View 10 frames from a rehearsal shoot with Bunny Suit, a Berlin based band I’m currently working with on a music video Disclosure: I have worked closely with SLR Magic in refining the flare and have a close relationship with SLR Magic, but I am approaching the lens objectively in…
Search Results: anamorphic (329)
Download firmware v1.5 from Blackmagic Just a heads up (full post to follow when I’ve had some shooting time with it) – the eagerly awaited firmware update from Blackmagic Design which gives the Pocket Cinema Camera raw video has arrived. This will allow you to shoot 12bit Cinema DNG in…
[vimeo]http://vimeo.com/79160137[/vimeo] Download the LUT now For the full guide to the world of raw video on the 5D Mark III – order the EOSHD Shooter’s Guide book by Andrew Reid With the new version of Blackmagic DaVinci Resolve (10.0) you can grade and edit 5D Mark III raw DNG sequences,…
The €3199 KineRAW MINI is the latest affordable raw cinema camera to be released. Featuring a 4K Super 35mm sensor it is a rival to the Blackmagic Production Camera and an alternative to shooting raw on the 5D Mark III with Magic Lantern. It shoots 2K / 1080p Cinema DNG uncompressed…
The new SLR Magic anamorphic lens now has an official title and price. Dubbed “ANAMORPHOT 1,33X 50” – it will cost $799 for the anamorphic adapter.
The Blackmagic Pocket Cinema camera is a wake-up call to the bigger manufacturers and their afterthought video modes.
[vimeo]http://vimeo.com/72605257[/vimeo] Magic Lantern’s raw recording module for the 7D is a perfect illustration of why colour depth and dynamic range are more important than resolution. It’s also a huge step up for Canon APS-C video shooters and free.
[vimeo]http://vimeo.com/72646025[/vimeo] Thanks to Michel and Ludwig at HD Videoshop in Berlin for the test unit. Essential primer details on the MINI are here. The KineRAW Mini is a very cool option in the emerging raw market. With an almost identical range of features and the same 4K Super 35mm CMOS sensor found in…