Various sources have suggested that the C300 Mark II is having difficulties coping with the run-away success of the Sony FS7 on the rental market.
Is it truly being left on the shelves? EOSHD analyses an unexpected situation…
Ferrari have a DNA. Cinema cameras have a DNA. You have to go back decades to see it evolve into the force it is today. For Ferrari it is the very specific engine sound and the looks. Arri are that spirit to cinema cameras. The DNA of the Sony FS7 is a compromise. Half EX1 and half cinema camera, the ergonomics of the buttons, dials and menus need a complete overhaul in my opinion. So Sony haven’t got it all right yet but what they have done is put a Ferrari engine inside. The FS7 for £5199+VAT is an absolute bargain, with an ‘engine’ almost on par with a £18,000 F55 (though without global shutter). It’s a much more capable camera than the Canon C300 or Panasonic GH4.
Zacuto’s new EVF is now available to buy direct and it ships in early February. This is something I’ve been very much looking forward to. I’ve also been using the very small and light (and cheap!) Z-Finder for the Blackmagic Pocket Cinema Camera which you can read more on below.
Day one at Photokina and first on the agenda is a catch-up chat with Sony product managers Bill Drummond, Ben Pilling and Robbie Fleming who had arrived fresh from IBC. I took a tour of the Sony booth and briefly tried the new Sony FS7 Super 35mm cinema camera for filmmakers!