Rinad Amir

penis camera look like a serious product now

Hi Everyone
I finally managed to get my first short underwater clips with the GH5
 
And
I am using Cine Like D and the results are pretty good. However those videos are with rich ambient light in other situation I need to go in deeper water and there will be less light
I am wondering if VLOG is a better option. Dynamic range is not the issue there isn't a lot at depth but low noise is. I will be shooting with predominant artificial LED light
Would love some theoritical pro and cons of Vlog vs Cine like D in this circumstances (optimise noise not range(
 
Thank you

So, let me see if I caught everything there:
It's an 8K camera that can't record 8K Canon don't even have an external 8K recorder They made an 8K video but we can't watch it in 8K A YouTuber with a RED posted an 8K video on YT over two years ago, but Canon hasn't worked out how to do it yet? Did I miss anything?

He looks like he's struggling to work out where to plug that unicorn tail in.

i thought i would chronicle my adventures with a black magic p4k. also i didn't want to pollute the other bmp4k threads any further. so here we are,  had the camera 3 days now
first afternoon unboxed it, inserted the battery tried to charge it only to find it was already charged. obviously bm expect us to be frothing at the mouth in anticipation and they be  right,  quite considerate of them really when you think about it :). probably half discharged it by turning it on and pressing every button repeatably  in the name of science and to see what would happen and yes, not exactly scientific i know but it is one way to learn. did take some footage of some sheep being fed, again as a learning experience and yes i learned i have a lot to learn. first thoughts well there's been some talk around the lightness of the p4k and to be honest  picking up the box it was transported in did feel quite light after unboxing and putting a lens on it er.. a m42 50mm super takurmar, holding it and a canon 60d with a lens in it  in the other hand there wasn't much difference nothing noteworthy anyway. the next day got a chance to take it for a drive visited  a local soldiers memorial that's just been built. as quite a lot of locals went off to war. those that came back and others were settled around stanthorpe.  i'm kinda thinking of making it a documentry with the p4k as i think there's abit of a story to it. but that's another story. had no issues with the battery door or battery sticking yet. my battery compartment has a nice amount of wiggle room. speaking of batteries the bm battery doesn't seem to charge up in a canon charger as its the same battery as my canon 60d. i think i have seen somewhere on the forum that thats already known. i did just check my canon 60d battery compartment there is a lot more wiggle room compared to the p4k.  more scientific endeavors follow i learned a cheap $30 toshiba 32 gb sd card from woolworths will record with prores 422 1080 hd for about 5 mins, hey it was something i had lying around. i do have a samsung 1t t5 ssd for it but i dont have much of a rig for it yet and i didn't want to duct tape it to the p4k. one more thing i learned at the soldier monument the aussie sun smashes the screen, its hard to see even at 5 pm in the afternoon. so i'm thinking some sort of hood will be pretty high on the agenda. i'm not saying the screen is bad,  just that the sun easily overpowers it. ok thats about it for, now next is play time with resolve, stay tuned for more updates on  a newbies appreciation off what a steep learning curve looks like with the bmp4k 

That is why the toast has perfect color.

BUT I WAS FOLLOWING THE DIRECTIONS ??????
@kye it has prores 444

What's up BRAW.

@Snowbro its possible that youre seeing other EOS cameras that ppl have drawn little white Rs on to look "cool" -- dont be deceived

As promised
 

As promised
 

As promised
 

I have Pv3200Pt my first 4k 10bit monitor
Compliments Gh5s with Atomos
I will post some pics when i get home)

I do..  in fact I am right now

Somewhere near summer we gona get announcement date ? 

Okay so I have a buyer for my kidney. Now when is the lens coming out? 

Hey everyone i recently cancelled my monthly subscription from Adobe suite and moved to Davinci Resolved 15 and i must admit its day and night when it comes to colorgrading am in love ? anyways back to my noobish question
Am working with V-log l footage so 
In Premiere my workflow would be 
Adustment layer +lumitri add v-log to rec 709 official lut and start grading 
Now in Davinci ive noticed i can change my colorspace to diffrent settings thats where im abit confused can anyone direct me or tip me whats the best way to set my colorspace to work with Panasonic Log lite footage
Thanks in advance everyone.

welcome @Rinad Amir~!! ? 
@kye is right, we should have t-shirts... its a pretty badass club ?
i cant actually *help* you with resolve like these other folks (lol), but i did make a short film with it and i love it – no way im going back to the alternatives!
im on the adobe $9.99/mo photoshop plan!!! i feel like im beating the system!!! ?
 

Hey everyone i recently cancelled my monthly subscription from Adobe suite and moved to Davinci Resolved 15 and i must admit its day and night when it comes to colorgrading am in love ? anyways back to my noobish question
Am working with V-log l footage so 
In Premiere my workflow would be 
Adustment layer +lumitri add v-log to rec 709 official lut and start grading 
Now in Davinci ive noticed i can change my colorspace to diffrent settings thats where im abit confused can anyone direct me or tip me whats the best way to set my colorspace to work with Panasonic Log lite footage
Thanks in advance everyone.

If ALL the footage for a project is shot in the same gamma / gamut, then you can use the Resolve Color Management under the settings page to defacto change the color space and gamma.
I don't remember the color space transform node off the top of my head, but I would also suggest that you adjust the nits from the default of 100 to something more realistic (I use 350, which is about average for LCD displays, while some iPhones have displays over 500 nits). This will help you monitor your highlights better.
If you can't adjust nits using the node method, then you could use the resolve color management in settings and apply it globally, and then for any clips that are NOT in V Log, you could apply a color transform node to those clips to have their input values as REC 709 (or whatever other gamma / gamut they were shot with).

Unfortunately I don't believe Resolve has V-Log L, only V-Log. I'm not sure how different it is to be honest, never worked with it myself.
Generally, using a color space transformation (CST) is the best and most accurate way to translate between color spaces. However, if you want to keep your old workflow, you can always use LUTs in Resolve the same way as in Premiere.
Whether you use a LUT or CST, you can apply it in different places. In the color tab, you can right click on a clip and set it there, or you can set it inside a node. I prefer to do it in a node, because then it is much clearer what the order of operations is. I can never keep the order of operations straight, but with nodes there's a handy graph with arrows that makes it all so simple!
With Resolve, you don't have adjustment layers, but you can add clips to Groups. Right click a clip (or clips) in the color tab and Add into a New Group. Now, you have a separate node graph for group pre-clip and group post-clip, which, as the names imply, are done before or after the clip. So you could add all your V-Log shots into a group and then add in the CST/LUT or whatever you want in the group pre-clip section, and then all those clips will start from that baseline.
(You also have a timeline node graph, which applies to everything in the timeline after all the other graphs are applied)
I've read that it's best to do white balance adjustments in linear space, so my node graph usually goes:
1. CST plugin to linear gamma (V-Log to Linear, in this case)
2. White balance
3. CST plugin from linear to Rec.709 color and gamma
4. Whatever else

@kye Thank you am gona read this
And yes its good to be in new club? 

Welcome to the Resolve users club!  Damn, maybe that should be a real club, that's a t-shirt I might actually wear.
I've been piling all the Resolve info I could find into this thread here so have a read at your leisure..
Changing colour space in Resolve is a bit confusing - not because it's difficult to do but more because there are lots of different ways to do it.
The workflow I'd recommend for you is very similar to your existing one:
Node 1: Adjustment layer (if you want to change WB or whatever) Node 2: Colour Space Transform OFX plugin to change from V-log to rec.709 colour and gamma Node 3 onwards: grading as you normally would The Colour Space Transform (CST) plugin isn't a LUT, it's better than that because it preserves any clipped highlights/shadows, and has some nice options for handling extremes.  More info here:
Be aware that you can change colour space in many different places, but that using the CST plugin is the most flexible and AFAIK has all the benefits of the other methods as well as the extra flexibility.

Good thing it's not STFU?

No and no.