The Digital Bolex has stumbled into the world. It is alive. Now it must find a place for itself. Most importantly of all – is this new replicant Bolex actually convincing?
Time to find out.
If you are in LA I highly recommend going along to Hot Rod Cameras on Wednesday.
Joe of Digital Bolex will be there to answer any questions and host a try out session for the camera along with Hot Rod Camera’s Illya Friedman!
I would be there myself if I lived in LA. Have fun people!
Above: EOSHD picked up this Bolex H16 for under 400 euros – it came with a complete set of Schneider Xenon lenses
I love the 16mm and Super 16mm format and there are two cameras on the horizon that could offer very exciting images. Digital Bolex with their global shutter, raw and extensive feature set then Blackmagic with their diminutive Pocket Cinema Camera which shoots ProRes and raw.
With only weeks to go until the expected Pocket Cinema Camera shipping data I’ve been stocking up on c-mount lenses. Here’s a guide to which ones work, which ones don’t, and how to spot a bargain.
The D16 Digital Bolex – pictured above in the hands of the biggest 16mm advocate of all, Darren Aronofsky
Does the Digital Bolex have Blackmagic on the back foot? A friend Roald Christesen recently got in touch, to share some footage shot with the CCD in the upcoming Digital Bolex. He’s a developing new Cinema DNG transcoding software and has been testing the sensor as part of that process.
The image this camera produces is looking superb.