Browsing: gh4

Reviews
0 Panasonic G85 review – is there any need to get an Olympus E-M1 Mark II for video?

Micro Four Thirds is increasingly going up-market and into pro territory, and unfortunately new Panasonic and Olympus cameras are getting more and more expensive by the day. Thankfully the G85 is a pro camera without a pro price – it represents a genuine advance over the Panasonic GH4 with cleaner low light performance, better automatic white balance and of course 5 axis in-body stabilisation.

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2 Panasonic GH5 rumours point to 10bit 4:2:2 internal codec

The first reliable rumours are coming in about the GH5. According to 43Rumors it will not be ready for Photokina, instead we might be looking at an early 2017 release date. They also appear to be confident about two other aspects – no extra crop of the sensor when shooting 4K and the codec has been bumped up to 10bit 4:2:2 internally!

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2 5 reasons why I will be getting a Panasonic GH5

Just for 4 days, the Panasonic GH4 Shooter’s Guide will be half-price. Get it here! The Panasonic team in Osaka have been very good to us over the last few years. Now the GH5 is imminent, EOSHD takes a look at what makes the series so great and what to expect for the new model.

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16 Panasonic developing 8K sensor for consumer and broadcast cameras

Panasonic froze image sensor research and development in 2011 and have only now resumed. The company has committed $80m to revitalise their image sensors business in light of growing revenue from their imaging business as a whole and hot demand for sensors. One of the goals of the $80m investment is the creation of an 8K sensor to be released in Panasonic cameras around 2018.

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2607 Panasonic GH4 vs Sony A7R II in low light – Speed Booster Shootout

When you have a Need For Speed there are two people you can call – Shane Hurlbut or Metabones. The Metabones Speed Booster adapters give us apertures as fast as F0.64 from the rare Canon EF 50mm F1.0. The XL 0.64x version fits the GH4 and turns the scruffy 2.3x crop 4K into a shiny Super 35mm unicorn. F1.2 becomes F0.88. The Ultra 0.74x version for E-mount fits the A7R II and turns the…

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2488 The importance of firmware updates and why Panasonic are too late with V-LOG for the GH4

Opinion piece, by Andrew Reid In only a few months, 57 new features have been added to the Samsung NX1. Meanwhile Panasonic have been more keen than many to evolve their products, adding a 4K Photo mode to the GH4 and 24p for 4:3 shooting, a nod to anamorphic filmmakers. But it isn’t enough. No anamorphic de-squeeze for instance and now the time it has taken for V-LOG to reach us has been too long.…

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56 Canon XC10 – should you buy one?

Canon have a real problem in my opinion. They’re not listening to enthusiasts at all. They claim the XC10 is an “enthusiast camera” and for aspiring filmmakers. Actually it is a POV camcorder where you want a bit better quality than a GoPro.

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0 A camera test with a difference – multicam shoot for “Bunny Suit” with the Sony A7S, Nikon D750 and 5 others

Berlin based band Bunny Suit (follow here on Facebook / SoundCloud) recently went into Temeplton Studio to lay down some tracks. We decided to shoot a live video of the recording which would then be synced up perfectly with the final mix of the tracks in post. The Sony A7S in this shoot is graded using the lovely “Manchester” LUT from James Miller’s Deluts pack. But there were 6 other cameras backing…

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0 Canon “exploring” 4K GH4 competitor

This is probably the most revealing interview I can remember with a Canon exec. Barney Britton and Rishi Sanyal at DPR have asked not just tough questions, but the right questions! Canon imply a small GH4-like 4K camera is “under consideration” and they want to satisfy demand from the news media industry.

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0 SLR Magic Anamorphic 2x on the Panasonic GH4 (4:3)

At Photokina 2014 I gave my first impressions of the prototype SLR Magic Anamorphic 2x on the GH4. Now I have a newer version of the lens with me in Berlin to see how it compares to my other anamorphic lenses. Unlike the previous SLR Magic Anamorphot 1.33x, this is a 2:1 anamorphic, which is the cinema standard (and the look that goes with it).

Reviews
0 SLR Magic HyperPrime CINE 10mm T2.1 Review

Two of the most exciting lenses for GH4 and BMPCC users at Photokina were the SLR Magic 10mm T2.1 and the Voigtlander 10mm F0.95. The SLR Magic wide angle is now available and gives you back your 24mm wide-end in 2.3x 4K mode. You could view it as an upgrade to the well regarded 12mm T1.6. Compared to the Voigtlander it has the advantage of less chromatic aberration, a stepless aperture…

Reviews
0 Atomos Shogun Review – Part 1

This is an early look for now, my unit has only just arrived!! I will be posting some ProRes samples in 4K from the A7S later this weekend. This is a device that’s set to unleash total magic from the Sony A7S in 4K. It also offers a way for Panasonic GH4 users to record 4K in 10bit to ProRes rather than heavily compressed 8bit 4:2:0 H.264. For the Samsung NX1 it is also…

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0 Atomos Shogun sneak peek and EOSHD review coming soon

Three of the most exciting cameras of the year, the Sony A7S, Panasonic GH4 and Samsung NX1 are about to go into a different league as far as video quality and monitoring go. The Atomos Shogun 4K monitor / recorder is now shipping ($1995 / £1220 + VAT) and one is on the way to me, scheduled to arrive this week. I plan to put it to use with all 3 of the aforementioned…

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0 Shooting with a 4K pocket camera – the exceptional Panasonic LX100

Song ‘Her’ from the EP collection ‘The Mud Here Has Memories’ by Bunny Suit. Copyright owned by Universal Music Publishing. Filmed by Andrew Reid.  Featuring guest vocals from Aurora Aksnes. Poster frame shows close-up resolving power of the LX100 at 11mm F1.7 in 4K mode. The first retro-styled camera from Panasonic is the first ever compact to shoot 4K video from a large sensor. The first compact that I would call “exceptional” in almost every respect.

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0 Interview with Panasonic – raw HDMI output may be coming to future GH4 firmware plus anamorphic aspect ratios in firmware V2.0

New firmware for the Panasonic adds higher vertical resolutions in various aspect ratios, making further use of the camera’s 4K video ability. For photographers also a brand new in-camera workflow is now available to extract high resolution stills from “4K Photo Mode”. For 4K video, resolution increases from 2160 lines in 16:9 for standard 4K to 2336 lines in 3:2, 2496 lines in 4:3 and an enormous 2880 lines in 1:1. By comparison…

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0 New SLR Magic HyperPrime CINE 10mm T2.1 lens for Micro Four Thirds (plus ND)

Following in the footsteps of their highly successful 12mm T1.6 wide angle lens for Micro Four Thirds mount, SLR Magic based in Hong Kong have developed a 10mm T2.1 lens, optimised for cinematic use. I’ll be reviewing the new lens very soon on EOSHD, the sample unit having arrived today. This has the potential to be a great wide choice for the GH4 especially in 4K mode where every millimetre counts on that…

Reviews
0 Officially announced – Metabones Canon EF Speed Booster for Micro Four Thirds and Panasonic GH4

First impressions review The long awaited active Canon EF mount Speed Booster adapter for Micro Four Thirds is finally here. I have a review sample, currently putting it through a few shoots to see how it performs. This is not the Blackmagic Pocket Cinema Camera version but the general Micro Four Thirds mount adapter, so fully compatible with most Micro Four Thirds cameras including the GH4, but not yet the E-M1 or E-M5…

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0 5 reasons the Olympus E-M1 will NOT get 4K video!

Sometimes the rumour mill is just so outrageous. I am not talking about the site admins (don’t shoot the messenger) but rather some of the sources who feed absolutely made up information. You may have heard the rumours of the Olympus E-M1 getting a 4K video firmware update, but 4K video on the E-M1 is a technical impossibility and here’s why…

Reviews
0 Evolving Sony A7S Review (Part 1)

I’ve had the A7S for over a week now and can share my initial thoughts, even some firm conclusions. Here’s one I’ve come to already – the Sony A7S is the best consumer camera Sony have ever made. For $2500 the video performance of the A7S sits between the FS700 ($8000) and F5 ($17,000) yet the full frame sensor lends more character and allows for groundbreaking low light performance.

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0 Atomos setup guide for the Panasonic GH4 and 10bit external recording

Though the Shogun has not yet been released you can still obtain one of the best HD signals available on the market from the GH4’s HDMI port. This is 10bit 4:2:2 and oversampled internally from 4K, a bit like on the Sony FS700 but for only $1699. The video above shows how to setup the camera for recording 10bit 1080p onto the Atomos Blade. In the next few days I…

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0 A great in depth review of the Panasonic GH4 by Philip Bloom

http://vimeo.com/99538435 Don’t fancy the GH4? Then the full frame Sony A7S is now in-stock at B&H Philip Bloom has his take on the Panasonic GH4 ready, the highlight for me is the footage – it simply looks superb. Great job on the grading as well. Reviewing cameras is a difficult business at the moment with so much choice, so many variables and so many different needs. However Mr Bloom does a good…

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0 Panasonic GH4 footage shot with the EOSHD Shooter’s Guide Cinema Settings

Full 4K resolution version available to download at Vimeo (for Vimeo Plus or Pro members). Non Vimeo members can view it on YouTube in 4K though at a low bitrate! 4K YouTube version Music by Poplin via the EOSHD Music Challenge I’ve been trying some run & gun shooting with no rig, just a gorilla pod and GH4 all handheld. In the process I developed three image profiles for the GH4 which I’ve…

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