Comment on the forum I was able to find a Nikon Z7 in Berlin and decided to shoot with it at least until the Z6 comes out, when I’ll reassess whether it is worth 3800 euros. Nevertheless, this camera tells us 90% of what we need to know about that…
Search Results: Sony A7 (507)
Comment on the forum Now some of the dust has settled in the 2018 full frame mirrorless game, we can start to get a clearer picture about what’s on offer.
https://www.youtube.com/watch?v=teGLWCt7Y-Q Comment on the forum One of the most common problems with S-LOG 3 is that it’s very counter-intuitive to expose it! Harv Video/Audio Stuff on YouTube says he is getting far better results with far less noise in the shadows with his technique, shown in the video above. I…
Comment on the forum Dave Etchells has a background in chip science and finally had the very rare opportunity to visit Nikon’s sensor design labs. It’s long been the perception in the photographic and filmmaking community that Nikon leans heavily on Sony for off-the-shelf sensors and is handed down parts.…
https://www.youtube.com/watch?v=JF_sgCYRjiI Comment on the forum This is a really good summary by the Brotographer (follow on Instagram here and YouTube here) of his experience of using EOSHD Pro Color V4 on the A7R III.
Comment on the forum The Nikon FX mirrorless camera is now official and the press release went live on Nikon’s site today. Now I truly believe Panasonic and Olympus must go full frame too.
Comment on the forum Sony have just announced the FS5 II ahead of NAB 2018. This brings with it a few improvements, including revamped colour profiles tuned similarly to the high-end VENICE digital cinema camera. As well as HDR and Rec.2020 4K modes, it’s also capable of DCI 4K (4096…
https://vimeo.com/233905206 Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ($49.99) I am pleased to announce that a year after the original, there is a major update to EOSHD Pro Color for Sony cameras. In addition to the new Pro Color 3.0 with additional profiles, I…