I don’t usually write about higher end cameras on EOSHD because this site is for aspiring filmmakers and always will be, but I am tech addict and I love it when barriers are broken in the field of engineering. The Sony CineAlta F65 is one such camera.
Browsing: News
The latest news on cameras, from EOSHD
[vimeo]21926626[/vimeo] EOSHD takes a look at some of the Vimeo shorts by aspiring filmmakers and professional filmmakers alike that caught my eye this week. SoMe (Trailer) by JG Harding and Thom Haig.
An interesting precursor to a Canon Super35mm 4K cinema camera? Well, they have just announced the lenses for one. Canon have produced two new very high end PL mount cinema zooms for use with PL mount digital cinema cameras like the RED Epic, Arri Alexa and Sony F35. These are Über High End expensive professional movie making zooms.
UPDATE: I have been in touch with Technicolor and they have clarified “The Technicolor CineStyle profile is going to built into current and future EOS DSLR cameras. We’re going to showcase the new log profile at NAB in the Canon space on a 5D Mark II.” Also it is a downloadable profile not a firmware update. Canon and Technicolor have announced a new feature especially for video shooters: the CineStyle…
This is a response to Stu Maschwitz / who wrote this ProLost blog a very well articulated piece on James Cameron and Peter Jackson’s plans to abandon 24p.
When the D5100 was leaked shortly before the official announcement which just occurred in Canada, the specs had video down at 30p. It now seems the new Nikon has a few significant features which we weren’t aware of from the leaked information. It does have a 24p ‘cinema mode’ The codec is ‘AVC-HD H.264’ – note the dash! Maximum recording time 20 minutes. A Nikon DSLR video mic has…
This tip will give you a 1 stop brighter exposure, a punchier image and better colour from your GH2 / AF100 and GH1. Don’t miss it.