clips with mixed lighting. Every camera sensor responds differently to certain light sources, so it’s impossible to account for that too.
    Check the product page and my blog for more information and examples:
    https://sellfy.com/p/pyqB/
    https://colorandpost.blogspot.com/
    Feel free to contact me if you want to review the product or test it with FS5 or FS7.
  3. Like
    Evgeniy got a reaction from andrgl in Sony Slog2 Free LUTs   
    Hey everyone,
    I created custom Slog2 S-Gamut3.cine to REC709 LUTs because I wasn’t not very happy with the official LUTs or the ones that included with Davinci Resolve.
    Inside the archive you will find technical Slog2 into REC709 LUT as well as more stylized LUTs for specific looks. I also included versions with exposure compensation -1EV for overexposed material and official LUTs by Sony for your convenience.
    Get it here
  4. Like
    Evgeniy reacted to mercer in Sony Slog2 Free LUTs   
    Nice job. 
  5. Like
    Evgeniy reacted to Gregormannschaft in Sony Slog2 Free LUTs   
    Nice work! Also not happy with the official LUTS provided by Sony.
  6. Like
    Evgeniy got a reaction from Gregormannschaft in Sony Slog2 Free LUTs   
    Hey everyone,
    I created custom Slog2 S-Gamut3.cine to REC709 LUTs because I wasn’t not very happy with the official LUTs or the ones that included with Davinci Resolve.
    Inside the archive you will find technical Slog2 into REC709 LUT as well as more stylized LUTs for specific looks. I also included versions with exposure compensation -1EV for overexposed material and official LUTs by Sony for your convenience.
    Get it here
  7. Like
    Evgeniy got a reaction from mercer in Sony Slog2 Free LUTs   
    Hey everyone,
    I created custom Slog2 S-Gamut3.cine to REC709 LUTs because I wasn’t not very happy with the official LUTs or the ones that included with Davinci Resolve.
    Inside the archive you will find technical Slog2 into REC709 LUT as well as more stylized LUTs for specific looks. I also included versions with exposure compensation -1EV for overexposed material and official LUTs by Sony for your convenience.
    Get it here
  8. Like
    Evgeniy got a reaction from Oscar Downing in They shot Moonlight (8 Oscar nominations) with ProRes, not RAW   
    and it's not 4k...why are they nominating films that are not in 4k at least? doesn't make any sense!
  9. Like
    Evgeniy got a reaction from tweak in They shot Moonlight (8 Oscar nominations) with ProRes, not RAW   
    and it's not 4k...why are they nominating films that are not in 4k at least? doesn't make any sense!
  10. Like
    Evgeniy got a reaction from terozzz in S-Log vs. S-Log2 vs. S-Log3   
    This should help you with creating your own LUTs:
    https://cameramanben.github.io/LUTCalc/
     
    You can also create transformation LUTs from Slog to Slog2 or 3 if you prefer, but I don't think it's necessary. I would suggest to transform your color space from original S-Gamut to S-Gamut 3.cine and then do a REC709 conversion, because original S-Gamut has a pretty bad color.
     
    It's funny when people suggest to work in ACES without knowing what ACES actually is.
       
  11. Like
    Evgeniy got a reaction from mercer in The c100 is just a wonderful camera...   
    I think it should help with ugly macroblocking when you're shooting on C100 in less than ideal lighting conditions. At least on the paper it should 
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