Above: Tarkovsky shoots in the 70’s with the finest LOMO 35mm cinema optics. In 1972 the Russian master directed sci-fi classic Solaris using the very LOMO 35mm anamorphic lens which is the subject of this blog. It only took a year! Finally we can rack focus easily on an OCT18 LOMO anamorphic – with the original prime lens for maximum ‘sci-fi’ authenticity. One focus ring, with marks. Live anamorphic monitoring…
Browsing: News
The latest news on cameras, from EOSHD
Image Roberta Marrero, check out all the art here A lot of b****cks has been written recently about DSLRs. They are not ‘dead’. This is a fickle point of view and short sighted too.
There is quite possibly just one company in the world giving 100% of its sales to support Japan right now. They are Hot Rod Cameras whose PL mount adapters were used on the set of Red Tails.
Who would like some pancakes?
22318115 This video should give you a really accurate idea of how the cameras compare in video mode. All shots are in 1080/24p.
NAB 2011 is almost over for another year. It’s a big promotional event and of course a fantastic social gathering. A common theme of the DSLR scene at the moment is “we’re bored of gear lets see some really creative work”.
[vimeo]22316918[/vimeo] Ah – another DSLR short set to music with a product title in the byline! Must be awful, say the Real Filmmakers. However, hopefully you will also see revealed something about the GH2 and Nokton F0.95 combo!
At the Vegas Supermeet, Apple today announced Final Cut Pro X, 64bit. It is an absolute revelation. With one click colour grading, Open CL and all new 64bit engine, no rendering, no transcoding, 4K support and able to take advantage of more than 4GB RAM for the first time, Final Cut Pro X has been rebuilt from a blank sheet of paper.