Rinad Amir

All the 1Dxiii frame rates are 4:2:2 h265 10bit if LOG is ON if LOG is OFF they are 4:2:0 H264.....
Did you check the metadata with a tool ?

Working on a long documentary in Resolve and previously did a 25 minute doc in Resolve. Really all about organizing the footage and tagging as you shoot in the media page. I've gone all in on resolve at this point for projects. Just got the editor keyboard and it is awesome.

How do you know this have you tried R5 yet?
Have you compaired them both in action?
I bought my 1DXmiii last year before R5 was announced and i do 90% video main selling point for me was no fans best af on market and internal 5.5k raw 
As for calling people stupid.... knowing your reputation on this forum says alot.

How do you know this have you tried R5 yet?
Have you compaired them both in action?
I bought my 1DXmiii last year before R5 was announced and i do 90% video main selling point for me was no fans best af on market and internal 5.5k raw 
As for calling people stupid.... knowing your reputation on this forum says alot.

How do you know this have you tried R5 yet?
Have you compaired them both in action?
I bought my 1DXmiii last year before R5 was announced and i do 90% video main selling point for me was no fans best af on market and internal 5.5k raw 
As for calling people stupid.... knowing your reputation on this forum says alot.

On  tracking/panning fast object at 1/50 24fps you will not see rolling shutter because the motion blur will hide the RS issue. I track mtb at  (200-400 +1.4) 560mm and I have zero problem with RS. Is really unstable platform or back and forth movements that shows up. I have more problem on a horse show jumping parkour as you move back and forth and  the obstacles as they are vertical they tend to be bended....
Btw I did cover the 24h of Nürburgring for teams multiple years so I'm familiar with motorsport.

  

Exuse my language but i fecking love it Andrew epic review😆

Exuse my language but i fecking love it Andrew epic review😆

I put my thoughts into a YouTube review.
This is my first one, but one of MANY! Please don't expect too much  
The video also compares it to:
Fuji X-T4
Panasonic S1H and S1
Fuji GFX 100
I won't spoil the conclusion for you.
There is some Formula One bonus footage at the end from the GFX 100, and a show-stopping problem with my 1D X III.

Ah lads go out and Film its Friday 😁
 

First full frame camera that's Netflix Approved, with 6K and ProRes RAW on deck? Don't hold your breath buddy!

Hi all,
This short vlog may be of interest as it's just a little chat about the dreaded Gear Acquisition Syndrome, and shot on S1H
All natural light, VLOG 10-bit 4K 25fps full frame, I used a Tiffen Black Promist 1/4 and some stos of ND, Lens is the L mount Panasonic 50mm 1.4

Lighting is a window and a large silver reflector
 

Seems to be the best on the market as far as at least in the hybrid category. 

Yes i had S1h for about 6months before i sold it for 1dxmiii.
S1h with ninja v 

12 bit linear RAW, since the sensor's video readout is in 12 bit linear as well it makes perfect sense to do so.  

I know right its fun to read his fantasy theorys 
In this harsh times we need people like him for entertaiment. As Noone said please carry on 😄

Wow now your Pro colorist but also have connections with Canon! 😄 by any chance are you from Egypt?

What you haven't heard? Canon Egypt gave the green-light for the R5 dentist undergrad beta test program! 🎬 🎬 🎬 

Totaly agree S1H Dr crushes even 1dx miii and for some reasons i prefear colours of S1H .

I call you out as a fake and liar.
If you were a professional colorist, then you would know that in the age of RAW cameras, colors are what a colorist makes of them. A camera's out-of-the-box "color science" hardly matters to colorists if you work from 10bit/12bit Log or RAW; it only matters to quick turnaround-documentary and ENG video makers who rely on the camera's factory color profiles and do not have post-production colorists. 
Judging colors by YouTube videos, in highly compressed 8bit 4:2:0 Rec709, is ludicrous anyway. Any RAW cine camera today - even Blackmagic's $1200 Pocket 4K - covers more than the Rec709/sRGB color space. Difference in color gamut will only become visible in greater bit depths than 8bit, with better color subsampling than 4:2:0 and wider color spaces such as Aces, P3 and Rec2020.

We are here to share and learn...But lately i see just complete bullshit from fake users that claim their pro colorist with their science 
Post your work and talk.

Stop changing words and post your work like everyone requested here.

I was actually thinking the same! this fella sounds dodgy claiming hes pro colourist etc knows his stuff but yet hasn't got a thing to present 
keep avoiding members questions by interpolating them. 

Stop changing words and post your work like everyone requested here.

...and posting no links to work or a reel. Does your first name happen to be Ebrahim?