https://vimeo.com/59832019 UPDATE: The HDMI output on this camera is uncompressed 4:2:2, for a leap in image quality over the internal 24Mbit codec! Check the forum for my ProRes noise grain sample shots The Nikon D5200 is the best mid-range Nikon yet for video. What is more of a surprise is…
Search Results: anamorphic (335)
New in this update Robocop 2 Sony FS100 Isco 2x anamorphic with support system for 15mm rails Optex 1.33x anamorphic lens
http://vimeo.com/59539071 The Lens Whilst Canon L lenses are like a fleet of company Lexus cars. This isn’t really what I want in my films. I need something different. Something with character. For this reason I’ve long been using anamorphic lenses. I recently shot some test footage with the Iscorama 54…
Above: the Epic with anamorphic lens In the second and final part of this mini-shootout with the Epic and Blackmagic Cinema Camera, we take a look at the resolution chart.
How does the Blackmagic Cinema Camera compare to an established film industry standard, the Red Epic? Along with ReWo and MBF Filmtechnik in Berlin we decided to find out.
What’s new? Timelapse interval recording Canon lens F-stop display on the monitor ExFAT file system support for SSD media SDI output now supports RP-188 timecode I’ve installed the update and here’s what I think…
View or buy the Sony F35 for $12,000 on eBay US (this version is enhanced by Clairmont camera in Hollywood) A Hollywood workhorse to this day, the Sony CineAlta F35 (also rebadged as Panavision Genesis) is a Super 35mm PL mount digital cinema camera and also an extraordinarily good deal on…
[vimeo]http://vimeo.com/57901943[/vimeo] Buy the E-mount Metabones Speed Booster – $599 for Canon EOS lens adapter, $399 for others The Metabones Speed Booster adapter brings the full frame look to Sony mirrorless APS-C and Super 35mm E-mount. (Indeed it will bring the Super 35mm look to Micro Four Thirds but not until…