Posts Tagged ‘blackmagic cinema camera’

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The Micro Four Thirds Speed Booster for Leica R is now in stock at Metabones!

The Speed Booster for Micro Four Thirds gives cameras like the Panasonic GH2, GH3 and Blackmagic Cinema Camera a Super 35mm / APS-C sized sensor using clever optics, in the same way that the E-mount version turned cameras like the Sony FS100 and NEX 7 into valid alternatives to full frame.

As well as shrinking the image circle of a full frame lens to fit a smaller sensor, the Speed Booster lives up to its name by giving you a 1 stop increase in brightness so that F2.8 effectively becomes F2.0.

I’ve been testing the Leica R mount version of the new Micro Four Thirds Speed Booster on the Panasonic GH3 and here are some of my early observations.

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Blackmagic Production Camera (BMPC) 4K

MOUNT UPDATE: E-mount makes the most sense for this camera. Earlier today CVP had pre-orders up for a Micro Four Thirds version. That has now been taken down and CVP have confirmed to me there’s only the EF mount camera available to pre-order here.

This is just…. insane. Blackmagic are set to announce the Blackmagic Production Camera with 4K Super 35mm global shutter sensor and a Pocket Cinema Camera with Super 16mm sensor, raw and active Micro Four Thirds mount.

Apart from the form factor remaining the same, Blackmagic have done everything we could ever have hoped (dreamed?) for with the V2.0 camera. I have to say the pricing is completely bonkers. Just $1000 more for 4K AND a larger sensor AND a global shutter AND compressed Cinema DNG!

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D5200 ProRes test

In the early days of DSLR video the codec was probably the weakest part of the camera. With the advent of uncompressed HDMI out – the codec is no longer a weak point but sensor sampling becomes an Achilles Heel.

Can the Nikon D5200 benefit from a hike in image quality from using an external recorder?

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The Lens

Whilst Canon L lenses are like a fleet of company Lexus cars. This isn’t really what I want in my films. I need something different. Something with character.

For this reason I’ve long been using anamorphic lenses. I recently shot some test footage with the Iscorama 54 anamorphic. This is essentially an Iscorama 36 but instead of a 36mm rear element it is 54mm. Even though the whole lens is double the weight, not as sharp and almost triple the size I like it because it has character.

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Epic - Iscorama

Above: the Epic with anamorphic lens

In the second and final part of this mini-shootout with the Epic and Blackmagic Cinema Camera, we take a look at the resolution chart.

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The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
More EOSHD Guides