[vimeo]http://vimeo.com/92175427[/vimeo] The D800 has re-emerged! We have the Mosaic Engineering VAF-D800 filter, CFast $299 Atomos Ninja Star ProRes recorder coming soon and now even a hack project based around the camera. So I’ve picked up a D800 and plan to see what I get out of it.
Search Results: anamorphic (332)
[vimeo]http://vimeo.com/90049558[/vimeo] Above: Prospect, a short film shot on the 2.5k Blackmagic Cinema Camera The Blackmagic Cinema Camera was the first foray for the company into the camera market and was announced 2 years ago this month. I know many users were expecting more from firmware updates in the meantime to…
It looks like the story of 2014 is taking shape in the form of very high quality 4K on large sensor mirrorless cameras. Last year for me it was raw on the 5D Mark III which excited me the most and before that it was the Blackmagic Cinema Camera. This…
The KineMAX is a Super 35mm raw shooting 6K camera with 14 stops dynamic range, increasing to 16 stops in 3K mode, native ISO is 800. Impressive. I contacted Jihua of Kinefinity recently to talk about a few remaining questions I had on the recently announced KineMAX as well as the updated lower…
[vimeo]http://vimeo.com/85849379[/vimeo] Above: beautiful new film from Seb Farges shot with the SLR Magic Anamorphot on the Sony A7 and Olympus E-M5. SLR Magic have officially announced the Anamorphot developed with feedback and technical assistance from EOSHD and the anamorphic community. To order: there is currently a pre-order offer for people…
Based on a pre-production model Since the GH1 I have been shooting with Panasonic’s mirrorless system for video. Without this series of affordable cameras my early work as a cinematographer and filmmaker simply wouldn’t be the same. The GH4 marks a much needed major leap for the line, the first…
Above: A7R with the new SLR Magic “Anamorphot 50” anamorphic lens Micro Four Thirds vs full frame. America has answered this question pretty resoundingly – mirrorless sales are apparently down 47%. I don’t think this will be a lasting trend because mirrorless is moving forwards in terms of image quality…
SetLife Magazine (a recommended follow on Facebook) has compiled technical specification slates showing us who shot on what when it comes to the big 2014 Oscar nominees. Interestingly Arri cameras still sweep the board. There are also nods to the Cinema EOS cameras and even the GoPro, but the really…