Early adopters have put the Sony A6300 image quality and autofocus to the test – the results are incredible (see below). Could Sony have achieved something very special with their combination of 6K sensor readout and 425 phase detect points?
Search Results: Sony A7 (499)
Sony have announced a huge step up in specs for their A6000 series with the latest model, the A6300. With a completely new sensor, the camera now does a 6K full pixel readout to produce ‘perfect’ oversampled 4K video. For $998 at B&H Photo & Video this is a superb bargain…
[vimeo]http://vimeo.com/150802983[/vimeo] Here’s my illustration of ghosting, after-images and edge fuzzing in 4K on the Sony FS5. Shot on my camera with the latest firmware update (v1.1).
Comment on the forum Sony Independent Certified Expert Alister Chapman is a freelance videographer and runs workshops on occasion for users of Sony’s pro video cameras. You can check out his response to the FS5 problems widely reported by users, on his blog here. Now read my post about why he’s wrong!
[vimeo]http://vimeo.com/150618927[/vimeo] The Sony FS5 has had a largely warm welcome from the video community but there has been one thing bugging a lot of owners and potential buyers alike – the quality of the internal codec. Just how good or bad is it?
The Sony FS5 is a miniature version of the FS7 cinema camera and Sony’s competitor to the Canon C100 Mk II. It’s also one of the most capable slow-mo cameras, with a 10bit 4:2:2 internal codec at 240fps.
Comment on the forum What separates the colour science of photography companies like Canon, Nikon and Fuji from the approach taken by electronic engineering firms Sony, Samsung and Panasonic? EOSHD has a theory.
[vimeo]http://vimeo.com/142487045[/vimeo] The Sony RX100 IV review is done and it is a camera I’ve found myself using a lot… but not for the 4K.