Comment on the forum Canon is repackaging a selection of their DSLRs to appeal more to video producers. Writ large with the phrases “FULL HD” and “SELFIE” the bundles come with one of Rode’s cheapest mics and a 32GB SD card. The standard kit zoom (18-55mm) is provided as normal. Prices are anything but low end though with the bundles ranging from a hefty $899 for the T5i to a GH4/NX1…
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The latest news on cameras, from EOSHD
Image Sensors World spotted an interesting development from Panasonic in Japan which features 120 GH4 bodies assembled in an array to capture a person from all angles before software is used to develop a photo-realistic 3D sculpture of the subject.
Market research from 2014 has surfaced from consulting firm FutureSource. The year-old report suggests a swing of 50% from DSLRs to mirrorless cameras in 2015 (for pro video users). The report predicts that in the coming years 4K mirrorless cameras will dominate the market for video relative to DSLRs and that sales of large sensor professional camcorders (such as the Canon C300) will continue to grow and occupy roughly a third of the pro video market with the mirrorless…
[vimeo]https://vimeo.com/134006713[/vimeo] The slow-mo capabilities of the new Sony RX cameras are groundbreaking. I’ve been shooting at 100fps to 1000fps and everything in between. Here is everything you need to know.
The Sony RX10 M2 is our first look at Sony’s new 4K XAVC-S codec at 100Mbit/s, the same which will be on the A7R II come the end of July. The RX10 M2 also brings 1080/120fps and up to 1000fps at lower resolutions. It features an extraordinary 24-200mm Zeiss lens with constant F2.8 aperture and built in ND filter. Is this the run & gun camera you’ve been waiting for?
In a surprise move GoPro have released a new even smaller camera which removes the display panel and newer 4K capable sensor from the top of the line version, halving the size and weight of the device.
Canon EF mount Super 35mm 4K (internal) solutions are expensive. Canon’s only current one costs $15,999. Here is an alternative for a fraction of the price. It’s also great for those who can’t justify spending $3200 on the upcoming Sony A7RII for 4K S35.
[vimeo]http://vimeo.com/131558561[/vimeo] For your viewing pleasure, here’s Rob Hardy BSC on shooting Ex Machina. Cameras used were the Sony F55 and F65, with anamorphic lenses.