PannySVHS

Gotcha LOL : ) Ain't we going towards something fresh more prone to be movie related and very well recommended no less (film) referenced where figurative speech is yet most welcome than ever? ; ) We need then to pay attention to the etymological meaning: good+fellas from informal plural of fellow instead... In the Portuguese speaking world, Scorsese's movie received as local title in original Portuguese language "The Good Fellows" (Brazil) and "All Good Boys" (Portugal) -- no idea how occurred in the African countries of Portuguese language or East Timor though, so let's go in the vibe and try something new : D

Love the video! The GX85 is still a little gem. The back wheel failed on mine too a couple of years ago but I sourced the part on eBay and replaced it myself.

You're starting to scare me Marty. 😬 Well done as usual.

WOW Marty! You know very well what I think of your cinematography ; ) When did you shoot it? That beginning is one of the most beautiful interesting ones I've ever seen! Go figure... ; ) Those variations from same "visual tune" follow, when looks like you're repeating the shot you're obviously not. Who's that girl BTW?

He sold it a few months ago.

yeah man, sorry! as au8ust said, if I knew it I would  have gladly sold it to you.

Here is a music video I did with my beautiful GX85.
It now has dethroned my GF1 for photography pleasure, loosended my bonds with my eternally appreciated and now disfunct G6. GX85 earned no1 place in my heart. It was a bit of a way to go for this cam. It has pleased me with nice footage, great personal short cine verité extravaganza, BCam as last resort.. But only until now it has reached my heart completely. It is a true treasure.
The road to love was slippery by the slipperyness of the camerabody, the soon to become disfunct back wheel and the mediocore EVF. But still, it is almost as pretty as the GX7 or my GF1 and it feels good in the hand and now even better in the heart. So enough talking, time to let this camera speak.
Used Fujinon 12mm in 16 to 9 and ind 1:1 4K photo mode, Tokina 25-50 in the mix. Shot in colour and graded with love in BW. 🙂
 

Anyway, black and white lovers. Here is a musicvideo I did. Again in cinema verité style. It can be exhausting to create all spontaneously, with the flow of conciousness. But it can be big fun as well.
Talent in front of the camera is the awesome artist and songwriter herself. Her shadow following is a kind and kewl artist as well. Shot in 90min. Edit was done the next day.
BUT, I completed some itsy bitsy 20seconds and final grade only now, two years later. Crazy how long some things take which started off super high energy and fast as lightning up to 90% of the final result! The last 10% can be a sucker.
So here is the final result, turn up the volume and enjoy! 🙂
 

We could do a GX85 challenge, including GH2, GH1, GH3, G7 and GH4 aaaand the LX15. The Seven Sisters 8bit Challenge! Let´s do it 🙂

Awesome! I was obsessed with the Andromeda hack a few years ago. I member offered me one with PM iirc, but never answered my questions who it was from oringinally. 720p 3ccd 10bit uncompressed 10bit to a mac with a stabilized pana-leica zoom lens.
Yeah, DPing shorts and longer pieces even on a no budget level is a rough thing to do artistically.:)

tiny SD:) What camera did you use for the second clip? @tupp I like the vibe, looks like 90ies neo noir without neon and without Neo.:)

Goodfellas, hehe, you´re sure you named us right? @Emanuel

Here is a music video I did with my beautiful GX85.
It now has dethroned my GF1 for photography pleasure, loosended my bonds with my eternally appreciated and now disfunct G6. GX85 earned no1 place in my heart. It was a bit of a way to go for this cam. It has pleased me with nice footage, great personal short cine verité extravaganza, BCam as last resort.. But only until now it has reached my heart completely. It is a true treasure.
The road to love was slippery by the slipperyness of the camerabody, the soon to become disfunct back wheel and the mediocore EVF. But still, it is almost as pretty as the GX7 or my GF1 and it feels good in the hand and now even better in the heart. So enough talking, time to let this camera speak.
Used Fujinon 12mm in 16 to 9 and ind 1:1 4K photo mode, Tokina 25-50 in the mix. Shot in colour and graded with love in BW. 🙂
 

I think it's 800 but I don't know if the difference in highlight detail and/or shadow noise will be quite as noticeable in a Rec709 profile compared to log.

I've always been a fan of CineLikeD. It felt like a designed version of ProLost Flat as opposed to just optimal settings to get a flattish profile.
I have a BMMCC as a pseudo second camera (which I never really use) for its ProRes capabilities (FCPX user) so I wondered if it would be worth selling the micro to put that money toward a GH6...
I'm still really happy with my 5D3, so I probably won't. Haha.
Anyway, just curious. Thanks.

@Andrew Reid, what @ZEEK our fellow member here has been doing is something truly unique (a new camera is reborn every new build!) no matter how hot fresh changes on this project of a decade will be implemented... This serves the world of pictures in a very exclusive way to my book.
Many places to talk about pictures, not so much one-of-a-kind like this one is : )
Where else we found it with the chance we all have to share it with goodfellas like Don and Marty are, humm? :- )

I shot some handheld test footage outdoors yesterday, all on the Sigma 18-35 with Metabones SpeedBooster and Standard Profile (-2,-5,-5,-3). No grading applied.
 

Some screen shots from my ipad,
Olympus 45mm f1.8

Panasonic 45-200mm

Voightlander 25mm f0.95
Panasonic 20mm f1.7

 
 
 
 
 
 
 

I didn't see anyone post this:
 

More playing around....
CineD -> CST 709 to ARRI Alexa / LogC -> ARRI Alexa LUT (worse match)

CineD -> CST 709 to ARRI LogC -> Fujifilm 3513DI LUT (worse match)

CineD -> CST 709 to ARRI LogC -> Kodak 2383 LUT (worse match)

CineD -> CST 709 to ARRI LogC -> Kodak 2393 LUT (worse match)

I also tried a bunch of CST / LUT combinations, but none yielded any promise.
 

That would make sense. I have noticed that "sharpening" tools do this in-camera or in post. I always turn off sharpening and noise reduction as much as possible- I've always preferred the image. You're right as it's a question of taste.

i bought one two months ago because i love the size and ibis but i haven't really tested it out yet. i would love a gx85 style gh5

Ah crap - I was taking about the GX9.  Stupid typo!
I'm half-way through reading the Cine-D GX85 thread.  Funny how every time someone finds a hack there's someone who turns around and asks for 12K120 12-bit internal, like somehow once the genie is out of the bottle you can ask for whatever you want 🙂 
I worked this out last night.  
Long story short, it's about edges.  The world has infinite resolution, and therefore edges are 100% sharp.  Everything in the real world, ie, physical processes, will only make edges softer.  Film has limited grain size and thus blurs the edge slightly, lenses are imperfect and have blur, etc.  If you shoot RAW you will get edges that are slightly blurred because of de-bayering and limited resolution (no camera is infinite resolution).  
If you get a nice compression algorithm and give it enough bandwidth you will also get edges that are slightly blurred.  All good so far.  Where it all goes wrong is when you have compression that makes the edges more sharp than reality.  ie, the pixels on the darker side of the edge are darker than the object itself, and the pixels on the edge of the lighter side are lighter than the object itself.  This NEVER happens in the physical world.  It never happens with film, it never happens shooting RAW, it is a completely artificial process.
This is why some footage looks "organic" (ie, of the physical world) and some looks "digital" (ie, not of the physical world).
Note the "halos" around this image I found on the web:

You either like footage to look natural, or you want it to be hyper-real.  It's a matter of taste.

Cannot wait to see it! Some crazy Pete in action! 🙂 @Matt Kieley
I found my all time EOS M RAW footage when it comes to colour. Makes Berlin look like before all the greedy hipster and gated community freaks fxxed up the community and heart and soul of the city. I know it sounds kinda harsh but girls n boys, they really bulldozered many, many landmarks of Berlin to build cement monoliths for rich, tastless fxxers from all over the world. Nothing against wealthy people, just against the powerful axxxholes among them who fxxxk up everything with their money. Anyway, here is the beautiful EOS M in its most impressive colour glory, imho.
Btw, my C-mount to Eos M-mount didnt arrive but I got the full refund. Very nice of the seller. Anyway, I a slouch when it comes to rig up cameras.:/