Mattias Burling on the EOSHD Forum is giving us his impressions of the new Kipon / BavEyes medium format focal reducer for Sony’s full frame cameras. If all goes well, this will give the prized medium format look on full frame.
Download now for just $14.99 ($29.99 usual price) Introducing EOSHD Pro Color EOSHD Pro Color is a highly optimised in-camera profile for your Sony camera, to deliver punchy Canon-like 4K and 1080p straight out of camera. Dump the default settings and fix a host of colour issues. Apply once. Shoot. These colour correction settings are easy to apply and fundamentally change the image processor’s approach to color and white balance, lending an artists’s eye to the camera and the way it handles ambience and colour separation. The advantages include: Truer, deeper reds Greater separation of green hues for more natural looking foliage and landscapes Greater separation …
Canon have made the biggest step forward with their DSLR technology in 2016 than I’ve seen since 2009’s 5D Mark II. It isn’t the 5D Mark IV that has excited me so much as the 1D X Mark II, a camera that will see out the next 6 years as the benchmark for others to follow.
The Canon 1D C has seen dramatic price falls from $12k to $7k and finally to $5k. Now the camera is listed as discontinued at UK pro-video retailer CVP.
The video crop factors of the current 4K cameras, and an easy way to calculate crop factors…
I reduced the price of the Panasonic GH4 Shooter’s Guide last week to just $9.99 and it has sold well, therefore I am extending the half-price sale to the entire range of EOSHD Shooter’s Guides for the next 7 days only. If you’re looking to dive deeper into your camera knowledge or are even just curious about what the books offer – now is the perfect time.
Comment on the forum The new titanium PL mount SLR Magic Anamorphot cinema lenses are designed for RED users, Canon and Arri professionals. They’re also a great fit for the Sony A7S II and Samsung NX1.
The Sony FS5 has had a largely warm welcome from the video community but there has been one thing bugging a lot of owners and potential buyers alike – the quality of the internal codec. Just how good or bad is it?
We head into 2016 with a treasure chest of great cameras but how exactly do the mirrorless and DSLR cameras rank for video?
There seems to be some great optimisation under the hood of the new A7R II and A7S II firmware updates according to users on the EOSHD forum.