hijodeibn

True, and to be honest, nobody will notice ether, I have never seen someone watching a scene and notice if it was shoot in 8-bit or 10-bit, you can see the difference in your 4k OLED TV putting both files next to each other, but thats all, I agree with @mercer and @jhnkng, if you are shooting with Canon 8-bit and screw up during the shooting and you are not able to push the footage enough to save the take, there is no way 10-bit is going to do it for you, but RAW, yes RAW could do it, so the C200 is perfect imo, 4k 8-bit for 90% of docs, and 4k RAW for movies and 10% of docs where the light is just crap....

True, and to be honest, nobody will notice ether, I have never seen someone watching a scene and notice if it was shoot in 8-bit or 10-bit, you can see the difference in your 4k OLED TV putting both files next to each other, but thats all, I agree with @mercer and @jhnkng, if you are shooting with Canon 8-bit and screw up during the shooting and you are not able to push the footage enough to save the take, there is no way 10-bit is going to do it for you, but RAW, yes RAW could do it, so the C200 is perfect imo, 4k 8-bit for 90% of docs, and 4k RAW for movies and 10% of docs where the light is just crap....

All depends what are your goals, to be honest I will always choose to stay in just one brand, even more, I will choose to stay with just one lens, matching color later in post is really time consuming….since you are shooting in RAW you will probably make them match after a while, or close enough, but in my particular case after my last experience, I am now shooting with only two lens max, a zoom covering the whole range, and a 28mm prime for low light…..if you are going to shoot with two different brands I suggest to use one brand for extreme long to medium shoots and the other for close-up to extreme close up shoots….  

The advantage of 4K is that you can re-frame or stabilize the shoots before downscale to 1080p, that is very useful, but if you have a very good HD cam and you are good framing during the shooting, no much difference to be honest…. 

The advantage of 4K is that you can re-frame or stabilize the shoots before downscale to 1080p, that is very useful, but if you have a very good HD cam and you are good framing during the shooting, no much difference to be honest…. 

If you are looking for the best image in your projects and you are proud of how good you are detecting soft footage, incorrect exposure, artifacts, etc, your only option is 5D3ML RAW…..on the contrary, if your priority is a system easy to use, which provide you a good image with little work during post, then GH5 is the path….

In the last 5 years there has been a lot of movement in Antarctica, with a lot of visits from different places, and before these 5 years, nobody care about Antarctic, something happened there for sure, the drone idea has been in my mind also, but there is no way to launch it from LA, the operation center has to be located in Punta Arenas in the south of Chile, probably in a small town near this place, in a small island may be without attracting any attention….

hahaha….we will be in jail just minutes after we contacted any of these guys!!!!!

Maybe this would be a fun kickstarter etc. project, just to see who tries to stop us and why. 
Since there is nothing 'official' going on down there, no one should care if we fly drones in to have a peek for ourselves. Surprised Steven Greer hasn't proposed this, or any of the folks over at Gaia.com. Get Steven Greer, Graham Hancock, Art Bell, George Noory et al to get behind it I'd bet interesting things could happen for disclosure, long before any private drone would be allowed to venture there.

If you are looking for the best image in your projects and you are proud of how good you are detecting soft footage, incorrect exposure, artifacts, etc, your only option is 5D3ML RAW…..on the contrary, if your priority is a system easy to use, which provide you a good image with little work during post, then GH5 is the path….

I don´t know what to think about Corey Good really, but some information they disclosed has real facts like the Nazis in south america and Antarctic, it looks like they made a mix between real and fictional information, certainly there is a secret program in the US government, but I can't believe the level of technology achieved in these few years is what Corey is describing, but you know, I could be surprised….

Shouldn't this thread really be called "the other issue with my budget"?

I agree with Ben that you should push them out at separate times, one this year and the other early 2018 if the first one is not going well, and the festival route is an excellent opportunity to see how well you did it, and an opportunity to learn from your mistakes, my advise for you is to apply to each festival you can, many are free, others could be very expensive, you will have to decide if your wallet can afford it or not, also add subtitles in Spanish and Italian, there are lot of festivals in those two languages out there which are free or very cheap…..good luck!!!

My Gosh, this guy is telling every raider out there he is a good prey to save the day…..

The c200 looks even better than the C300ii, definitely RAW is the future, technology is evolving every day and prices going down weekly, with 3 x 250GB Cfast cards and  a computer you can do a day of shooting without a problem, I am falling in love for this camera more and more every day with every new footage which is released…..the color, the texture, everything is so good, I am already saving for it, and I am sure as soon as the c200B is released we will see many ingenious peripherals added a very low prices, that will save us some grants which is always welcomed….well done daddy Canon, finally you delivered!!!

I will definitely go for a C200, is the perfect camera for me, the DPAF is a must now in my shooting style, and 15 minutes of internal RAW is more than enough, with a NPR loaded with 400ft I was just getting 12 minutes, so here I am getting 3 more, just fantastic!!!…..and I feel your pain @mercer, we will have to wait some time to get this baby, if some business go well probably I could get one early next year, otherwise, 4-5 more years

Isn´t it C100mkiii?, where did you get the C200 word?

The monitor really looks great, I would love to have one, but for that money probably is better to add more and get a 4k external recorded....

Really, not excited at all….anyway, I hope Sony changed the dead colors in this version…that will be a huge improvement.

Don`t waste your money and time with cheap chinese crap, get a Tiffen, they are very good for the price, I have a variable ND and I can assure you will satisfy all your needs...

So we have to choose between bad autofocus and dead skintones?….I can live with bad autofocus…..dead people only for zombie movies…. GH5 far better!

Nice video @mercer it look really good, my favorite part is at 1:29, the sky shines…..certainly you made the right decision going 5d3 route!!!

Lexar is the way to go then, 12 minutes continuos is more than ok, like using 400 ft in a 16mm camera….any frame drop?

I support the above recommendation for the nature of your projects, a G7 with a Chinese speedboster will be a good combination and stays in your budget, also a basic rig will be needed, if you go to ebay probably you can even add an external monitor and still stay under $800...

I support the above recommendation for the nature of your projects, a G7 with a Chinese speedboster will be a good combination and stays in your budget, also a basic rig will be needed, if you go to ebay probably you can even add an external monitor and still stay under $800...