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Sports Broadcasters are apparently the only ones buying Blackmagic Design gear these days.


eatstoomuchjam
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If you'd like to spend about 2 hours learning about a bunch of expensive, high-end broadcast gear, the latest Blackmagic NAB update was made for you!

BEHOLD million bazillion port VIDEO SWITCHING DEVICES

STARE IN AWE at a first-party mount to use 2/3" camera lenses on your FULL FRAME CINEMA CAMERA

GASP WITH AMAZEMENT as instead of making the smaller, cheaper media module reader that everybody wants, they make one BIGGER AND MORE EXPENSIVE!

YOU MAY HAVE PAID FOR THE WHOLE SEAT, BUT YOU WILL ONLY NEED THE EDGE

 

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Resolve 21 looks nice.

Otherwise, 0 new consumer products.  Every single thing that they announced today was for broadcast and specifically seemed targeted at sports broadcasters, the only people who are trying to multiplex 50+ 4K+ input streams to 50+ output devices all at the same time.

 

I suspect that rampocalypse pricing for components has basically obliterated profit margins on any consumer gear that Petty was going to announce.  Maybe in 3-6 months, we'll get an out-of-cycle product release livestream.

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The reason Blackmagic are out of the consumer / prosumer market now, is that the Japanese cameras are too good and too cheap.

Blackmagic can't compete with an X-H2 shooting ProRes 422 8K for under $1500.

Also the profit margins in the broadcast stuff is massive.

It's funny isn't it, how the industry has pivoted back to where everything was before 2010, pre DSLR!

The only thing missing now are new small chip ENG shoulder cams! Then we can truly party like it's 2008!

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Yes, indeed. Andrew is right.

EU has paid a lot, straight to the schools and into their reps' pockets.

Millions so to speak.

 

Or literally to be more direct:

Only from RRP in Portugal, a €2-billion program.

Yes, a 10-digit figure!

The numbers speak volumes...

And as of last month of February, a mere half, yet : X 

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They invented, solved the problems of and instantly became a leader in a whole new industry. Live, multi-cam immersive production. That's the closest thing to teleportation you can get without the risks of becoming half man half fly.

Imagine BBC's yearly Glastonbury coverage being shot and broadcast live with this immersive workflow. You'll have the whole festival in your living room, with clean toilets just through the door.

Arri and RED have film, Panasonic and Sony have indie and YouTube, Blackmagic stands alone on the forefront of a sci-fi world where the competition aren't even looking.

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5 hours ago, Anaconda_ said:

They invented, solved the problems of and instantly became a leader in a whole new industry. Live, multi-cam immersive production. That's the closest thing to teleportation you can get without the risks of becoming half man half fly.

Imagine BBC's yearly Glastonbury coverage being shot and broadcast live with this immersive workflow. You'll have the whole festival in your living room, with clean toilets just through the door.

Arri and RED have film, Panasonic and Sony have indie and YouTube, Blackmagic stands alone on the forefront of a sci-fi world where the competition aren't even looking.

I don't care about any of that, just want a new Pocket cam

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6 hours ago, Anaconda_ said:

They invented, solved the problems of and instantly became a leader in a whole new industry. Live, multi-cam immersive production. That's the closest thing to teleportation you can get without the risks of becoming half man half fly.

 

Invented is a real stretch there.  As soon as VR headsets were a thing, it was obvious that people would eventually want to do it live.  Adding multiple cameras into the mix, with the associated awful jarring jumps between places, is hardly a revolution.  Plus there's the dystopia of standing amidst the futbol players after a goal is scored celebrating with them... only to a second later be standing in the midst of an immersive ad for erectile dysfunction pills.

6 hours ago, Anaconda_ said:

Blackmagic stands alone on the forefront of a sci-fi world where the competition aren't even looking.

That's fine, but for me as a filmmaker, I really just don't give even a nugget of a shit about any of that stuff.  I would have really wanted some sort of bridge between the $5,000 and up gear with their fantastic RGBW sensors and the $3,500 and below gear which mostly uses 5+ year-old Sony sensors (such as the Pyxis 6K which uses an IMX410 from 2018, old enough to be in grade school).  IMX410 is a great sensor, but as Andrew pointed out, I can go buy a cheaper Fuji with a newer/better sensor.  An X-H2s costs less and has half the readout time and better dynamic range - and with the money saved, I can add raw and a second monitor with a Video Assist 12G.  Bonus: the video assist won't be locked in place awkwardly on the side of the goddamn camera.

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'I can't believe a company would release broadcast equipment and try to get ahead in a new broadcasting industry at the National Association of Broadcasters.'

I work in video and it's annoyed me that Canon keep releasing new printers! What do you mean Panasonic has a new microwave, I need faster AF! I don't need a PS5 for God's sake, why won't Sony give me better menus! At the very least, BMD is keeping within the same field and pushing the boundaries throughout the whole workflow as much as they're able to. Parts of this technology will eventually come to the more 'interesting' products and while we're waiting there's plenty of choice from other brands.

It feels like I'm defending the brand, which I don't mean to do, but damn. Complaining that groundbreaking products don't fit your own expectations is pretty wild to me. If it's not for you, it's not for you. No need to get upset. My intial point remains, the amount of times Grant says things like 'but there's a problem with this process, so we've also created this solution' is very promising. I don't see many other companies thinking so far ahead and getting around problems that don't even exist yet.

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57 minutes ago, eatstoomuchjam said:

Invented is a real stretch there.  As soon as VR headsets were a thing, it was obvious that people would eventually want to do it live. 

We went to the moon in 1969 and it's obvious that people would eventually want to build a base there. So there's no need to get excited about the company that makes that possible. Even with the associated motion sickness and jarring take-off.

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16 hours ago, eatstoomuchjam said:

If you'd like to spend about 2 hours learning about a bunch of expensive, high-end broadcast gear, the latest Blackmagic NAB update was made for you!

Pretty funny because I actually am very involved in the broadcast scene as well so it does appeal to me.  I'm super 50/50 split between cinematography/video/editing & pro broadcast work.  But I can understand there are products we wish they introduced that they did not.

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To be fair it is a conference for broadcasters by name...  

But for real are we surprised? BMD is a much larger company than just consumer/prosumer/pro cine cameras. Everything is in the vertical integration for them – it's been that way for a long time. Hence the 2 hours of introducing a new product segment and then the oodles of support equipment necessary to make it work.

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