Panavision DXL revealed, an 8K 60fps RAW cinema camera using RED’s codec

Panavision DXL 8K camera

Picture – Bill Bennett, ASC (Twitter)

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Well, it looks like the Arri Alexa 65 has some competition.

Panavision have revealed a RED-Weapon-like cinema camera which shoots 8K from a full frame 41 x 21 sensor in encrypted r3d RAW format.

Read morePanavision DXL revealed, an 8K 60fps RAW cinema camera using RED’s codec

Sony FS7 versus the Canon C300 (and their own cameras too?)

Sony FS7 body only

The Sony F55, F5 and FS700 now have a fierce competitor for less money, and it’s not a Canon, nor is it a Red or a Panasonic. It’s one of their own, the Sony FS7. Yet this cannibalisation may be worth it because the potential market for the FS7 is enormous. It’s the fiercest arrow yet fired at Canon’s most popular interchangeable lens video camera for pros, the Cinema EOS C300.

With a design clearly C300 inspired and the new mount facilitating the use of Canon lenses, is the Sony FS7 going to cause a mass migration of pro video birds south to Sony dealers?

Read moreSony FS7 versus the Canon C300 (and their own cameras too?)

The Sony A7S, new X70 on the big screen at Pinewood Studios plus hands-on the Atomos Shogun

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On a trip to Pinewood Studios I saw for the first time Sony A7S 4K footage projected in a theatre. The surprise was just how well the 1080p held up for cinematic projection. I also had my hands on the Atomos Shogun 4K recorder / 7″ monitor, the new Sony PXW X70 1″ camcorder with 10bit XAVC codec and more…

Read moreThe Sony A7S, new X70 on the big screen at Pinewood Studios plus hands-on the Atomos Shogun