Panasonic S1H to Atomos Ninja V 6K ProRes RAW update now available to download

Panasonic S1H owners today can start recording in high-end cinema camera standard 6K 12bit ProRes RAW via HDMI to the Atomos Ninja V.

Unlike many ProRes RAW HDMI outputs this one is a full pixel readout from a native 6K sensor, with dual gain circuitry and incredible low light performance.

Most cameras have to pixel bin to achieve 12 bit colour depth in their 4K RAW outputs from a higher resolution sensor, but not the Panasonic S1H. This should result in the cleanest and best ProRes RAW output on the market.

Read morePanasonic S1H to Atomos Ninja V 6K ProRes RAW update now available to download

What next for Sigma? What would you like to see?

Sigma Fp

In my opinion the Sigma Fp was a great camera milestone for creative shooting. As the first Sigma camera to shoot cinema quality 4K and the first full frame stills camera to record 4K RAW internally to SD card, Sigma have gained the attention of filmmakers and set a tone for a very bright future.

Read moreWhat next for Sigma? What would you like to see?

Panasonic S1H gets anamorphic RAW and 6K RAW via HDMI to Atomos Ninja V

Above you can see an advert for RAW on the S1H shot in my home town of Manchester. Coincidentally these streets were where I shot with the Panasonic GH1 for the first time. I have fond memories of 10 years ago in the months leading up to EOSHD’s first blog post, taking my GH1 out on the same streets as featured in the Atomos video. Always great to see how cinematic the city is.

Now at the start of yet another decade, Panasonic is upping image quality again with HDMI RAW on the S1H. What makes this implementation of RAW unique is that it has an anamorphic RAW mode. The Canon EOS R5, 1D Mk III, Sigma Fp and Nikon Z6 aren’t anamorphic enabled in RAW mode.

Read morePanasonic S1H gets anamorphic RAW and 6K RAW via HDMI to Atomos Ninja V

A monstrous Fuji X-T4 is coming, rumoured to shoot 6K/60p with anamorphic mode and IBIS – The “X-H2” we always dreamed of?

Fuji X-T4

Rumours have gained pace all over the place about the X-T4 and the discontinuation of the X-H2. I have to say this makes perfect sense if the X-T4 is going to be an X-H2 anyway in video terms. 10bit 6K/60p anyone?

Read moreA monstrous Fuji X-T4 is coming, rumoured to shoot 6K/60p with anamorphic mode and IBIS – The “X-H2” we always dreamed of?

Z-CAM E2-F6 (Full frame 6K) goes head to head with Panasonic S1H (test by Flannel Ninja)

Incredibly close between these two. I have a Panasonic S1H with me at the moment, and am getting to know it. Meanwhile the Z-CAM, I had the briefest of hands-on at IBC and will be posting some footage from it. Both cameras are capable of 6K H.265 internal recording from a full frame sensor, and both are at the lower priced-end of the pro-cinema market.

Read moreZ-CAM E2-F6 (Full frame 6K) goes head to head with Panasonic S1H (test by Flannel Ninja)

Panasonic S1H becomes first and only mirrorless camera to be approved by Netflix – “same league” as Alexa LF

How about a new kind of camera benchmark – Netflix. Their production guidelines for original 4K content have been updated to include the Panasonic S1H. According to Netflix the S1H’s image in DCI 4K mode at 400Mbit 10bit 4:2:2 ALL-I plays in the same ballpark as pro cinema cameras costing many times more.

Read morePanasonic S1H becomes first and only mirrorless camera to be approved by Netflix – “same league” as Alexa LF

Panasonic S1H review / hands-on – a true 6K full frame cinema camera

Comment on the forum / Ask me anything

The S1H is the best featured mirrorless camera on the market for filmmakers – just to put it into perspective, let’s start by summarising the entire competition as quickly as we can.

Read morePanasonic S1H review / hands-on – a true 6K full frame cinema camera