IronFilm

​There are plenty of skin tones in the second video I posted (which I tried my best to keep natural after grading; professional colorist I am not). But yes, it's certainly an improvement over CineD. I think the best praise I can give is that it looks exactly like you'd expect a log profile to look.

I would bet this is true. Panasonic has been great to work with, and if I had to guess, part of the reason for the delay may be to ensure that LOG is a valuable addition to the camera, not just something that feels tacked on (as it did in the firmware I tested). From a technical standpoint, I think everything is probably pretty locked in at this point.

Yay! Great news. So much awesomeness is happening! First Blackmagic, now Panasonic comes through! I'd almost say 'EPIC!', but it seems it doesn't quite cover that.
Just the thing I was looking for to come to the GH4. Atleast V-LOG is more than a little bit of rumours now... the waiting begins!

​I just picked up this deal. It's actually $995 but still not bad. Although I rather they have a prime bundled, this lens should be interesting especially with OIS. I feel like everyone on EOSHD has a pocket camera except me or something.

​You charge $1k weddings , other charge $5k and up. It's all about the market and what you can sell. If you are underpricing your work then of course it's hard to understand, but semi pros to professionals work/earn much more and this is where this camera is geared too. No different than people shooting free Music Videos or working with labels getting minimum 10k budgets, it's all about where/how you place yourself in the working industry. Personally there's NO way in the world I would shoot/edit a Wedding for 1k , when I can make that just editing a simple project.......
 
Done with the off topic, problem is most people simply just don't understand....... 

The Ninja 2 however has waveforms and vectorscopes, which some could argue are much more important. 

"EOSHD posts about it and suddenly everyone knows"
Not true! Was never on the blog.
A forum user started a thread. I kept it open and replied. Didn't want to censor it.
I am sick of it now and so is nearly everyone else. Thanks for locking the thread Rich.
You're a talented guy Ed... but please for the love of god... can we have the old Ed back shooting those amazing NY videos.

It's a very competitive price point for:
Internal 8-bit 422 1080p60 2160p30 Built in ND XLR in SDI out MFT mount All in an shoulder/ENG friendly package.

There seem to be no interest here on EOSHD in the new JVC GY-LS300. Just wonder why as it seems to have most - if not more - features than most here on this forum have been hoping for in new Canon/Sony/Panasonic cameras. This camera seems to be quite innovative in several areas. 
Here is a link : https://vimeo.com/121192570
Is the lack of interest because JVC is not having a good reputation? Well, Samsung had a so-so reputation before the NX1, right? I¨m by no means a camera tech expert, but this JVC looks pretty interesting. Maybe this camera turns out to be the big surprise of the year

There is way less guinea pigs than used to be couple years back, even with big manufacturers like Red, BM, etc. Lots of ppl is rather waiting for 2nd generation products. Kickstarter is special teritory itself.

Really wish it was a s35 sensor with a m43 mount. Choosing between EF and PL is a concern. I have Nikon lenses at the moment but would like to pick up some EF glass at some point but also want PL glass in the future. A more adaptable mount would have been nice.

Unfortunately, this will be big in the ENG world. I say unfortunately, because I'll have to shoot with it one day. I'm fine with the all in one design, built in ND's, etc. all the the things that make run / gun, doc, ENG style work easier. But I have one major beef  with this design - the EVF should be where the monitor is and side mounted. What Panasonic, Canon and Sony forget with their EX3's, C100/300 and HVX's is that in ENG, Reality, Event and doc world you're often doing takes up to half an hour or more. Holding the camera with two hands out front and your eye on a rear mounted EVF is OK for five minutes or so, but once it goes longer you'll be begging for a 20b proper news camera balanced on your shoulder. I'm sure every ENG cameraman will agree, it's better to be heavy and balanced then light and all on your arms. 

If they'd just put the EVF where it should be, then it wouldn't take much to rest it on my shoulder with nothing more than minimal rigging (shoulder pad and handles). As it is, to get it on my shoulder will now require mounting a 3rd party EVF or monitor out front on some frankenrigging or slinging it on an easy rig. This obsession Sony, Canon and Panasonic have with the rear mounted EVF is beyond comprehension and shows they beta test with soccer moms and tourists.

​hahaha, I opted for the A7s as I was filming Auroras.... Someone bought the 1DC
http://www.dvxuser.com/V6/showthread.php?332554-Canon-1D-C-for-sale
At the time I was looking, the exchange rate pushed it under £2600.... Was SOOO tempted, but A7s ticks more of my boxes... No regrets.

Surely great initial pricing. But it's just the modular base core. Don't fool yourself that's it then, you're going to want the modules like the viewfinder and the shoulder/tripod kit that they show it with and so on. So you're not quite there for that one price yet.

You're basically looking at Sony FS7 money for this camera. Granted it's a bit higher resolution, but I'm very much leaning towards the Sony.
I'm guessing the BM will be more difficult to work with. I love the global shutter, but I personally value a higher ISO and built in ND filters more.
And while the BM camera is very cinematic, I feel that it seems all the images are just a bit darker. I think this camera requires well lite subjects
to give its best. 
As for cinematic, the FS7 seems to do a pretty good job at the cinematic look, provided you grade for that look.
 

Newsshooter interview with Ryan Avery from Veydra about their new lenses: https://vimeo.com/124786321 01:20 he says that their new anamorphic lens is for the GH4 and "the new panasonic camera" 
So, hopefully no fixed lens

​
Hopefully the cam is so good that this is an appropriate reaction.
I wouldn't mind an AF100-style body, just a bit slimmer. And I hope they make it easy to match to my GH4.

Their Cinema EOS range has pretty much killed all hope of the 5dmk4 being anything more than a bombproof stills camera with a below par video function.  Unless ML get hold of it before launch and remove all the crippling features canon include in the firmware.  

I could not imagine that Canon consistently drives the mediocrity.
Yes, they can.
 
1“ sensor, fixed f2.8-5.6,
64 GB CFast 2.0 for 4k ~ 300,- € !! (64 GB SDXC 10/3 for 4k in GH4 ~ 35 €)
No EVF, touch screen is nice, but it’s not usable when loupe is mounted to it   
 
2.500 $??!! Get a GH4 with 2.8/12-35 instead and you'll have the real thing.  
 
I understand better what Canon‘s branding effort means:
“Canon See Impossible” - We see that it is impossible to catch up with competition   
 

The way I see it, in today's world with so many other options, there's very little reason to have a video shooting camera without an EVF and titling screen.  The 5DMIV probably won't have either, and probably won't have 4k as well. 
Canon needs a Super 35 sensor mirrorless camera with EVF and 4k.   This is the camera people need, and it won't step on their Full Frame DSLRs, but will kill them for 4k Video. 

1. I want to see the new Panasonic AF100 successor, and have it share the same color profiles with the GH4 firmware update.
2. Would like to see something new in small/lightweight travel tripods with a fluid head.
3. some new handheld gimbals to replace a steadicam, useful for small DSLR's   

This is going to turn into a nasty little online shaming match isn't it?
Have some compassion for both sides as they both lose.
And think about your own lives and if you lost your career, how you would want people to behave... respectfully or not?

Powerdirector from Cyberlink already support native H.265 editing, can't really see why Adobe can't.

The new Premiere has an option to export as H.265, still unknown as to if editing in it is happening or not. 

At the sky high price of the XC10 I'd rather spend a little more and get an old second hand C100 and glue a 24-105mm f/4 to it. 
 
But yeah.....  not going to do that either. Instead seriously looking at the Samsung NX1, but waiting to see what NAB brings.