Jump to content

Savannah Miller

  • Content Count

  • Joined

  • Last visited

  • Days Won


Savannah Miller last won the day on July 1 2018

Savannah Miller had the most liked content!

About Savannah Miller

  • Rank
    Active member

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. Are you suggesting someone develop a new prores-like codec that is NOT prores?
  2. There is. It's called FFMPEG. Selling cameras with unlicensed Prores is risky business and no one wants to mess with Apple.
  3. There are some pictures floating around of the difference between the Pocket speedbooster and the original M4/3 one and there's a general haze over the image on the original one. The pocket speedbooster is a lot sharper, but it doesn't work optimally with any other m4/3 cameras, so less flexible. I think the usual m4/3 filter thickness is very thick(8mm?), and Blackmagic uses a rather thin IR cut filter.
  4. That's true, but maybe then you have to compare the best M4/3 glass to the best EF speedboosted glass since it's a little unfair to compare the center cut of a lens. But anyways, yes the quality of EF does generally improve, but I'm surprised how much of a drastic improvement the Blackmagic version was. I thought it was just a money grab, but the difference is quite noticeable. I am debating whether to buy a Lucadapter for the Pocket 6K or invest in lower cost ef-s lenses like 17-55 2.8, etc.
  5. That's not entirely true. The new pocket 4K speedbooster that just released is noticeably sharper when the lens is wide open due to the different thickness of the IR glass on BM cameras. Technically, with the old speedbooster and the pocket 4K, the wide open performance is soft. But with something like the Lucadapter on the Pocket 6K you should see some good performance.
  6. Blackmagic probably sells more than 10x what Kinefinity does. Kinefinity cancelled an entire camera (Terra 5K) which supposedly had a 5K dual-gain sensor. Where were they getting a 5K dual-gain sensor with 15 stops of dynamic range when the one in the 4.6K had to be custom-designed because Fairchild Imaging didn't make one large enough. Kinefinity cameras have too high-end of an attempted feature set and price without nailing the image and basic operation like Blackmagic has done. I am definitely not surprised if Blackmagic is already working on a new camera with this Sony sensor, and if they are, it will be much cheaper. They are probably working on continuous autofocus too.
  7. The BMPCC was the only camera I can remember that shipped without RAW enabled from the start. Most of their newer cameras have shipped without huge issues. Kinefinity doesn't even fix basic problems like monitor lag but continues to increase the specs of their cameras. I'm actually suspecting that the delays and lack of footage from the Pocket 4K is because they switched from the Sony IMX294 sensor to the slightly newer IMX299 variant.
  8. A couple things: Blackmagic cameras have kinks (for sure) but Kinefinity sees to release cameras that are even more unfinished than Blackmagic cameras. The Terra 4K was out months before it even could record cinemadng raw. Secondly, the Pocket 4K's power draw is pretty much on par or better than the Terra 4K. Blackmagic has mastered the FGPA very well. Blackmagic cameras do not have an OLPF which means no OLFP artifacts such as the red dot flares that affect Kinefinity cameras. The new BRAW codec has significantly reduced moire/aliasing that it's not really a problem anymore. Blackmagic seems siginificantly ahead in color science and creating beautiful images. Kinefinity cameras are all about size/specs (just like RED cameras to some extent) but Blackmagic is reliable and delivers where it counts.
  9. I disagree. Kinefinity released the Terra 4K for $4000+ and then Blackmagic turned around and released a BETTER camera (Pocket 4K) for $1295 with more features and better codecs/color science (Blackmagic RAW future update). I wouldn't be surprised once the MAVO LF comes out that Blackmagic is already making a better camera with the same sensor for half the cost. The new BRAW codec makes it possible for Blackmagic to now do higher resolutions such as 6K without the need for heavy storage. The new sensor profiling they do siginificantly reduces Aliasing/Moire as well as Fixed Pattern noise so they can get a significant dynamic range increase over competitors using the same sensor. Kinefinity cameras are too expensive for a small manufacturer, because at that price point you can now buy other well-established camera brands like RED, CANON, and even Blackmagic. On top of that, Ursa Mini Pro is practically a more usable camera for professional production because it matches much closer to the industry standard Arri Alexa and has a very good color science. MAVO LF looks like a really good camera but they need to drop their price to around $8000 to be competitive with other mid-range priced cameras because Kinefinity is not a well-established brand yet. I would be very worried if Blackmagic is also designing a camera with this sensor. Since the Ursa Mini Pro used a custom-designed sensor t hat cost millions of dollars to develop, the camera was priced at $6000. Since this Sony sensor would be "off the shelf," Blackmagic could easily price the camera at $4000 in an UMP body since they don't care about market segmentation.
  10. I don't think that's true. A lot of blackmagic cameras have exposed holes, but all of the stuff that is vital to the camera (FGPA, Sensor, etc.) are sealed from dust/weather, etc. I do think that the Pocket 4K is a better option for professional cinema use, but for everyday users I don't think Blackmagic cameras are ideal. Autofocus, IBIS, rotating screen, etc. are huge features that will greatly benefit the average user more than raw will. If another brand of mirrorless camera would incorporate the BRAW codec then there would be very little reason to buy a Blackmagic cam anymore.
  11. Yes you can downsample RAW. How do you think the 5DMarkIII is able to shoot full sensor 1080p raw? Pixel binning is a very valid way of downsampling RAW images. If you have to, you can also line skip which will of course create some artifacts, but Pixel Binning is very usable.
  12. From what I understand, Blackmagic uses the same IR filter in all of their cameras. If this sensor design is less prone to IR then it will look cleaner than the other cameras, but the Gen4 color science will also help improve the images to. I feel that whatever IR filter BM uses is just not enough for their sensors and they tended to show a little too much IR compared to the Alexa in similar situations. With the new Gen4 color science and a stronger IR cut filter like those found in the Rawlite OLPFs will you see too much IR reduction and will the shadows start looking green?
  13. That logic is wrong. It's more like you expected a synth but you are getting a synth with more controls. You can still make the familiar sounds of the old synth but it's a better starting place if you don't want a specifically defined "sound."
  14. I think the color is just more accurate with the new Pocket 4K. In the past the footage had more of a look to it, and now the color is better so you have to do that yourself. Putting a heavy "look" on something makes it hard to judge the performance of the camera, so Blackmagic chose the route of grading it themselves and making sure it accurately represented the camera. A lot of the Kinefinity Terra footage (especially Phillip Bloom's stuff) is hard to judge the color science of the camera due to haphazard and heavy grading. I have no idea if Kinefinity cameras produce nice images because all of the graded material is very artistic.
  15. Doesn't look like any gimbal was used. I'm guessing almost all of it is just a monopod and the opening shot looks like an imperfectly balanced glidecam/steadicam merlin shot.
  • Create New...