Like the scene in Carrie where her dead hand violently springs from the grave, below the stone which marks CANON EOS RIP a more generous hand is about to protrude.
Here’s my top 5 cameras of 2018.
Of course we all know “there’s no such thing as a ‘bad’ camera” any more but there is such a thing as a dull, boring rip off. Then there’s the stuff that has a shelf life of a few months, that you just know is a stepping stone before the real deal arrives. In many ways 2018 was a good year to keep hold of what you have and wait for the dust to settle. An eventful one for technology, especially in the second half where we saw some glimpses of the future. In 2018 we had six truly great cameras for filmmakers and a few that didn’t make my top list like the M50 or RX100 VI but which are nevertheless still useful in one way or another.
On the Nikon Z7 how much difference does 10bit N-LOG make?
Is there a step up from the Canon EOS R when you record 10bit externally?
How does the Fuji X-T3 compare in F-LOG at 10bit internally?
All the questions and more I set out to answer here…
BBC interview with Executive VP of Canon Europe. Go to 4 mins 08 seconds.
It’s been a rocky reception for the EOS R. Even the BBC have been giving Canon a hard time over the ‘too little, too late’ approach. Now it’s time for some of the most loyal Canon users to use the camera ‘in anger’… Literally.
They are finding out the hard way it has some major issues.
My EOS R is open to a bit of experimentation!
With an increasing number of customers relying on YouTube for expert consumer advice, is it any wonder Canon continue to sell more cameras than Sony and Panasonic?