Go here to read DPReview’s look at the D800E movie mode vs the standard D800 Please bear in mind the situation can be improved dramatically by the right in-camera picture settings and Mosaic Engineering’s anti-aliasing filter for the D800, which is under development now (as of June 2012). DPReview have updated their D800 review with comparison samples and image quality analysis versus the D800E. Along with a 2GB uncompressed file from…
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The latest news on cameras, from EOSHD
Regular followers will know I’ve been a big fan of the Sony HX9v (shooting this piece on it last year in Berlin), a compact camera and the first to do 1080/60p. The video mode of this camera (and the G lens) were superb even though it had a small chip and lacked manual control. Resolution and detail was great and the stabiliser was out of this world. The updated HX20v…
[vimeo]http://vimeo.com/43360046[/vimeo] Quick update: I’ve uploaded a new cinematography reel. These are the favourite parts of my DSLR-shot footage of the past 2 years. Enjoy!
Above: the potentially Emmy winning sensor which I had to dismantle with cocktails sticks in an attempt to get acceptably detailed video According to Vladimir Koifman at Image Sensors World, an Emmy commission jointly headed by Canon’s David O’Kelly is investigating whether CMOS sensors should be eligible for awards. O’Kelly claims advances in the technology has ‘materially affected’ television. The winner of 5 Primetime Emmy Awards, House notably made use…
The Revenge Of The Great Camera Shootout is Zacuto’s antidote to pixel peeping camera tests. It airs June 15th online, but preview showings have been taking part around the world. It aims to show how any camera from the very top (Alexa, Sony F65) down (to the iPhone) are viable filmmaking tools. Whilst I agree with Steve that creativity is overlooked too often and gear gets all the attention, I…
THREE RULES 1) Write and direct original screenplays 2) Make them with the most modern technology available 3) Self-finance them EOSHD takes a look at Francis Ford Coppola’s approach to filmmaking with the help of the 99%
I’ve had my suspicions for a while now about AVCHD footage having a different exposure on my Mac to on the camera. When I edit my GH2 and FS100 stuff natively in Adobe Premiere Pro CS5.5 or the new CS6, or preview AVCHD MTS files in VLC Player (Quicktime XÂ still does not support AVCHD) blacks are crushed and the image is darker overall with far less shadow detail than on…
[vimeo]http://vimeo.com/42091083[/vimeo] This is a torture test of the low light abilities of 3 cameras. There are three test scenes in a battered old ex-factory in the east of Berlin. The first consists of a completely pitch black room with glowing pearl lighting. The next one is in the roof is lit using a single iPhone 4S torch with the cameras ramped up to ISO 12,800. The third scene is again…