Browsing: News

I reduced the price of the Panasonic GH4 Shooter’s Guide last week to just $9.99 and it has sold well, therefore I am extending the half-price sale to the entire range of EOSHD Shooter’s Guides for the next 7 days only. If you’re looking to dive deeper into your camera knowledge or are even just curious about what the books offer – now is the perfect time.

Just as the world couldn’t get any more messed up, indie darlings Digital Bolex have added to the overall mood of pessimism, announcing they are pulling out of the camera market.

Just for 4 days, the Panasonic GH4 Shooter’s Guide will be half-price. Get it here! The Panasonic team in Osaka have been very good to us over the last few years. Now the GH5 is imminent, EOSHD takes a look at what makes the series so great and what to expect for the new model.

Today the Swedes introduced a medium format mirrorless camera, proving that a 44 x 33 sensor can in fact be compact, in terms of both the body and lenses. However the camera goes without the 4K RAW mode of the recently introduced H6-50C system with similar Sony 50MP CMOS and the H6-100C (100MP sensor). (Unhappy face).

I’ve recently had a Video Assist 4K 7″on loan from Blackmagic. Here are some observations on this newcomer to the 4K recorder party.

Why are marketing departments obsessed with action sports?

Picture – Bill Bennett, ASC (Twitter) Comment on the forum Well, it looks like the Arri Alexa 65 has some competition. Panavision have revealed a RED-Weapon-like cinema camera which shoots 8K from a full frame 41 x 21 sensor in encrypted r3d RAW format.

The camera which Panasonic can’t decide what to call (GX80 in Europe, GX85 in the US and GX7 Mark II in Japan!) really excites me. It’s the first time that anyone has put 5 axis in-body stabilisation in a 4K camera which exceeds the performance of the stunningly good Olympus 5 axis system. It’s not quite as effective as a gimbal for sweeping handheld movement, but that pain-in-the-ass tripod you can certainly dispense…