SLR Magic HyperPrime CINE 10mm T2.1 Review

[vimeo]http://vimeo.com/116985909[/vimeo]

[pullquote]Comment on the forum[/pullquote]

[pullquote]SLR Magic 10mm T2.1 is currently in-stock at B&H, click here to check current price and full specs[/pullquote]

Two of the most exciting lenses for GH4 and BMPCC users at Photokina were the SLR Magic 10mm T2.1 and the Voigtlander 10mm F0.95. The SLR Magic wide angle is now available and gives you back your 24mm wide-end in 2.3x 4K mode. You could view it as an upgrade to the well regarded 12mm T1.6. Compared to the Voigtlander it has the advantage of less chromatic aberration, a stepless aperture and focus gearing designed for video use. Other than that it’s hard to do a detailed comparison because the F0.95 isn’t out yet!

I put the lens through its paces in Berlin and here are the results.

Read moreSLR Magic HyperPrime CINE 10mm T2.1 Review

Grant Petty reveals origins of Blackmagic cameras (concept was offered to major manufacturers)

Blackmagic CEO Grant Petty has revealed he approached camera manufacturers in 2011 with the idea of producing a DSLR-style model with high dynamic range and increased video quality but was turned down.

“They don’t care about the product. Their only goal is to extract as much from the business as they can. It’s incredibly short-termist, and greedy”.

Read moreGrant Petty reveals origins of Blackmagic cameras (concept was offered to major manufacturers)

Blackmagic Pocket Cinema Camera Review – Part 1 – Worth the hype?

[vimeo]http://vimeo.com/75728395[/vimeo]

“The Pocket” is a polarising camera. It’s as tempting to rave about the camera as it is to criticise it for obvious shortcomings.

However – bottom line is that this is an extraordinary tool. It is 90% of what I loved about the Blackmagic Cinema Camera without the bulk and strange form factor. In my mind it replaces the Panasonic GH2 as the cult favourite of prosumer video because it has an absolutely beautiful film like output and a very accessible price.

Read moreBlackmagic Pocket Cinema Camera Review – Part 1 – Worth the hype?

Why Blackmagic will ship in July

Let’s go misty eyed for a second and imagine you’re shooting a Terrence Malick inspired scene at magic hour this Summer, a warm breeze drifting through the air.

The sun glints through the trees and the scene begins “action” – with 4K with a global shutter for $4000. Is this really going to happen?

Read moreWhy Blackmagic will ship in July