Phil A

I hope for Resolve 15 to improve on the titling(titles, lower thirds, etc). That's super weak compared to most other features and doing it in Fusion is total overkill for what I need. I really hoped for a new camera sized between BMPCC and BMCC but after getting so spoiled with IBIS (and seeing the related backlash for the GH5S) I wonder how much of a market there is still left for such a bare bones smallish cinema camera if the prices would end up 2 to 3k-ish (between a rock [UMP 4.6K, EVA1, C200] and a hard place [GH5, A7 III series]). The people who complain about SD cards for the GH5 won't like the media for a 4k raw small form camera.

Unfortunately I don't know, wondered myself originally. But with some google search, you can find examples of the lens on the Canon 1D III or IV, which had APS-H sensors. Looks ok to me and gives an idea how it might be, but obviously no definitive answer. It's ok for me but I'm not a pixel peeper. I can maybe compare Viltrox EF-M2 + Sigma 30mm f/1.4 Zhongyi LensTurbo II + Sigma 30mm f/1.4 (only wide open, no electronic aperture control) Voigtländer 17.5mm f/0.95 Panasonic Leica 25mm f/1.4 if that's relevant. I'm just slightly busy because yesterday our GX85 died and we fly to a long vacation next Friday (Murphy's law).

Playing devils advocate, is just converting the footage to ProRes LT in post an option? The codec doesn't say much about what's really in it.

@ThomHaig Sigma 30mm f/1.4 ART on the cheap Viltrox EF-M2 speed booster. It has a lot of play so not good for manual focus but great for photography (roughly equivalent to the look of 45mm f/2 on Fullframe) or if you anyway don't pull focus during recording. Weight is really close to the Voigtländer 17.5mm f/0.95.

Thank you @jonpais . You've helped me remember why I normally don't share videos or pictures or anything on internet forums anymore. I'll take the criticism to heart and consider it.

Shot in 4k in V-Log L, just fixed it roughly with FilmConvert and some tweaking... but I shot in Aperture priority because I forgot my NDs and that was just the export for IG in super low bitrate (Instagram always turns it into mush anyway). I think the Voigtländer lenses are plenty sharp enough, even though everyone and his dog says they're soft when wide open.

People in the professional color grading world think the screens of the Atomos stuff are rubbish for actual grading and it's just a marketing gimmick with the HDR. e.g. http://liftgammagain.com/forum/index.php?threads/atomos-sumo-19-hdr-recorder-monitor.8947/ I was quite interested in the monitor-only Sumo but the specs are really not that interesting. It's not really 10bit but 8+2 FRC, and it only does Rec709 according to the the specs sheet. It's an IPS panel with up to 1200 nit so I guess you can expect the blacks to be grays when it shows the max brightness in the frame (couldn't quickly find any data about contrast). It even says "Brightness 1200nit (+/- 10% @ center)" so I wouldn't expect great uniformity. So I'd say it's still better to get a used FSI or get a LG OLED. Unrelated: my only HDR capable device is a Samsung Galaxy S8+ and I hate how colorful the demo videos are I watched so far. Didn't help my taste that they were in 1080p60.

Lately all I'm using is the Voigtländer 17.5mm ... wish the WiFi Remote had a better resolution so it would be easier to judge sharpness when wide open. Wish there was a lens like that with autofocus. Played around with it on one of the last warm days we had. It's only super short clip because it's for the girlfriend's IG. Password: smucho GH5 with the Voigtländer 17.5mm 0.95 (pretty much all f/0.95 - 1.4) with Tiffen Warm Black Pro Mist 1/8 filter, all handheld. Total sloppy hack job. Just liked the combination of rendering and setting sun's light.

From a photography point of view, this sounds theoretically amazing, looking forward to the reviews. I'm not in the market for it but it seems the MSRP didn't increase from the II, so maybe there will be great used deals on the leaving generation to be had.

Where is "in here"? In Germany a used A7r II will run you upwards of 2000€ and the A7s II is never to be seen on the used market. You'll still pay 2999 € for a new one, considering it came out over 2 years ago. Price development roughly comparable with the Canon 5D III I think. The times where the Sony prices plummeted like nothing and a new model came every year are obviously over (which is good and bad, depending on perspective). I'd expect a new A7s III to MSRP around 4000€ in Germany.

Because it's not supposed to be "to your liking", it's supposed to be as specified. There's a reason we have things like Rec709, etc. The TV should come with those set, then people can bend them to their liking (frame interpolation, contrast on max, etc.). I wonder how people feel who professionally color grade stuff for cinema when they see it played on consumer TV sets. People here hate on Sony because the colors aren't perfect and then think it's perfectly fine that TVs/computer monitors/mobile phones show everything completely distorted anyway? I'm still stuck with my 2008 Panasonic plasma TV that I setup as good as I could while using a display probe (incl. output LUT in Davinci Resolve, etc.). The picture is great and it tremendously decreases my pleasure of watching movies at my friend/family's places.

With the advents of IBIS in everything (which needs focal length information), I feel like the EF mount is actually more future proof with the zooms. Or at least a lot more convenient. I'd agree on some 35mm 1.4 lens on fullframe... or whatever is equivalent for the camera system. For DSLRs the Sigma 35mm 1.4 is amazing, with MFT I'm running with the Voigtländer 17.5mm 0.95 currently.

I'd just wish the 35mm 1.4 wasn't so humongously big (bigger than the Sigma 35mm 1.4 or the first Canon 35mm f/1.4L). The image quality is really good for the price, as is the 85mm f/1.4 but adapting it to anything but a fullframe DSLR feels crazy out of proportion.

But only from iPhone 7 / iPad Pro 10.5 on wards unfortunately. Yay, have the iPad Pro 9.7 and my work phone is a 6s.

http://myworld.ebay.de/eg-auktionen/ got it from the eBay seller eg-auktionen, they had a bunch of sizes and strengths. Not sure but he might only ship in Germany. That's what I read and they suggested that the warm is better than the normal one for dark skin tones. Played around a bit with it today but won't get the files onto my computer until Tuesday.

So after all the discussions here and always seeing Kidzrevil's stuff on social media, I'll give the diffusion filters a try. Got a Warm Black Pro Mist 1/8 off eBay for 28€ incl shipping. Should arrive today and I'll give it a spin on the weekend. Wish I had thought of getting a step-up adapter already to use it on the Voigtländer, for now I'll try with the Olympus 12-40 2.8. In unrelated note, we have now bought way more native m4/3 lenses than I wanted. My girlfriend hogs all the lenses I like but the 17.5mm 0.95 (she doesn't dig the manual focus). We now have the Panasonic 14mm 2.5, 25mm 1.4 and 42.5mm 1.7 and especially with the GX80 the size of the system is really neat.

I wonder how much good "10bit HDR" capable screens will do when people use the phone in bright daylight, plus they're still tiny. Only like the iPhone 8 plus out of the new announcement. Legitimately considering to say fuck it and buy a Samsung Galaxy S8+ Duos instead, it's way cheaper already (can get the S8+ Duos for 825$ equivalent while the iPhone 8 plus will pre-order for 995$ here) and for most things I wonder if there is any difference in performance.

I'm actually really happy with my Samsung Galaxy Note 3 (running LineageOS) that I've just put a new battery into but seeing how Adobe still didn't put the adjustment brush feature into Lightroom Mobile for Android which is in iOS, yes, I'll watch.

That was a rather silent announcement. And it has a 1.85 crop, so slightly smaller sensor than s35 / APS-C. At US $3,999, it probably has to be rather good in first reviews to be a new, better alternative to the KineMini 4k or the BMD Production Camera 4k. I think they lost all hope to enter "western" markets when they completely dropped the ball on their Terra 5k, making their reputation even worse. They announced it April 2016, had some prototype thing this April but I'd bet we still won't see it in April 2018. That actually breaks my heart because the Terra 5k was the only dedicated video camera I was interested in so far (we can easily ignore the Craft camera that never made it out of render stage), seeing the form factor with the hand grip.

Good idea! Maybe even the 40mm f/1.4 ... I'll see if I can test them at a store around here.

Random question: does someone know a vintage 50/55/58mm lens with an f/1.4 aperture that has rendering and color close to the Voigtländer mFT lenses? Somehow can't get myself to buy the 42.5mm f/0.95 yet.

Well, here we go, apparently it controls the focus

The bold part made literally no technical sense. If I'm shooting 1080p, I'd rather watch on a (calibrated) solid, big plasma panel with native 1080p than on a 5k computer screen. How do you expect pixel exact scaling of 1080 pixels to 2880 pixels when it's a factor of 2.666666.... ? The 4k screen does nothing but blowing up 1 pixel into 2x2 pixel patches, except if it has an upscaling function and then it's not representative for the image but for how good that algorithm works. Regarding the color judgement, the thing you need is a screen that's color calibrated and a fitting workflow. That has nothing to do with screen size, screen resolution and only secondary with the brand it's made by.

The question is though how much you can save on cost and/or size by omitting video if you still have to implement live view.

Ok, that was somewhat the expected feedback, I'm yet to hear of a bad macro lens. With the native Olympus 60mm f/2.8 I'm kinda shooed away by the manual focus-by-wire, but on the other hand it gives you neat automated focus bracketing for macro photography. I guess I'll look around a bit and then maybe get whatever I find a really cheap offer for.