JurijTurnsek

Canon 5D IV specs are now out in detail and pretty reliable. MJPEG still, no word on crop. Maybe that will be the big thing about 5D - that it won't crop when shooting 4K:
http://www.canonrumors.com/canon-eos-5d-mark-iv-specifications-and-image
A lot of unreliable chatter about a hybrid OVF/EVF. Prism hump seems a big bigger than previous generations, but it could contain anything at this point.

Here's a review with side-by-side footage comparison to GoPro:
http://www.gsmarena.com/yi_4k_action_camera_review-blog-19875.php

So, if he refunds the people he scammed, his wisdom of a filmmaker with decades of experience with all sorts of gear will not be put into question? Somehow, this seems like the bigger issue here, since this is a place for getting reliable advice.

So, if he refunds the people he scammed, his wisdom of a filmmaker with decades of experience with all sorts of gear will not be put into question? Somehow, this seems like the bigger issue here, since this is a place for getting reliable advice.

So, if he refunds the people he scammed, his wisdom of a filmmaker with decades of experience with all sorts of gear will not be put into question? Somehow, this seems like the bigger issue here, since this is a place for getting reliable advice.

Maybe he's just a very motivated up-and-coming sales person from Canon, haha.

Maybe he's just a very motivated up-and-coming sales person from Canon, haha.

Wait, what?  A 12mm F/1.4 with a sensor with a crop factor of 2 is the same as a 24mm 2.8 on a full frame.  Period.  You can't multiply the "effective 35mm focal length" without multiplying by the crop factor.  It *is* just that simple.  While lenses have different looks, the basic principles remain true - 2x 12mm @ 1.4 = 1x 24mm @ 2.8.  How is it "not right to go around multiplying apertures by crop factor?  Just because this is your forum doesn't mean you can suddenly change the laws of physics.  The hole *isn't* as big as the micro four thirds lens doesn't have a 24x36 sensor to cover!  The light INTENSITY is the same, but the light GATHERING is not.  Big difference here.
Next time it rains, put a small bucket outside next to one 2x the size.  Which one gathers more rain?  Oh, right.  The larger one.
This should help you out Andrew.
 

T stop can vary across zoom range even if F stop is constant. The camera probably has this information and it could be the case that it tries to compensate for the difference in brightness but with a small delay. 

The Camera Store gave it a big thumbs down (go to 13:50):
 

The app has been updated to allow you to turn off that "you're using NTSC mode" message.

The app has been updated to allow you to turn off that "you're using NTSC mode" message.

The real takeaway here is that both companies are doing good (in a declining market) and that both systems have a future. Maybe Canon is doing a little worse and will have to innovate and Sony still remains an underdog that has to innovate hard. Hopefully, Sony will soon have the luxury to slow down and start on polishing the quirks and provide the absolute best system money can buy.

I would not take advice on anything from vloggers, much less about cameras. /rant

My point being, that it will sell a ton irregardless of the conclusions of posters on this forums. Your voice is the minority. Your opinion is being taken into account for FS5, since you are the intended user group.

In the comments I found this info: ISO 800 in S-Log 2 and 3.

No. Read it again, it is not written ambiguously.

Also, the Metaboes AF looks very impressive:
 

Dual Pixel AF already does amazing video AF, so that was never the problem. Just the smooth zooming part needed to be addressed. To bad about the lackluster Canon 80D video specs.

Couldn't make it past 5 mins - the tone seemed so pretentious and fake. I enjoyed the movie, but this was so dramatic as if they just cured AIDS.

Couldn't make it past 5 mins - the tone seemed so pretentious and fake. I enjoyed the movie, but this was so dramatic as if they just cured AIDS.

Amazing if true. If only it were so easy as 1+1 when combining know-how, but the true benefits of such a acquisition will take years to manifest in full.

I assume that SLR Magic 50mm f1.1 would have the same T stop spec or very similar - much cheaper and smaller, declicked:
http://www.sonyalpharumors.com/slr-magic-announces-the-new-cine-50mm-f1-1-fe-lens/
Although, a wide-open test would make the comparison much easier.

So a very talented and creative skateboarding filmer Fred Mortagne has already filmed the first clip using SL for Leica:
https://www.youtube.com/watch?v=3-37VZ2dXCI

So a very talented and creative skateboarding filmer Fred Mortagne has already filmed the first clip using SL for Leica:
https://www.youtube.com/watch?v=3-37VZ2dXCI