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Showing content with the highest reputation on 01/27/2020 in Posts

  1. 1 point
    Carz

    Fuji X-T4

    Nothing on the screen yet. That's the next big rumor we are all waiting on. Larger screen like the x-A7 and fully articulating would be game changing.
  2. 1 point
    BTM_Pix

    Music videos...

    Like I could ever finish anything
  3. 1 point
    BTM_Pix

    Music videos...

    Funny you should mention me in relation to Enigma because in what now seems like a previous lifetime I spent months on end in Ibiza with Michael crafting his very, very custom mixing console. And by "crafting", I of course mean getting the fucking thing to work properly.
  4. 1 point
    Yes, the S1 can output 4K 60p (in aps-c crop) 10-bit 4:2:2 to an HDMI recorder. The S1 has some nice features when paired with the native Lumix 24-105 lens, but it has some drawbacks too, particularly on a gimbal. The native lenses are pretty expensive and pretty big and heavy. I use the S1 and 24-105 f/4 on my Weebill S and it is a bit hard for me to keep under control. The 24-105 is so big that you have to slide the whole rig back real far on the weebill s and that can limit how far up you can tilt the screen (I tend to shoot close to waist level on a gimbal, so it might be less of a bother to others who hold the camera closer to eye level). Oh, and that is with the 24-105 at the 24mm end. If you zoom in, then the barrel extends a LOT and you will have to rebalance and move the camera further back on the gimbal, if that is even possible. The S1 has two zebra memory positions, but unlike the S1H, you can't show BOTH zebras at the same time. On the other hand, some good things are that: The 25-105 is about as parfocal as can be, as far as I can tell and have seen on the internets The 24-105 has minimal focus breathing. While we all know about Panasonic DFD autofcus, doing a focus pull using the touch screen is REALLY smooth. It isn't fast, but it very gently eases in to the new focus point. It probably eases out from the first focus point, too. Yes, it is far slower than my Sony cameras, but it is much, much smoother and is pretty similar to a really good manual focus pull. (Much better than I can do manually.) And speaking of manual focus pulls, the S1 allows you to set the 24-105 to a linear focus response when turning the focus ring (so much better than the typical focus by wire response), and... You can adjust the amount of degrees of rotation in the focus ring from minimum focus distance to infinity. I think you can have a minimum of 90-degrees and a max of at least 360-degrees. There is a setting that says "Maximum" but got no clue what that means. The other good news is that the Sigma MC-21 seems to work pretty well with a lot of Canon glass (at least for AF-S, there is no AF-C at this time with the SA-21 adapter and ANY lens, either sigma or canon), and your typical manual vintage FF lenses work well on the S1. That's a good thing because there isn't a whole lot of L Mount glass available now. For example, the only native 50mm lens is an f/1.4 costs around $2,300 and there isn't anything on any lens roadmap for a native 50mm f/1.8 for a couple hundred dollars. There is an 85mm f/1.8 on Panasonic's lens roadmap, but I wouldn't be surprised if it is big, heavy and expensive.
  5. 1 point
    I want to see some footage from that. Not much on youtube tbh
  6. 1 point
    Thank you for your settings, I still enjoy my NX1 more than my A7III for videos.
EOSHD C-LOG and Film Profiles for All Canon DSLRs


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