Tried and tested – Premiere CC now supports H.265 natively

Premiere H.265

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Samsung NX1 users are in for a treat with the latest release of Adobe Premiere CC. The NLE has been updated with hardware accelerated 4K H.265 (HVEC) support. This means NX1 users no longer have to transcode clips to an editable format like ProRes.

I have just tried out H.265 support in Premiere, so a brief word on this now…

Read moreTried and tested – Premiere CC now supports H.265 natively

Is Adobe Premiere to blame for banding in 8bit DSLR footage?

Canon 1D C with 24mm F1.4L lens

I am experiencing a problem with Adobe Premiere which destroys the quality of Canon 1D C footage. It’s a problem which has always been attributed to the camera and others like it – banding with an 8bit codec. But actually, could the software you use to edit material play a role?

Read moreIs Adobe Premiere to blame for banding in 8bit DSLR footage?

Grading the Sony A7S with S-LOG 2 and some EOSHD cinematic looks for download

Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood.

Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I have ever used for video. How good is it? Very!!

I am sharing a pack of LUTs for the A7S which can be applied in Premiere, Resolve, etc. for an instant cinematic look to your A7S S-LOG 2 footage.

Download

Three LUTs are provided in the zip. Dynamic – for best dynamic range, will suit a low contrast shot requiring high dynamic range and plenty of shadow detail. Also good for low light. Vivid will give a punchier look to those shots that benefit from it like a sunset and where some dynamic range can be scarified for higher contrast and saturation. S-GAMUT is for when shooting S-LOG with the Color Mode of S-GAMUT and compensates for the purple tint to reds I find I am getting in this mode. For the Dynamic and Vivid LUTs you must set the camera colour mode in PP7 to ITU709 Matrix.

Read moreGrading the Sony A7S with S-LOG 2 and some EOSHD cinematic looks for download