Can the Olympus cameras compete with a full frame Canon DSLR for those with extensive EF lens collections? And is video quality improved with the epic firmware updates just released?
Well hell has officially frozen over and Fuji have full manual control in video mode along with 24p.
You can download the V3.0 firmware for the X-T1 and X-T1 Chrome edition here. It adds a lot of improvements.
Fuji will add a much improved video mode to their X-T1 fleet of cameras in December. The new graphite silver edition will get some of the features early like a silent electronic shutter, and has just been released.
This is a bombshell announcement, a massive upset and a surprise that the NX1 has a 4K H.265 codec. With this model, Samsung have taken technological step-change to the market, adding the first ever High Efficiency Video Codec (HVEC H.265) along with 4K 24p and Ultra HD at 30p to a $1499 mirrorless camera with Super 35mm sensor (APS-C). The codec is a successor to H.264 and is capable of providing ProRes quality at less than half the file size.
The Olympus E-M1 is sitting on a goldmine. The 5 axis stabilisation system is heaven for video, but very little attention was given to video specs. The codec is only capable of recording in one frame rate, 30p, which is an NTSC rate completely unsuited to 70% of the world’s population living in Europe, the UK, China, Brazil and Australia. Consumers need 25p or 50p… and filmmakers are desperate for the 24p look!
Now Olympus are said to be working on a firmware update (source: 43rumors) that gives 21 steps of manual audio gain control (1 step more than the GH3).
Here is a summary of what else video users need.
Olympus have announced a new flagship Micro Four Thirds camera, the OM-D E-M1 which goes head to head with the GH3 but without any of Panasonic’s focus on video. The camera offers only one frame rate at all resolutions – 30p.
This is what happens when you don’t overhaul your imaging chips for 3 years, Canon. The new Sony HX9v compact out-resolves the 600D’s video mode for resolution, and has 1080/60p. It is also a lot closer to a DSLR in terms of dynamic range than I expected it would be. It fits in my pocket and has a stabilised 24-380mm lens.
It has an image processor powerful enough to handle 43 megapixel panoramas in-camera as well, but that along with the incredible ACT stabiliser is something I’ll go into more detail on in the full review later.
The HX9v’s video mode is to compacts what the 5D Mark II’s video mode was to DSLRs.
If you are thinking of buying an Atomos Ninja for your GH2, it is probably best to wait for the hack.
A few weeks ago I ended up researching how to extract 24p from Sony FS100 footage delivered via a 60i signal to an Atomos Ninja for Philip Bloom and came across some information about the GH2’s HDMI output which I wasn’t aware of previously.