Andrew - EOSHD

I thought there was some breaking news for a moment then!

What we're seeing with AI is what we see with human intelligence, in that it can be either the best of humanity or the most evil of humanity, and there's a similar spread of ethics on YouTube as well! On one hand the inevitable consequence of a free and open platform with no editorial oversight, no unifying force in terms of values, just a bunch of people doing what they do - some grifters, some artists, some enthusiasts, some engineers, some marketing, some desperate for money, others more interested in creating and less interested in what other people think. I'm kinda upset Mr Burling won't be around any more as he was definitely in the latter camp of YouTubers who had credibility and an artist's vision. I find a lot of the animation folk are the same... that field seems to attract people who are in it for the pure love of it rather than grifters just in it for the ego and the money. In photography and filmmaking the balance is more close to the middle, 50-50. What I like about YouTube and social media in general is you can seek out the niche pockets of creativity and that it sits on what is now a big mainstream TV platform. A mainstream TV platform in the 'old days' would never have had the sheer amount of one-man-band content on it that YouTube has now. So there's a lot to be grateful for with it as well as the other more negative side of it which is sometimes difficult to ignore. It's a net gain overall though isn't it? I will reconsider my own absence from YouTube soon and get some stuff out there.

The dynamic range is only crap in the world of luxury peepers. For whom pixel peeping got a bit out of control and if they loose 0.02 stops of dynamic range due to a fast sensor readout they will huff and puff and buy something different. Nuts!

Great to hear from you! It makes much more sense now we know why you brought the channel to a close and also chose to delete it eventually. All I can say is that I'll miss it. And I hope you find the passion to return one day to the tube. Having read that I understand completely and found the same challenges myself too, everyone can see that I struggle to get excited about the gear sometimes, whereas in the earlier "DSLR revolution" era, I'd be updating EOSHD 5 times a day sometimes more. It is difficult when a passion becomes work, when enthusiasm becomes repetition, when an audience goes toxic or when a big US tech companies enshitifies the platform you're posting such valuable creativity on. I mean, look what they did to Vimeo, it's a difficult pill to swallow and I've always struggled with my enthusiasm for YouTube as a platform as well and there's very little in way of alternatives. I'm just glad you're well and enjoying your R5... You're right in that it still holds up as near the peak even 5 years later, and the overheating drama is far behind it after Canon decided to undo the damage caused by their fake timers and cripple hammer decisions.

I've always found YouTube comments pretty positive. They certainly were on Burling's channel. Everyone was enjoying a wholesome source and then poooof... gone. A real shame and not the right way to bail on your community. To be honest, I am annoyed at the guy.

https://www.bbc.com/news/articles/c0mk3v2k3r0o

If anything good comes out of this, less dependance and less monopolies would be a great thing. [UK switching to Chinese tech in 3,2,1...]

I struggle myself with using US services at the moment given that our data could soon (and might be already) in the hands of a neo-nazi government. In terms of the ethics of it, I'm also disappointed with the behaviour of the American CEOs and how they have brown nosed the nazi President like a bunch of pathetic losers. It leaves a very sour taste in the mouth and not just for them. It does make me uneasy paying for YouTube Premium, Google Gemini, Apple iCloud, Adobe Premiere and Netflix, actually it makes me more than uneasy, it makes me sick. But unfortunately our leaders in Europe barely know how to use MS Paint, and have over the years completely dropped the ball on tech. So there are no decent alternatives, not really. That said, the UK & EU gets a bad rap for what it's created. The best of European technology is the most complex in the world from ASML and Zeiss. Without their EUV lithography machines, TSMC, Nvidia and Apple would not have their fancy chips. They'd be reliant on Intel fabs and old processes. Any more funny business from the US admin and the Dutch should fucking remind them of that. Also the British invented the WWW, RISC architecture for CPUs and smartphones, not to mention ARM. We've not done so badly, we've just failed to commercialise stuff properly and let the American venture capitalists snatch it away from us. If it is political and that's why he's taken the channel down, he's missed a big opportunity to publish a video saying so, and directing us to his new channel on a different and more ethical Tube. It's a real shame just to pull the plug entirely without even so much as a goodbye. But then, maybe he has good reasons to... I don't know. I just rather hope he's ok.

Absolutely love the form factor, hate the image quality. If they'd do an X-mount Bolex with 1" sensor, we could put some proper Bolex 16mm glass on it. Actually the Evo is a fun toy. And for 350 euros, it's never going to be an XF camera in terms of optics or the sensor, is it? But the concept itself deserves so much more. The eras dial, the loupe on the little screen, the grip and shape, the looks, I love everything about it. But the digital images that come out of it really very bad... ProCCD on a smartphone is much better at replicating the analogue look or y2k digicams. Also the 15 second limit on video clips sucks... It would have been nice to have an option to turn that off. It's there for the Fuji cloud storage feature, for quick uploads, quick downloads with the printed QR code, and there to prevent Fuji needing to spend more than 10 dollars on their server! I really, really, hope they do an enthusiast level version of the concept, even if that means it has to be without the Instax printer built in. Also EVERY camera manufacturer should be trying new form factors. There's such a lack of variety. The Bolex form factor is wonderful and there are others that should be making a come back as well. From the MiniDV era there's the Sony PCe1 handycam, there's the Canon Tx digicam which was like a tiny aluminium Bolex, just beautiful, and of course there's the Digital Bolex form factor and that Kodak sensor... These are the cameras I'd like to see modern versions of, and in the case of the Digital Bolex, maybe not so modern but we have to be realistic about CCD... it ain't coming back to a Canon or Sony! There's also a massive gap in the market for a Micro Four Thirds or Super 16mm size sensor Handycam with a proper camcorder lens that can crash zoom and take fisheye adapters, yet remain as small as a MiniDV cam from the early 00s. These lenses had very small sensors behind them... but if someone would even slightly upgrade the lens and sensor size whilst keeping the same zoom and autofocus characteristics we had in the MiniDV era, including the variable speed zoom rocker switch, it'd be a winning combo with the modern image processing we have now and RAW codecs. Perhaps Nikon can be brave and try something? There's a 'video' lens for the Fuji X mount camera, but it's really very large and bulky by MiniDV or Handycam standards. So I wouldn't mind a smaller sensor than APS-C if it gave us a modern 4K RAW shooting "Sony Handycam" the same size as we had in 2003.

Certainly has a much better screen than the original 😉

Really sad if he has indeed given up on YouTube. He's still on Instagram https://www.instagram.com/mattiasburling Maybe we should ask him if he's alright?

I think we will be seeing more and more a decoupling of American interests and European, it'll take the upcoming inevitable AI crash to spur things along though before any real change occurs. The EU needs to build stronger tech and will do so. We have the expertise just get on with it.

This was just an attempt by Nikon to bring the cost of buying the patents down. RED never actually lost a case in court, or ever had the patent invalidated. Settling, and choosing to sell, is very different to losing a legal battle for a patent that didn't stand up.

Of course they know how powerful this anti-fascist tool is and will try to make it unlawful, or an excuse to kill. As the SS saying goes that Kristi Noem is so fond of... "One of ours, all of yours" BTW has anyone ever tried logging out of YouTube, enabling UBlock Origin and putting a few choice keywords into the YouTube home page? It is incredible what the 'other side' is seeing and the sheer amount of propoganda Google is feeding them. When there's the equivalent to the Nuremberg trials, the Google execs should be taking the stands and going down with the rest of the fuckers.

Except it's Nikon now isn't it? A Japanese company owns the patent. Europe voiding the US patents of a Japanese company... Now that is very risky politics.