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Posts posted by Kubrickian
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Does anyone know if it will work with EF-S lenses?
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There's other T3 drives with those speeds. I think it's a way faster bus than USB 3.1 https://www.bhphotovideo.com/c/product/1431353-REG/samsung_mu_pb1t0b_am_1tb_x5_portable_ssd.html
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If your MacBook supports thunderbolt 3, take a look at those instead of USB 3.1 drives.
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I notice viewing any h264 export from Premiere in Quicktime player on a mac results in lifted gamma. In VLC it looks fine. Adobe, camera manufacturers, and Apple need to get together and sort this out.
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The floaty image-stabilized look has come to define this level of filmmaking. I would like to build out a proper shoulder rig with some weight to get a higher-production value look with unstabilized primes and the x-t3.
- bluefonia, webrunner5 and Geoff CB
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Would you guys say this dude is grading the HLG incorrectly? Is he interpreting the color space the right way in Premiere?
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The touchscreen seems way more responsive in 3.0. If you want to use Movie Silent Mode you're kind of forced into it so that's a big plus.
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I like a lot of his choices here to set up the camera UI for video shooting.
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Could we see some examples with skin tones?
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These angelbird SD cards look like a great deal for the X-T3 considering the speed.
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Is it like this with more than one lens? Exactly the same pattern?
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If you have to do any kind of serious iPhone work I highly recommend the filmic pro app. You can even shoot in log.
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Could anyone upload some EOS R footage that's exhibiting some clear rolling shutter problems? I'd like to see how the rolling shutter repair effect in Premiere handles it.
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iPhone XR, XS
In: Cameras
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The X-T2 generates textural waxiness when you mess with the highlights/shadows at all in any picture style. I'd like to see some tests with the picture profile completely untouched and then tweaked.
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1 minute ago, Mattias Burling said:
Ok, must be rare or only in certain situations then. Because I've shot every which ways, many times in iso1600-6400 and it hasn't happen. Will run some tests with weird exposures to see if I can provoke it. Only way to deal with things like that imo is to understand and avoid it, otherwise we couldn't buy any cameras at all
Shooting the natural film simulation with less contrast and saturation will bring it out on the X-T2. (this was the days pre-internal FLOG)
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2 hours ago, Snowbro said:
Will you guys return this if sony releases their supposed "pro" apsc model that should have all of this + ibis, better battery & maybe 10 bit 4:2:2 internal? Obviously the fuji will have better colors, but color is easier to fix in 10 bit. I just wish fuji had some faster os lenses, it would be cool to use this as a travel/lightweight cam to pull out and get some smooth shots (not walking). Having it on a gimbal all the time could get annoying, especially when the battery dies fast & you have to rebalance. The end product that pros have been able to get with it is no doubt impressive.
Andrew, can we get a new sub-forum where we argue the specs of imaginary cameras versus current ones?
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On 5/26/2018 at 6:58 AM, jonpais said:
I think you called yourself that. I didn't call anybody anything.
What camera / codec would you say renders adolescent acne the best?
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Is the WDR in the same LUT package as Eterna? Anyone got a link?
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Rolling shutter is fine on the 5D4 in 1080, but moire is back compared to the 5D3.
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What fav stuff are you currently watching?
In: Cameras
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Succession on HBO. Shot on film