ntblowz

Yeah, if you dont need them now you can always wait, while for those who do either one of them can do the job, and by the time 32bit comes out you already master the gimbal compare to those who still wait, and you gonna beat them since your brain and body knows how to "fly" those well, and you will know which pid works and what not.
 
This one is done on Nebula 4000 with GH4 + Olympus 12 2.0, 25 1.8, 45 1.8, Sigma 60 2.8,  7-14 4.0, Nokton 25 0.95 and GH2 Samyang 7.5 3.5 on monopod
 

Yeah, if you dont need them now you can always wait, while for those who do either one of them can do the job, and by the time 32bit comes out you already master the gimbal compare to those who still wait, and you gonna beat them since your brain and body knows how to "fly" those well, and you will know which pid works and what not.
 
This one is done on Nebula 4000 with GH4 + Olympus 12 2.0, 25 1.8, 45 1.8, Sigma 60 2.8,  7-14 4.0, Nokton 25 0.95 and GH2 Samyang 7.5 3.5 on monopod
 

​There is PIX-E5H from video devices for $1195 that record 4K/UHD.. and a 5" 1080p monitor as well

Btw the Pilotfly is using 8bit for their handheld gimbal, they mention 32bit is for another model.

No surprise really, if they offer 4K on 5DIV the C100 MK II will loss a lot more potential customers.. it's PROFIT MARGIN first for Canon nowadays.

​There is PIX-E5H from video devices for $1195 that record 4K/UHD.. and a 5" 1080p monitor as well

Powerdirector from Cyberlink already support native H.265 editing, can't really see why Adobe can't.

Powerdirector from Cyberlink already support native H.265 editing, can't really see why Adobe can't.

Thanks for sharing!

​throw the nx1 into the trash and get another camera!  that's what I would do if I was upset like you.

I uses both, for fast turnaround project or co-op with other people GH4 is the way to go, especially if you have same day edits for wedding, no time for transcoding!  NX1 I mainly use it for gimbal  (AF is awesome!)
GH4 can look cinematic if you know how to shoot and colour grade  (same for other DSLR type camera including NX1)
 
Like this one is shot on GH4.. nothing docu look at all!

Funny I ditched A7/5D2 for NX1/GH4 for wedding.. and don't miss the FF look, or "worse" low light performance, slowmo and aerial is the buzz lol.
For most client they don't really care about the stuff at we care. they just want good edited video with the right mood/atmosphere that show off their day.
 
For commercials they are much more picky, you can rent EPIC/FS7/C300 on the corner.

I uses both, for fast turnaround project or co-op with other people GH4 is the way to go, especially if you have same day edits for wedding, no time for transcoding!  NX1 I mainly use it for gimbal  (AF is awesome!)
GH4 can look cinematic if you know how to shoot and colour grade  (same for other DSLR type camera including NX1)
 
Like this one is shot on GH4.. nothing docu look at all!

I like NX1's colour even though I only got it for a week compare to Panasonics (used since GH1),  as I can always rent the A7s but not GH4/NX1 around my area so that's another reason why I bought NX1.

NX500 is really a 2.5K camera at heart, if you think like that it is not too bad.  Luckily I bought NX1 instead of waiting for NX500, I will be keeping that little LX100 for a lot longer now lol.

Pilotfly with A7II and Canon 50mm F1.8 and EF-NEX adapter
 

There is another handheld gimbal coming but with 32bit controller and dual IMU
 

I heard next Nikon 1 will get 4K video, you can wait on that too.
or get D750 and sell the D600?

It will be the ultimate run and gun for me, especially paired with Sigma 18-35mm and Speedbooster, not even Came 7800 can support this combo, let alone zoom/focus on the go while being stabilized!

​16-50 OSS does not work on A7s, so as the 18-55mm

GH3/4 can record 4hr continuously on a single charge, I think some record 6hr using external battery, no over heating whatsoever
 

I hope Olympus can take lesson from Fuji!
 
The IBIS is such an invaluable assets for videos especially on shooting lens without IS.

The SLR Magic Anamorphic also works on Panasonic 14mm without problem, but not Olympus 17mm F1.8 which you get vignetting and border quality are bad. It good to know that Leica 15mm also works! That F1.7 is handy for indoor/low light..
 
Really interested if GH4 can do 4:3 recording in 4K, I would definitely trade the 1.33X Anamorphic for that!  2X squeeze give you far more view than 1.33X does

Hey Wilco,

Here's a test I shot with the GH4 + SLR Magic Anamorphot 1.33x. The process is very simple on FCPX. I just use thescale / distort setting and set the vertical to 75%. That might not be the accurate percentage that is necessary
but that's what looked good to me. Although 77-78% works as well. Hope that helps.

one thing I hate about the sony is the $@%%@$@ AVCHD, no MOV no sale for me
 
btw FF is overated, I tend to find myself shooting in lower F stop so I can fucking focus properly