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Everything posted by BenEricson

  1. Exactly. It’s the closest feeling to grading flat color negative film. It’s like paint. I agree with avoiding the menus. I use the pocket with manual lenses, hard stop NDs and a light meter. Throw a 4 stop on there and rate it at ASA50. Just use the LCD for framing and ignore it for judging exposure.
  2. Looks nice, but this shot looks great on any nearly any camera system. You really start to notice the difference when the lighting is more dynamic. There are limits. I own the C70 and the details in the dark side of the face, light falling off, color gradients, etc, just don’t cut it. Yes, in most settings it looks really nice. Better for the high key look.
  3. You can also say the same for locked off shots, especially with long lenses.
  4. I hear ya. I love the original bmpcc. That being said, a sensor that is double the size and 1080p instead of 4K is not the same. Also, the pocket looks best with vintage glass or maybe a giant 18-35 with a speed booster. Like other have said above, they need less processing, not more. We don’t need fake depth of field, we need the option to remove noise reduction, skin processing, and HDR features. That being said, I obviously haven’t used the camera. I’m sure it’ll be fun. Just something I’ve noticed over the years. It’ll always still look like a phone, it just gets slightly better.
  5. I’m very surprised they figured out how to regulate all of the heat being generated with 4K / ProRes. The large file sizes will also kind of force people to buy the 1TB versions. I’m hyped to try it, but I can’t stand portrait mode. It’s really nice in theory, but always looks funky and fake. I personally love phone footage because it feels candid and fun, fake depth of field may just feel processed and funky. Also, capturing huge ProRes with a tiny tiny sensor is hilarious.
  6. You can put a “fast color correct” before the layer with LUT and drop the input highlight or shadows. This effectively does what you’re describing.
  7. I believe it’s 2K only? But you’d get ProRes 422 HQ, rather than the lower bit rate internal. I have experienced buffer errors with the C70 and 120FPS. I’ve tried both the most expensive ProGrade and Sandisk cards... I’m not sure if the issue is heat, or the amount of files on the card. (I’ve experienced this when shooting 24fps and then moving to 120fps in the same structure.) I’ve had issues with both 1080 and 4k which is bizarre. Every other mode is perfect. That alone is a bit of a selling point for the C300 Mkiii. The media issue is problematic.
  8. Rented this for the weekend. I am really enjoying this lens. I'll post some frames soon!
  9. I'm weary of the internal IS, but it can work as well. It's good at removing minor shake if you're trying to get a locked off looking shot. I bet it would work great with a 18-35 Sigma. This dude used the internal IS for an entire mini doc. Pretty surprising that someone would have that much confidence in it. His quote below is pretty solid. http://www.danmccomb.com/covid-nurse-short-doc-tests-c500mkii-on-front-lines-of-the-pandemic/ "The C500mkii is the first professional digital cinema camera that Canon has made that features IS built right into the camera body. In testing, I found it works very well when you are trying to keep the camera still, but it’s less effective when you’re intentionally moving the camera. It does a great job smoothing out footage you want to keep steady, but a poor job of smoothing out footage you want to keep in motion."
  10. CLOG3 / BT.709 can be nice though. You don't need a LUT and it is easily gradable by just adding contrast. You don't actually gain any information in the highlights, just way way down in the shadows.
  11. I agree that weight is nice, but this camera does not have enough. I added a cage and monitor with a battery and it feels a bit better. I still think IS lenses are clutch. My C70 with the cage (no monitor) is only 10 ounces less than a stripped down C300 Mkii. Kind of interesting. The C70 is still a better gimbal camera and easier to pack around, but it's not exactly a light weight DSLR. The big bummer is the lack of EVF. You lose that point of contact. It was on purpose so people would be forced to buy a C300iii for a true documentary camera.
  12. Same. I own both with the RAW Lite filters and barely use the bmmcc. I keep telling myself I will use it for weird POV angles and pick up shots but haven't yet. I'm trying to keep the 60p to a minimum so it has been sitting.
  13. I would LOVE the bmmcc if it could steam wireless to my phone or if it had even a tiny reference screen. I often throw the OG pocket up on a tripod. Takes two seconds and looks good without much hassle. I wonder if they'll ever make a 4K version. The Go Pro itself doesn't even sell very well because the iPhone looks similar and often better because of the color processing and resolution on the new phones.
  14. Really clean work with the BMMCC. The P4K with nice lenses in that environment is also really nice. I just followed you on Vimeo. I've seen the "Calvas y Bellas_Trailer b" trailer when searching for BMMCC footage on Vimeo. I'm shooting a piece right now, mixing 16mm and the bmpcc. They match really well and I can use the same set of Kern lenses on both cameras. Have you ever shot 16mm? You can get a K3 for really cheap. Bolex prices kind of Sky Rocket unfortunately.
  15. But does it look better than 1080p from an Alexa?
  16. Damn, do you own stock in Canon and Sony? 😂 The only thing you left out is that they shot the season finale of house on the 5D.
  17. You're right, but Alexa is WAY better than Canon. Once to you notice it, it's kind of a bummer.
  18. Canon claims 15 stops and the sun still renders out a disgusting clipped out BLOB if you shoot towards it. On film, it would be a tint pin point. Black Magic Pocket 6K same story. Immediately looks cheap when you point it towards a bright light source. I would like to believe they will figure out how to get more highlight detail, but I really doubt it.
  19. If anyone is interested, I bought the RawLite OLPF filter but it took so long to ship, that I ended up buying a pocket that already had one installed... (took over a month to arrive.) If anyone is interested, I will give you a deal. Unopened. I paid 390 shipped. https://www.eoshd.com/comments/topic/53711-olpf-for-og-bmpcc-or-bmmcc-32500/
  20. I'll push it to f2.8 on a 70 - 200 tight or f2 on a 50mm on wide in manual mode. Of course you need to monitor the camera, but with a decent monitor this isn't a huge problem. f/1.8 on a full frame sensor is a whole different story.
  21. I'm just curious... Why use auto focus for a talking head interview? I've shot 100s of interviews with the C300 Mkii for years and now the C70. I would never do that, simply for the fact that it can be unreliable. I suppose if you're shooting on a gimbal or the person is moving around, or a unmanned camera, but a traditional interview I always have focus on manual. I could never work without NDs or XLR though. Kind of the number one selling point with the C70.
  22. I'm with ya. This is why I would vote for the C300 Mkii or C300 Mkiii if you're doing a lot of handheld work. The weight of the camera, coupled with a view finder, makes for smooth handheld footage. It all depends. The Internal IS on the Canon is only okay to me. I would probably never risk using it on a paid job, maybe to fake a tripod shot in a pinch, but I couldn't imagine shooting that over an IS lens or choosing to warp stabilize in post.
  23. Canon Dealer's will all do 0% APR / 2 Year. I own the C70. Used it on a job the other day. The camera is solid. I think the price is fair for the image quality you get. If I wasn't trying to use it on a gimbal and shot a ton of handheld, I might consider a used C300 Mkii package for peanuts or a C300 Mkiii.
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