Browsing: cinema dng

Comment on the forum There were two highlights of IBC 2019 for me. The Sigma Fp, and the Z-CAM range. From the ground-up the Sigma Fp seems to be aimed at us, at artists. A small and incredibly light camera that hits the big full frame notes, some of the niche features like the digital director’s viewfinder are unheard of in consumer full frame cameras from major manufacturers. This is clever…

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https://www.youtube.com/watch?v=NZ20yQhMYx4 Comment on the forum It’s common knowledge in the camera industry that RED owns an important patent for a cinema cameras featuring compressed RAW. Now British third party accessory manufacturer Jinni Tech alleges RED “deceived the US patent office” and filed the critical patent late.

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Comment on the EOSHD Forum Blackmagic Pocket 4K topic (415 pages and 1 million views on just one thread!) Something for Blackmagic to look into here on the EOSHD Forum thread for the Pocket 4K. Anecdotal evidence say the camera is suffering from macro-blocking and banding in blue skies which you don’t expect to see with a 10bit codec let alone a RAW codec. Since the BRAW codec update, various…

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[vimeo]http://vimeo.com/91493490[/vimeo] These images (download the original 4K file at Vimeo to get even a clue of the full performance of the camera) are rather lovely. I’m also very impressed with the 2K slow-mo at 96fps. It is an improvement on the KineRaw MINI from last year which only shot 96fps at 720p, though there is still some moire and aliasing at the higher frame rate.

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[vimeo]http://vimeo.com/79536594[/vimeo] Aside from Blackmagic there’s only one other company endeavouring to give us affordable cinema cameras at the moment and that’s Kinefinity. The MINI is a smaller cut down version of their S35, shooting 2K uncompressed raw to SSD from a Super 35mm sensor. It has an option for 4K to an external record (Q1 2014) and it’s a powerful piece of kit, though I have some reservations about usability. Is…

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