andrgl

https://www.canonrumors.com/whats-next-for-the-canon-eos-r5-and-canon-eos-r6/
 
your report and this article. All seems to point to a recall / hardware fix.
They completely screwed the launch, but that’s good news. Because that means the camera which was going to be the perfect hybrid and that ended up being wasted due to overheating will indeed maybe become perfect if they fix it. 

Somewhere in an Indiana Jones end scene type warehouse are thousands and thousands of R5 / R6 cameras that will never ever see the light of day.

YouTube compression :   >1440 VP9   <1440 AC1
 
think that defined for me the resolution I need to upload ... as AC1 is very poor.
I routinely upload 2K to Vimeo ... always 4K to YouTube. Vimeo charges for space while YouTube does not charge 

A lot of it does come down to expense and time.
1080p Prores is easy to process and has plenty of detail and especially color information for most people. Almost any computer can process it.
Manual focus lenses are cheaper than AF lenses. And older ones are plenty sharp for most work. 
Super 16 zoom lenses are cheap and have a very wide range making it easy to get coverage without switching lenses. They are also easier to focus with a deeper depth of field.
Shooting slower and more deliberately means you don't have to shoot as much. 
People gave me some s*** for buying a old Sony F3. I bought it to save me time on set. I don't have to rig it up like a DSLR. I don't have to worry about HDMI's breaking, the tripod plate coming loose, or the battery running out in the middle of a take meaning I have to take my rig apart. I put it on the tripod, put a battery in it, and I'm good to go. 
I think the reason a lot of people are going back to these cameras is because they know them, it's a pleasing image to their eye right out of camera, clients aren't demanding 4K, and it saves them time achieving the look they want which means it saves them money in the end.

Maybe they should've tested that in the original video they released before saying it didn't? 🤔
 

It is quite dishonest, but he'll address the overheating issues in a future video to maximize hits / ad revenue. It's why he included BTS footage of them using a LEAF BLOWER to try and cool the camera down. 

Or house it to Komodo casing and rename it to Komodo LF 

Presumably Tilta have tested it before mass production. The problems I see with it are many. The layer of poorly conducting material between the CPU and copper heat spreader on the back of the Tilta fan. The power draw. The noise. It is 6200rpm! Obviously the onboard mic will be unusable with it attached even for syncing audio with a dual system mic. The fan spinning on set during recording is not what you want. Even with an external shotgun or boom mic. Then there is the ergonomic side. Those with beards who need to look through the EVF will get their hair caught in the blades. I think it's a publicity stunt to be honest. Even if it works to cool the camera, the noise and ergonomics of it are a joke professionally.

Take all the components out, put it in a PC case with 12 LED fans 😂
Wheel it around on a trolly, some dry ice on bottom shelf just in case!
You could get some really smooth tracking shots with the wheels.
 

This the first time I heard about the 33fps, is that 33fps slowdown to 24? 

I NEVER heard my fan start up in my S1H, it's that reliable. And I use it as my main camera everyday. I sometimes complain about the size of it, or the weight, oand most often the lack of good AF, but I rather have a big chunky camera  with an AF that's not as good as competitors, but still be able to shoot anytime and everytime I want, under any climatic conditions without having to bring some cooler to put the camera in every hour for 20mn. 
What a fucking joke !!

I’ll get the EOS R if this is true, maybe 

Yeah I highly doubt internal BRAW but external to a BM Video Assist remains a possibility.

BRAW on the EOS R5 is never going to happen. And EOS R6 doesn't even have Canon's own RAW!

Wow if this would come true, this would be the best news this year.

https://tilta.com/2020/07/tiltaing-camera-cage-for-canon-r5/?utm_source=newsletter&utm_medium=email&utm_campaign=canon&mc_cid=a126d63240&mc_eid=7e584396d7

Looks like tilta are literally strapping a fan to the back

DEALBREAKER ALERT. A 15000$ 2020 MAC PRO cannot play back in real time the R5 footage. Does not matter Premiere Pro Resolve, FCPX. Nothing works even 4K30p won’t play in a high end 2020 MacbookPro. 
The reason which he does not say in his video but I know is 422. HVEC is supported by latest hardware but not HVEC 422 so it’s like at the beginning of the HVEC codec when hardware acceleration was not supported. 
Your 15K computer cannot edit the footage, but within a year or 2 when computers support 10 bit 422 HVEC correctly a 1000$ laptop will edit it better than your MacPro. In the meantime, we are screwed. 
 
 

Lmao. Their own rep says they clearly wouldn't ship a camera that overheats in 24p. But canon's info says they did just that. 
Even their own reps can't believe their incompetence. And this is the guy who had the first hands on with the c300 mkiii in the UK. 
What a shitshow. 

Didn't a canon ambassador from the C5D comment section say that the r6 samples sent to the uk were all mistakenly body samples that weren't meant to shoot video? I think that could explain the reason why C5d's results are so different from dpreview's.

Make timeline and 
Timeline and output color space should be Rec. 709.
Data levels for web delivery should be set to video.
On the timeline make sure each clips data levels are set to FULL.
Use sharpening instead of superscale, superscale internally raises the resolution, when you try to use x3 superscale it raises the internal resolution to 8K which is why your constantly running out of video memory. Use x2 max before sharpening.

 

Those ones are rare for us too, but i know agencies have plenty of those jobs, and paying contractor peanuts. Those creative director/producer getting big chunks of shares.
 
https://drive.google.com/drive/folders/1dA1Em-D2ioEJU5jInk_JT_EsQGVIprCZ

You can easily soften them up in post.
I quite often decrease Midtone Details (subbed as MD in Resolve) and add a tiny bit of blur to take the digital edge of my footage.
Truly works wonders.
Our fellow member, @Ryley K , posted an impressive tutorial on how to emulate film. One of the steps there includes adding a faux OLPF effect.
I highly recommend taking a look at it.
 

I've been watching a bit of his stuff lately myself and I really enjoy the fact that although he has a ton of gear he also has a fun DIY sensibility.
HIs contraption for vlog lighting (complete with forward facing camera and monitor so he can do walk and talks with it !) was a typical example and actually yielded some impressive, if slightly impractical, results.

And his "My Camera Gear For Travelling Europe" video is an essential reference to be used in mitigation when your other half says you're packing too many lenses on your holiday !

How did I get a downvote for calling out magenta cast from the BM12K sensor?  

Honestly they are the target audience. They are RED users that use the resolution heavily in their edits for cropping and zooming, also have been heavily critical of the RED ecosystem in the past.

Big reasons they are switching:
- In camera backup to 2 cards.
- Ability to use common media instead of RED mags, which is HUGE for their storage costs. 
- Every editor in their office now has a fully featured copy of Resolve.