
ntblowz
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Posts posted by ntblowz
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8 minutes ago, SRV1981 said:
Why laughable? If color is not much of a difference but DR/rolloff is a big difference between log profiles wouldn’t that make canons R line inferior in image to Sonys A line?
All camera is trash to Alexa by ur logic then, cause no one touches Alexa on DR if colour is comparable.
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It is certainly on other brands like Panasonic, Olympus and now Canon but not on Sony, it is really a handy feature for macro or small object without the need to go computer to do it.
I m pretty sure with fancy Sony AI they could really do it in camera, but at moment only bracketing is offered?
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So when do we expect that 35-150mm F2-2.8 to be on L mount? 😎 And their collection of primes.
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3 hours ago, newfoundmass said:
Find someone that loves you the way Sony loves releasing cameras that overheat.
I'm sure there will be people that defend it (there always are) but it's unacceptable that it still happens, regardless of the price.
Yeah, you can easily tell when Canon does everyone and their dogs bark about it, but when Sony does it you see plenty of people try to work around the shortcoming or said who does 30min+ boring videos 🤭
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From dpreview chart the high iso is a bit worse than the older a6x00 on stills?
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4 hours ago, D Verco said:
Apparently since the FX3 and FX30 launched both Blackmagic and Panasonic have seen a sharp downturn
I m not sure that statement is true, as I m pretty sure the S5II/X boosted the Panasonic market a bit with the magical pdaf.
Even this year I still see people buying blackmagic pocket 6k for those aspiring filmmakers over other brand.
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I can definitely give up IBIS for smaller/lighter setup.
- The external raw recording, never used Atomos Ninja V for raw encoding, only used them for monitor lol, even though the c70 raw is quite small but only use it once and rest still on mp4.
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4 hours ago, kye said:
So, the GH5S (2018) and BGH1 (2020 - 3 years old), which aren't FF, don't shoot RAW, don't have IBIS, and have been completely forgotten by the entire camera YT echo-chamber, are being actively used on some of the biggest and most VFX heavy films being made in Hollywood.
They also just casually mention in the video (11:35 if you don't believe me) they've been involved in over 2000 productions, and that "these cameras are able to match perfectly with all your A-cameras".
Simple, just ignore those echo chambers by not watching, obviously they are coming from a different background to the film/tv industry.
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So I tried both Sigma 28-70 2.8 and Sony 20-70 in store, man the dynamic IS on Sony lens totally blow away the third party lens. When I tried the dynamic IS on Sigma the only thing it did was crop more but stabilization is still similar to a73 with tamron 28-75mm I used to have. On Sony 20-70 it felt like it glued on the screen.
And 28mm with DIS is way too narrow, on 20mm it felt ok since it is wider in the first place.
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35 minutes ago, markr041 said:
The ZV E1, paired with a good lens, like the Zeiss 24-70 f4, does really provide a nice image. And that sticky tracking focus assisted by AI really works and is needed here (the dancer moving and turning, for example).
Here is Hare Krisha at Washington Square Park.
Oh, and the audio quality of the camera is above the usual.
Does Dynamic Active Stabilization works on the 24-70 F4? I heard it doesn't work on 3rd party lens, but I m not sure about older Sony lens. Your video there is really stable, I think more stable than 28-60mm?
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22 minutes ago, PannySVHS said:
I think there is a misunderstanding going on here. I don't patronize you guys, still wish we all would find back to kindness. We are pretty kewl people and a bit cheek in tongue shall not lead to hurts. I try to do the same.
I actually got a few project coming up that I m gonna try with E1 instead of using C70/R5C.
I think i've gone overboard with my response and can't edit those post anymore so I m just gonna move on.
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1 hour ago, markr041 said:
Ok, feel good now about your comment on my videos? Think this makes your defense of using a fan to make the ZV E1 a strap-down long-video camera more credible? I thought it was a joke. But you are actually so lacking resources for what you do professionally that you are serious?
It must be very frustrating to be so unsuccessful in life that you cannot afford an fx3 when it is evident you need one. I don't actually think you cannot afford whatever eqipment you need, and you are just being contrarian, right?
I would love to shoot a bts video of the fan technique, but it would be embarrassing, and I never shoot anyone to embarrass them.
Meanwhile, I will enjoy making random videos of random people, whether some like them or not. With suitable equipment.
I see you like to make yourself superior by looking others who are less fortunate in terms of finance, but sorry i m just sick of you attacking people who use camera that doesn't use the same way as you do.
Of course for you it always about you you and you, it easy to see based on your comment, I wonder what happend to your life, no wonder on dpreview no one gives a shit about the all those video post you posted.
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E1 is definitely not the target audience for people who are on this forum, youtube is definitely is.
Having said that, a fan and e1 and a lens still cost way less than a fx3, and times that by 3 the price difference is quite a lot.
And seriously is that all you shoot? Just a bunch of random video with random strangers doing their own stuff that give you voyeuristic feel? Especially if you want something small so people don't notice that you are filming them in secret?
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5 hours ago, herein2020 said:
You are right, it does work if you select external monitor only. For me only the R5 and C70 work the way that I think it "should" work, but at the end of the day you can livestream and record internally with the R7 with a clean HDMI feed and it probably works the same way for the R6II.
So for me, its back to the original cripple hammer problem which is the micro HDMI port, just the two times I plugged in the HDMI cable to test this feature felt like I was going to break the port. I can kind of understand no full HDMI port on the R7, but the R6II and R5? Really Canon? My Canon Rebel has a better HDMI port than the R5.
That why I have the really thin smallrig micro hdmi to hdmi cable and hdmi connector to connect to the thick hdmi cable. I usually wrap the cable around the tripod head to make sure the cable won't rip camera apart.
But yeah micro hdmi is not idea but there are ways to get around the filmsy connector.
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10 hours ago, tosha187 said:
on card - in camera with HDMI out recording is what i was talking about.
and R6MKII not Canon cameras in general.
obviously you can record if you bring 5k of recording gear.
what bothers me is the removal of basic features that were present since forever.
Yes it can, I been doing in camera recording multi cam livestream with Canon many times on R7, R5 and now R8 beside C70 and R5C.
Don't choose the camera +hdmi option period if u need recording in camera
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Sony New Camera Launch - 29th March 2023
In: Cameras
Posted
Seems like E1 have tweaked the sensor a bit vs A7S3 in terms of noise