Tim Sewell

Lovely shots Tim!
The most "digital" film I've shot, in terms of colour, is Ektachrome 100 as its colour seems to be more accurate than negative film is, similar to how any digital stills camera has fairly accurate colour in RAW when rendered with the Adobe colour engine.

Ektar is, to my eye, the most 'digital' of all colour neg. Lovely stuff which as above, I habitually overexpose (https://www.vrimage.co.uk/IShootFilm/Ektar-100-June-2018/) - but I prefer Portra.

Ektar is, to my eye, the most 'digital' of all colour neg. Lovely stuff which as above, I habitually overexpose (https://www.vrimage.co.uk/IShootFilm/Ektar-100-June-2018/) - but I prefer Portra.

I have a big bag of Ektar, Portra, Fujicolor Industrial and Acros that I'm slowly working my way through. It's actually amazing how well film holds up after long storage in less than ideal conditions.

I have a big bag of Ektar, Portra, Fujicolor Industrial and Acros that I'm slowly working my way through. It's actually amazing how well film holds up after long storage in less than ideal conditions.

Same with me. The S1 gives me not as much pleasure as I had hoped when I bought it. @Tim Sewell Here is a musicvideo I did with my Gx85.
 

General use.
I have a S1, that I love, but it's so big and heavy it hasn't been out of its bag for the last few months, so I wanted something that I can just pick up and go with. The particular motivation for doing it now is that I'm going on holiday (first time in three years) in a few weeks and the thought of lugging the S1 around was causing me considerable trepidation. With this I can put the camera and my three native lenses (25 1.7, 17 1.8 and 14 2.5), plus my Mavic Mini 2 in my messenger bag and still have room for sun cream (and my Crane 2S maybe)!
In fact, after initial testing, I think I'm probably going to sell the S1. I was thinking I would need to hold on to it as I've been asked to do a music video in a couple of months, but I think the GX80 will handle it nicely - in that scenario I'll be speedboosting my set of Super Takumars.
A few weeks ago i tried out a FZ2000 for a couple of weeks, but it failed to impress. What's the point of a super zoom when the long end is unusably soft? Also the colours didn't do it for me, but this little chap's rendition is not a million miles away from the S1's.
Last night I was using Standard and Natural, both dialled back. Over the weekend I'll be giving @BTM_Pix's bit of wizardry a try to see how Cinelike D fares.

General use.
I have a S1, that I love, but it's so big and heavy it hasn't been out of its bag for the last few months, so I wanted something that I can just pick up and go with. The particular motivation for doing it now is that I'm going on holiday (first time in three years) in a few weeks and the thought of lugging the S1 around was causing me considerable trepidation. With this I can put the camera and my three native lenses (25 1.7, 17 1.8 and 14 2.5), plus my Mavic Mini 2 in my messenger bag and still have room for sun cream (and my Crane 2S maybe)!
In fact, after initial testing, I think I'm probably going to sell the S1. I was thinking I would need to hold on to it as I've been asked to do a music video in a couple of months, but I think the GX80 will handle it nicely - in that scenario I'll be speedboosting my set of Super Takumars.
A few weeks ago i tried out a FZ2000 for a couple of weeks, but it failed to impress. What's the point of a super zoom when the long end is unusably soft? Also the colours didn't do it for me, but this little chap's rendition is not a million miles away from the S1's.
Last night I was using Standard and Natural, both dialled back. Over the weekend I'll be giving @BTM_Pix's bit of wizardry a try to see how Cinelike D fares.

General use.
I have a S1, that I love, but it's so big and heavy it hasn't been out of its bag for the last few months, so I wanted something that I can just pick up and go with. The particular motivation for doing it now is that I'm going on holiday (first time in three years) in a few weeks and the thought of lugging the S1 around was causing me considerable trepidation. With this I can put the camera and my three native lenses (25 1.7, 17 1.8 and 14 2.5), plus my Mavic Mini 2 in my messenger bag and still have room for sun cream (and my Crane 2S maybe)!
In fact, after initial testing, I think I'm probably going to sell the S1. I was thinking I would need to hold on to it as I've been asked to do a music video in a couple of months, but I think the GX80 will handle it nicely - in that scenario I'll be speedboosting my set of Super Takumars.
A few weeks ago i tried out a FZ2000 for a couple of weeks, but it failed to impress. What's the point of a super zoom when the long end is unusably soft? Also the colours didn't do it for me, but this little chap's rendition is not a million miles away from the S1's.
Last night I was using Standard and Natural, both dialled back. Over the weekend I'll be giving @BTM_Pix's bit of wizardry a try to see how Cinelike D fares.

I've arrived late to this party, having taken delivery today of a pristine used GX80. After reading this whole thread I'm raring to go with some testing down at the beach this evening!

GX80 works wonderfully with the @BTM_Pix hack to get Cinelike-D. When I had one, used it with Leeming Lut for Cinelike-D and the colors were amazing.

After reading the original article I bought a GX85, and an adapter for my Panaleica 14-50 fourthirds lens. It was my first cam that could do video.
Years later, I have now shot several concert (live or production) video's, up to 10 cam (mainly P4K), 3 manned cams. I currently have 3 fourthirds lenses (adapted to m43) and 8 mft lenses and 14-15 Samsung T5 ...
The GX85 still serves (mainly photographs, or as a fourth cam when I am in a pinch).
So, a big THANK YOU to Andrew.
Without getting into video for music, the last two years would have been a personal disaster ...

Also available in blonde.
 

Absolutely. 100 years of cinema mainly filmed at 24fps means that people in general consider the result to be the most realistic depiction of motion. I would expect, if the entire industry switched to 60fps tomorrow then in another 100 years that would be considered the most realistic.
Given the prevalence of video games that might well happen.

Absolutely. 100 years of cinema mainly filmed at 24fps means that people in general consider the result to be the most realistic depiction of motion. I would expect, if the entire industry switched to 60fps tomorrow then in another 100 years that would be considered the most realistic.
Given the prevalence of video games that might well happen.

I mean, it's not nothing - clearly they get used, but this doesn't really represent the top flight of Hollywood releases...

Wait, what? The world _isn't_ falling apart?

Wait, what? The world _isn't_ falling apart?

Thanks, Tim. Much appreciated! I'll pass on your comment to her 🙂

That's fabulous and so is your lead actor. 

I'm very happy with my Mavic Mini 2. The only thing that would tempt me to upgrade would be a 10 bit log option, or an adjustable aperture, or both (!) in a <250g drone.

I'm very happy with my Mavic Mini 2. The only thing that would tempt me to upgrade would be a 10 bit log option, or an adjustable aperture, or both (!) in a <250g drone.

I'm very happy with my Mavic Mini 2. The only thing that would tempt me to upgrade would be a 10 bit log option, or an adjustable aperture, or both (!) in a <250g drone.

According to the Ukrainian Prosecutor General's Office, he was fatally shot twice by Russian servicemen while unarmed and wearing a press jacket.
https://www.ukrinform.net/rubric-ato/3446547-documentary-photographer-photojournalist-maks-levin-found-dead-in-kyiv-region.html
https://www.lensculture.com/maks-levin
https://www.facebook.com/levin.maks

Probably won't find a more in-depth review than this one - I think I might have to book a day off to read it! https://www.newsshooter.com/2022/02/22/panasonic-gh6-review/