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+7 focal length options: 13mm 24mm 28mm 35mm 48mm 100mm 200mm (+ macro) +many other goodies... Among them, genlock... via the new Blackmagic Camera ProDock (Hello 3D! Not only though... for sure) for US$295 (next time, it will come as giveaway, very likely, what else? ; ) Simply WOW etc. https://www.apple.com/iphone-17-pro/ https://www.apple.com/iphone-17-pro/specs/ https://www.apple.com/newsroom/2025/09/apple-unveils-iphone-17-pro-and-iphone-17-pro-max/ https://www.apple.com/newsroom/2025/09/apple-announces-final-cut-camera-2-0/ Nobody is talking about TBH if this isn't a game changer, I have no idea what this means anymore... : ) Where's that Coppola's little fat girl in Ohio?

Canon managed to make a slower sensor than ZR sensor, twice the price, with less DR.

Yes I think Techart do but they are quite expensive at something like 400+ and I do need AF for some of what I do, but I need it to be highly accurate. The weakness of the old Lumix cameras such as the OG S5/S1H/S1R was forward tracking AF when ideally you needed a stopped down aperture, crop mode and some tweaks to the tracking to stand a chance. Since the S5II, not an issue, but even if there is an M to L Mount adapter with AF (and I have not been able to find one), I would not trust one to do this specific job above any better than the old Lumix system. The rest of the time, I don’t need AF and at 400+, might as well just have a cheap AF lens for this purpose. The Zr looks very interesting however as I always suspected it might. Enough to warrant any kind of flip, is too early to call and there is so much to consider such as… Zr stills mode vs S1RII stills mode I suspect is a win for Lumix being the sensor is 20mp larger and has a mech shutter. Video probably also the Lumix, especially as it has open gate which I shoot in all the time and Nikon does not…but probably can and maybe can in a future firmware release because it’s the same sensor as the S1II isn’t it? Red Raw ‘lite’ makes the Zr very interesting but where it gets even more and most interesting to me is I could build an even more compact kit, both bodies and lenses and tripods, than I currently have. Anyway, 6 or so months to consider and by that time there will be used Zr’s on MPB (so I could at least try one with their 14 day return policy) and Lumix may have brought a more cine-orientated camera to market than the current offerings as maybe, just maybe, they might ditch the current format for any S1H replacement…??

Hey everyone! I wanted to share something I've been working on for the past while - Lumap, a DCTL for Resolve that consolidates all your basic grading adjustments into one intuitive panel. The Problem I Was Trying to Solve I got tired of using complex node structures just to do basic exposure, contrast, and saturation adjustments that would look natural. Coming from a photography background using Capture One and Lightroom, I missed having simple sliders in one place that just worked without having to think about CSTs, colour spaces, and multiple different nodes. What Lumap Does Instead of wrestling with lift/gamma/gain wheels, Lumap gives you: Photometric exposure - Linear stops like changing exposure in-camera Temperature and Tint - For white balance Intelligent contrast - References your source’s format's middle grey without overcooking the toe/shoulder Brightness - Targets midtones while preserving highlights and shadows Organic highlight/shadow recovery - create organic, film-like roll-offs that seamlessly blend into your midtones Smart saturation - Preserves luminance and prevents skin tone oversaturation Film-style density - Control the intensity and depth of colours you get from subtractive saturation techniques Why Sliders Instead of Wheels? Most of us aren't using professional grading panels - we're using mice and trackpads. Sliders are just faster and more responsive for cursor input. Plus, if you're coming from photo editing, this interface will feel immediately familiar. There's a free demo version so you can test if it fits your workflow. https://www.dhyanverco.com/lumap Would love to hear your thoughts if you give it a try! And happy to answer any questions.

The only real drawbacks I see are the card slots being crammed in the battery door and the lack of EVF, lack of open gate. The interference between the screen and the headphone jack would be a minor drawback as well. Otherwise, it looks like an exceptional value stacked up against everything else that's out there. The 4" screen really reduces the need for an external monitor and I would like to see other manufacturers follow and the 32bit audio removes on more manual adjustment from the shooter's slate. I'd love to see these things integrated into another body with a slightly more professional build, and then I could be swayed to move over to Nikon. Maybe if the XLR adapter ends up working with the Z6 III that would be the move. It's also a little shameful that Lumix wasn't able to build a camera with this same sensor that doesn't overheat. I wonder how that came to be.

Agree. My point is that we can see for the first time FX3 and Zr image side by side. Nikon Zr image when R3D codec is used looks good.

Good test and comparison with Sony FX3. https://www.youtube.com/watch?v=eCBg8Tsc7Xw

Cool stuff. I look forward to trying it later this year when less busy as Lightroom is my go to for stills, but I would like to get out of Adobe in 2026. 👍