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0 Nikon D810 video quality leapfrogs Canon 5D Mark III

The D810 now shoots better quality 1080p out of the box than the 5D Mark III. It isn’t 4K or raw but it’s good. In fact Nikon are now providing better image quality than Canon across the range in video mode. Beginning with the D3300 and D5300 which provide a better APS-C image than the 7D Mark II with less moire, Nikon have taken the same improvement to image quality…

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0 Nikon D750 video quality is a step forward, but how much of one?

At Photokina (Photokino for video users!) I briefly played with the Nikon D750. With the camera tethered to a sales rep stand and so much else for filmmakers at the show like the Sony A7S, Panasonic GH4, Samsung NX1, Blackmagic and Red, I didn’t really have much time for the Canon or Nikon areas, but I did form some first impressions of using the new camera.

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0 Panasonic LX100 first impressions review and 4K footage

For those who find video very lacking on small cameras especially the Fuji X100S and X100T, Panasonic now have a high end retro-styled compact with 4K video. The sensor and EVF come from the GX7, which in turn is quite close to the GH4 in performance terms. We are talking a gigantic sensor here for a compact, larger even than the 1″ sensor of the Sony RX100 M3. As well as…

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0 SLR Magic 2x Anamorphic – my footage and first impressions

What informs the film look? Of all the technical aspects that do, I think it comes down to three key ingredients. 24p, a wide dynamic range and a 2x anamorphic lens. I and many other filmmakers chase that look. Well, I’ve just returned from Photokina in Cologne, Germany with a surprise. 2 years on from my first visit to SLR Magic at Photokina in 2012, they are back with a 2x anamorphic lens in 2014. This lens has…

0 Sony A7S Review – Pros and Cons (Draft)

Pros Full frame rendering of your shot backed onto some of the best internal HD quality available from any consumer camera Pioneering new sensor with brave 12MP pixel count finally to the benefit of video quality and a close match to 4K Full pixel readout and digital low pass filter greatly reduces moire and aliasing in 1080p footage Astounding low light performance, 3 stops better than GH4 and better than Sony’s own top end F55! Future proof…

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