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IronFilm

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  1. Like
    IronFilm got a reaction from Akbar in Help me decide! (Put me out of my misery)   
    Add the Nikon D5200 too for an option to consider at the low end, a nice matching/complementary camera to your D600 too.
  2. Like
    IronFilm reacted to Chrad in FULL FRAME or SUPER 35 - What do you prefer and why?   
    ​Bingo.
    The full frame DOF at f1.2 on an 85mm is so insanely thin as to be impractical for recording objects in motion. Sure, it's nice to have the option available, but the applications of that 'full frame look' are so niche, I don't think it should be a major consideration for the majority of video shooters.
    Stils are another story.
  3. Like
    IronFilm reacted to richg101 in FULL FRAME or SUPER 35 - What do you prefer and why?   
    ​Most medium format cameras, digital backs and lenses are designed by and sold to people while they are drunk.  If sober, they'd just go for aps-c and not spend £20k on digital backs.  :).
  4. Like
    IronFilm reacted to Nikkor in FULL FRAME or SUPER 35 - What do you prefer and why?   
    Bigger formtas are totally useless, specially medium format. Don't buy any lenses for it, its totally crap, expensive and complicated. Largeformat cameras are only sold to rich people and fashion photographers who need to appear professional with big cameras. The obvious differences you can see in comparisons between different formats are only in our minds.
  5. Like
    IronFilm reacted to Simon Bailey in FULL FRAME or SUPER 35 - What do you prefer and why?   
    Thanks for the link but I'll keep the $1500   I'm not keen on adding more adaptors than absolutely necessary as they can add chromatic aberration, softness etc.
    The comparison shots of the woman  are a bit misleading because the majority of the background being the cityscape is so far away its going to have much the same blur no matter what its shot on. The railing thats closer the difference is more apparent.
    I agree with what your saying but I love my A7s more than my F5. I can't believe I would ever say that after 18 months with the F5 and about 8 months with the A7s. 
    Friday I had a shoot in the city and I'd lent out the A7s and I remember thinking "I'll have to use the F5"  Have to!! as if its a sad thing to have to use the F5.. How interesting is that. To me the F5 was about the most perfect camera I could imagine and bam along comes this little A7s and the F5 gets left behind.  Its not full frame vs super 35 why I like the A7s. Its the speed I can work with it. How customisable its menus, buttons and the function page are. How small it is. How well the Shogun works with it. And how beautiful its photos are. How I can remove it from its cage, put a 20mm pancake lens on it and slip it in my pocket. How accessible the SD cards are compared to SXS.  The F5 is technically better (although visually indifferent to me) but the A7s is more fun to use. Faster, less menus to dig through to change anything.
  6. Like
    IronFilm reacted to Cinegain in Cheap but usable motorised focal focus (not wireless)?   
    Perhaps a silly idea, but wouldn't LEGO stuff work? As a kid I used to play around with that kind of stuff.
    'Cause kinda thinking of it, you need a motor with gearing, a controller and them some way to mount and drive it. Should work? Not sure about powering the whole thing. If I remember correctly, the power for the motor comes from the controler that takes like 4 AA batteries. Also not sure if the motor would be powerful enough. Professional looking it might not be either, lol. But it could be a working and cheap option.
  7. Like
    IronFilm reacted to fuzzynormal in FULL FRAME or SUPER 35 - What do you prefer and why?   
    ​f5.6 on s35 is a common preference for people (narrative fiction cinematographers) that actually do this stuff for realsies.  So I find that the "FF" aesthetic argument is pretty indulgent for the most part.  
    On the other hand, technically, you can get some great low-light capability...and that's something practical to actually consider depending on what you want to do.
    That said, I still carry around my 5D and an old 50mm Nikon f1.4 lens for making easy and great looking corporate interview type shots.  If anything, using FF for talking head documentary type work is my idea of FF's strongest aesthetic "feature."
  8. Like
    IronFilm reacted to leeys in FULL FRAME or SUPER 35 - What do you prefer and why?   
    You know, I've been binge-watching a whole bunch of movies on Blu-ray this past week. From classics like Princess Bride to modern blockbusters like Nolan's Dark Knight trilogy.
    Not once have I gone, what nicely isolated background blur is in the scene.
    In fact many of the movies I liked don't even use that much shallow depth of field, and it's clear that the lens has been stopped down some. I think on the whole we're looking at 5-10% of the scenes at most?
    What's really more obvious to my perception I think, in the technical aspects of the camera itself, are things like dynamic range and colour response (as we all know, with this will affect the final grade and compressed footage makes this even more challenging), how camera movement is handled, and skill taken in focusing (1080p is not forgiving for errors in older films, 4K is going to be less so).
    The example above illustrates my point: The one stop difference in DoF, if not placed side-by-side, wasn't going to be something I would have commmented about, and wouldn't have made me prefer one image over the other.
  9. Like
    IronFilm reacted to Andrew Reid in Fantastic slow-mo/detail on new Canon C100 Mark ll   
    ​Yes, clear advantage to shooting 4K for delivering 1080p.
    Shooting 1080p in 2015 is a bit like shooting standard definition 720 x 480p in 2008.
  10. Like
    IronFilm reacted to Nick Hughes in Fantastic slow-mo/detail on new Canon C100 Mark ll   
    Delivering in 1080 does not necessarily mean shooting in 1080.
  11. Like
    IronFilm reacted to mtheory in Red Epic or not Red Epic   
    Why don't you buy the KineMINI as a barebone 2K starter version for around $3K-$4K, you will be able to upgrade it to 4K and slow-mo in the future. 
  12. Like
    IronFilm reacted to Hans Punk in Red Epic or not Red Epic   
    Red (as all modern cinema cameras) are literally computers...pretty obsolete after a few short years and eventually phased out of service by changing OS or no firmware support (Assuming no electronic components die before then).
    you can now buy a used Arri D-21 for cheaper than a used Red One. The D-21 is the Alexa's father and had a true optical viewfinder (this was pure magic at the time). But now there is hardly any interest in that camera at all.
    People bang on about film being dead, when in reality digital has a much shorter lifespan in Product iterations.
    a 100 year old film camera can be made to work like it was new, a 10 year old digital camera is probably going to go 'pop' the next time it is plugged into the mains.
  13. Like
    IronFilm reacted to fuzzynormal in Red Epic or not Red Epic   
    I've used the Red1.  I don't want to use it anymore.
  14. Like
    IronFilm reacted to Oliver Daniel in Red Epic or not Red Epic   
    Don't be fooled by the RED model. Sure they are amazing cameras that have shot Hollywood films but those films also had a huge crew. The shoots I've done on RED have been very slow (as I didn't have enough crew) and technicalities then came before creativity. Also if you want more accessories it costs a fortune. It's a hardcore system. 
    I would only buy RED if I had the money to fund more crew members, and I had consistent decent budgets to play with. You also have to consider post-production. The raw workflow is one of the best. But it takes a lot of work and time. Time is money. 
    Personally I think a much better option would be the Sony FS7. It's the best "all-rounder" camera available. It's the same sensor as the F5. It has high FPS. Wide DR. Slog3. 10 bit. E-mount. Lovely ergonomics. Great price. Good low light. You can film anything with it brilliantly, pretty much out the box! (You need a mic, cards and batteries). Also you can upgrade it to shoot in raw and higher FPS. 
  15. Like
    IronFilm reacted to Matrox in Nikons progress in video 2015   
    ​Right, I'm aware of this. I also consider stills and in that area, D7100 offers some really cool features (better viewfinder, high speed sync with flashes), so I can live without 60p  
    Also, I found really great video shot with D7100. To be honest, it is really hard to find good footage from the camera that isn't so popular among filmmakers.
    https://vimeo.com/113947519 
  16. Like
    IronFilm reacted to jurand in Nikons progress in video 2015   
    I'm full of nikon lenses. Unless nikon comes up with something that can compete with NX1 - I'm sticking to a7s <3
  17. Like
    IronFilm reacted to Cinegain in Ultra low budget quadcopter for filming with a GoPro?   
    Actually, DJI is just another Chinese Shenzhen company, so the thing is, you're not even really paying so much because of the 'brand'. They've just looked at the pro choices out there and made something that's just as much of a tool and brought it somewhat more of a consumer level. It's not popular because it's the cheapest choice out there, but because it works so well and has a very solid line-up of pro level multirotors. They know their stuff. Whilst all these cheap choices basicly just remain toys. The same way I would say 'don't go amature, gopro', I would say 'why? Just get the DJI!'.
    I'm the last one to convince you not to buy cheap stuff from China, coming from years and years of buying audio gear, radio controlled stuff, flashlights, tablets, smartphones and all sorts of gadgetry from there. I even was in Hong Kong a few months ago to be close to the action, visiting the Hong Kong Electronics Fair and getting across the border at Lo Wu to visit Shenzhen. Just this very morning the postman dropped off a WLToys V931 helicopter. But as much fun as these things are to play around with, I wouldn't get something from these guys if I were to shoot aerial video... I would go with DJI, even if that meant saving up to it. I think they give you the best value for a fair price. If you want something to rely on, with a proven track record, is nice to work with, tilting capabilities, that gets you the results... I'd say they're the best bet.
    But of course, if you have no other option than to go with something like the CX20... it's gonna be closer than nothing and New Zealand has to be one of the finer places you'd want to fly an aerial platform above for sure. I get that. Maybe over at RCGroups they've got some nice tips 'n tricks for you. Gd luck!
     
  18. Like
    IronFilm got a reaction from Xavier Plagaro Mussard in Ultra low budget quadcopter for filming with a GoPro?   
    That is why I have had for the past year a smaller quad (with an SD camera on it) to practice on :-)
  19. Like
    IronFilm reacted to Geoff CB in Samsung NX1 firmware v1.21 up now   
    ​Agree with this, the audio gain issue needs to be fixed. It's a significant problem with the camera for interview/doc work.
    Another great to have feature. 2K Mode (2048x1080)
  20. Like
    IronFilm reacted to Brother in Samsung NX1 firmware v1.21 up now   
    Great suggestions from everyone!
    I would very much like to see them remove the crazy "hiss" sound (some sort of auto gain control feature?) when recording to internal and external microphone.
  21. Like
    IronFilm reacted to Geoff CB in Samsung NX1 firmware v1.21 up now   
    Okay Then:
    Hopefully possible
    - Clean 8-Bit 4:2:2 1080p output- Currently it only exports clean 4K, so we cannot use an external recorder with the excellent 1080p mode on the camera.
    -Digital Punch in while filming/Adjustable in frame
    -120 fps mode under the 1080 24p setting.
    - Exposure Compensation in Manual Mode - Exposure compensation that just adjusts the ISO, controlled on rear control dial, for heavily backlit scenes when shooting weddings/docs. Just have it adjust nothing if its not set to Auto-ISO
    - Ability to map Audio level to the control dials
    -Digital Telephoto - Similar to ETC Mode on GH series, center crop of the sensor in 1080p.
    -Ability to manually enter focal length so old lenses work with flashes
     
    Long Shots
    LOG
    4K Anamorphic Mode - Center of Frame for 2X Anamorphics, would also hopefully help with rolling Shutter because it would not be downscaled.
    6.5K Bursts at 24p (however long until the buffer maxes out)
    240 fps 1080p Burst  (however long until the buffer maxes out)
     
    Also if you can get a word in have them talk with Adobe about getting H265 working in Premiere Pro, they already bundle the camera with Lightroom, so they should have a dialog between them already. 
  22. Like
    IronFilm reacted to Cinegain in LED Lighting - Fresnels, Redheads etc   
    About the 'etc'... not sure if it will fit your needs, but maybe it would be worth looking into the Pixapro Nitsan was raving about?
    Still need a proper light kit myself. I kinda make do with three small Aputure LED panels at the moment (AL-H160, AL-198 & AL-198C).
  23. Like
    IronFilm reacted to richg101 in LED Lighting - Fresnels, Redheads etc   
    I'm hoping to invest in some lighting and think now might be a good time to look at LEDs.  I'm particularly interested in a 350w fresnel from Ianiro
    http://www.ianirouk.com/product.php?ProductID=763
     
    as well as a pair of matching 100w fresnels 
    http://www.ianirouk.com/product.php?ProductID=772 
     
    Has anyone here used such lighting or have any feedback on how they would compare to Arri tungstens or hmis  
     
    I don;t want to have to deal with the issue of generators or taking special feeds from a ring main.  I just want to run lights off either an dc-ac inverter and some leisure batteries or from normal 13a sockets as found in the home.
    I'm seeing a 95% CRI rating, and quoted tungsten/hmi equivalents, but in real life are they a worthwhile investment over say a set of 3 redheads which work out at about 1/4 the price for good condition used 800w jobs.  
  24. Like
    IronFilm reacted to Mozim in Nikons progress in video 2015   
    Personally I'm looking forward to the D7200. I'm hoping for a photo camera that is as at least as good as the Canon 7D MkII, as in: 10fps burst rate, great autofocus, fantastic dynamic range, durable and rugged body, basically a small version of their D4s. I also expect the video mode to be at least as good as the D5300 / D750 video mode (which is very good already). Being able to change the aperture in live view is a must (and they'd be stupid not to include it). It'd be nice to see a high-quality 120fps mode, flat picture profile, Zebra, Peaking etc. 
    It's going to be a photo camera first and foremost, but if it offers good video capabilities like they've done in the past, then I'm sure people who shoot both video and photos will appreciate the camera. 
  25. Like
    IronFilm reacted to dahlfors in Nikons progress in video 2015   
    Two interesting rumors for Nikon's cameras: 4k will be introduced to the Nikon 1 series of cameras, and the live view aperture crippling will be removed from D7200. According to nikonrumors D7200 will also feature 720p at 120 fps.
     
    http://nikonrumors.com/2015/02/18/nikon-d7200-announcement-before-march-13.aspx/
    http://nikonrumors.com/2015/02/17/nikon-1-j5-mirrorless-camera-rumored-to-have-4k-video.aspx/
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