Month: May 2013

Image by Daniel Schweinerr (5D Mark III SSD attachment research) The EOSHD 5D Mark III Raw Shooter’s Guide – book now available Raw video recording on the 5D Mark III has been met with an overwhelming reception from users and a fantastic reception from most pros. Some are more guarded as they think their camera will blow up. What are the facts?

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This test was conducted jointly with my good friend and neighbour Rudi at Slashcam – you can read his take on it in German / in English. In the battle of the 1080p cameras, the game has changed. Here’s how the 5D Mark III in raw recording mode compares to the best 1080p output from the Canon C300 and 1D C.

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[vimeo]http://vimeo.com/66574661[/vimeo] Get the EOSHD Anamorphic Shooter’s Guide for a comprehensive guide to anamorphic lenses, which ones to use, how to get them and how to shoot Download the 2.5k 2560×1280 Vimeo file and playback on a 2.5K or 4K display for best results Download a pack of DNG frames from the original raw files to judge quality The spec sheet is impressive. 14bit linear bayer raw is sub-sampled from a 6K…

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Download the sample DNG frames from continuous raw video on the 600D Though most of the development at Magic Lantern has been focussed on the powerful 5D Mark III, the latest firmware builds have also been ported to the 600D. How does it perform for raw video?

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This was a great week. It is the first time we’ve seen this kind of moving image from a full frame sized sensor in raw. A pristine 2K 14bit image that’s like a 24fps digital film negative or a digital scan of VistaVision. It’s also a breakthrough for accessibility bringing raw video to many talents for the first time, when the only other accessible raw shooting cameras out there have…

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The Micro Four Thirds Speed Booster for Leica R is now in stock at Metabones! The Speed Booster for Micro Four Thirds gives cameras like the Panasonic GH2, GH3 and Blackmagic Cinema Camera a Super 35mm / APS-C sized sensor using clever optics, in the same way that the E-mount version turned cameras like the Sony FS100 and NEX 7 into valid alternatives to full frame. As well as shrinking…

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