The Panasonic GH3 was a big update over the legendary GH2 and I am putting the final touches to my review (and a lot of other future material). I’ve been shooting a lot with it alongside by cinema cameras, the FS100 and Blackmagic Cinema camera. Where are the Panasonic pro cameras? Well the GH3 is $1300 and that leaves quite a large space above it for a high spec ‘DSLR-type’ camera from Panasonic. I’m getting more and more clues and info as to a possible high end GH camera, and if true this would be a dream for indie filmmakers and a brilliant move by Panasonic.
LEDs are in my opinion the future of cinema lighting. Until now though I’ve not been too satisfied with the throw of light they produce. Too short, too directional and the character of the light isn’t the most flattering. The BOLT has been designed with input from filmmakers and contains two sets of LEDs of different temperatures and you can mix the temperatures.
What’s it like?
So what is the future of TV? Well there’s a very good chance it isn’t 3D or 4K, and that TV panel manufacturers are heading for even tougher times. HBO’s CTO (Chief Technology Officer) Bob Zitter is one of the most prominent TV industry figures to voice his belief that 3D and 4K are not suited to home viewing.
His thoughts don’t make good reading for Sony, Sharp, Samsung, etc… but is he right?
The Flare Factory 58 is modified lens by fellow British filmmaker Richard Gale, and a regular member of the EOSHD forum. A few weeks go Rich sent me one of the first of the lenses, a Flare Factory 58 (serial 004). Humorously branded Dog Schidt Optiks (the ‘n’ is silent), Rich is modifying Helios 44-M 58mm F2.0 lenses making versions with a unique character which can be customised on order. They are hand assembled and modified in England.
The Canon 700D / T5i is more a firmware update than a new camera. Indeed the only new feature in the hardware is that the mode dial now turns 360 degrees. If you are wondering whether to upgrade from your 60D or 650D, the answer may well come down to whether you find a use for that 360 degrees mode dial. You can now go from the M mode on the dial to Scene mode in just one click! Amazing I know.
Though cute the new entry level 100D (above) offers a 25% reduction in size at the expense of handling and no articulated screen. There’s seemingly no new functionality on this camera either in video mode, not even for stills! Owners of the 4 year old 550D from 2009 could be forgiven for not rushing to upgrade.
High speed shooting hasn’t been possible on DSLRs until now. Again it is the much dismissed Nikon V1 providing the creative inspiration…
An early self portrait of the young Stanley Kubrick, photographer – Image source: British Journal of Photography
In a 77 minute interview recorded over chess between takes on 2001: A Space Odyssey in the mid 1960’s Kubrick describes selling his first photograph, his first short and making his first feature.
Above – the compressed 2.4k version of 4K raw from the Nikon V1 (download the original at Vimeo) by Javier Sobremazas
The Nikon V1 is $220 (body) or $300 (kit) on eBay – get it whilst you still can
There’s a dark horse in our midst which very few know about, a camera which can shoot 4K raw at 60fps for $200.